Building a dollhouse is a lot like writing a novel because you are God of the Universe.
Families were never what you wanted them to be. We all wanted what we couldn't have: the perfect child, the doting husband, the mother who wouldn't let go. We live in our grown-up dollhouses completely unaware that, at any moment, a hand might come in and change around everything we'd become accustomed to.
I have always been intrigued by the journals that girls keep. They are like dollhouses. Once you look inside them, the rest of the world seems very far away, even unbelievable. If only we had the power to keep outside ourselves at such moments, we would spare ourselves so much pain and fear. I'm not talking about truth or falsehood but about surviving.
I like to photograph miniature constructed scenes - I'll buy a very sad cake decoration like a plastic computer for a dreary office birthday party and construct a wildly colorful scene to put on its screen, or do a series of dollhouse chairs frozen in ice cubes.
I think because "Dollhouse" was the first story that I put out. It was the first thing that people were able to listen to and find the aesthetic of my music, so I figured we could use that as a title.
The mole can't live in your dollhouse.
"Dollhouse" was definitely inspired by the whole Edward Scissorhands vibe where all of the houses are perfect, but inside each home there are very messed up families.
I've had a lot of people come up to me after shows and tell me that "Dollhouse" really helped them with whatever they were going through with their families. I thought that was really amazing, that it could mean one thing for me but another thing for someone else.
P.S. If it's not a secret, will you tell me how you got my dollhouse inside our living room last Christmas? I know its too big to fit down the chimney. I measured.
The Spoonsize Boys steal the dollhouse toys while the cat by the fire is curled. Then away they floats in their eggshell boats, down the drains to their underground world.
I never accepted why there should be some invisible, wavy cutoff line separating Great Fiction from phosphorescent beauties and dollhouse miniatures, novels that contain a whole world in a snow globe.
There's drama in everything. That's why I love movies. Like Welcome to the Dollhouse, I'm a 350-pound black man, and I could understand what it was like to be a little white girl.
Basically it's the idea of celebrities being in the spotlight and just because you think that they should be perfect, that they're still human and they still have flaws just like everyone else. So that was the real meaning behind "Dollhouse", at least how it related to me because it's something I was annoyed with at the time.
"Dollhouse" was really insane. We shot it at this top house studio in Brookyln. It was really cool. I designed a mini dollhouse that we used. I made it all by hand and decorated each room, and we based the actual set off of that. The Dollhouse was just plain wood and I put roofing on it and everything. I got real carpet for it. It was crazy. It was definitely an interesting experience. It was the first music video I've ever made. It was definitely stressful but awesome. Everybody was really amazing on set; we just had a blast doing it.
When I was creative director [at Estée Lauder], I was always being asked about my beauty must-haves. From there I had this fun idea to create a line of what was in my makeup bag. But I also love accessories, and people associate me with home, family, and beauty. As a girl, my favorite toy was my dollhouse; if I could still play with it now, I would! I used to love a well-arranged room: the furniture, the fabric, the lighting.
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