Dimitri Quotes - Page 4

• Do you think that's, like, REAL bacon?" I whispered to Sydney and Dimitri. "And not like squirrel or something?" "Looks real to me," said Dimitri. "I'd say so too", said Sydney "Though, I guarantee it's from their own pigs and not a grocery store." Dimitri laughed at whatever expression crossed my face. "I always love seeing what worries you. Strigoi? No. Questionable food? Yes.

  Richelle Mead

  Real, Thinking, Squirrels

  Richelle Mead (2010). “Vampire Academy: Last Sacrifice”, p.120, Penguin UK

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• Fortunately for Dimitri, I had his back.

  Richelle Mead

  Richelle Mead (2010). “Last Sacrifice: A Vampire Academy Novel”, p.132, Penguin

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• The other problem in my life is Dimitri. He's the one who killed Natalie, and he's a total badass. He's also pretty good-looking. Okay-more than good-looking. He's hot-like, the kind of hot that makes you stop walking on the street and get hit by traffic. But, like I said, he's my instructor. And he's twenty-four. Both of those are reasons why I shouldn't have fallen for him. But, honestly, the most important reason is that he and I will be Lissa's guardian when she graduates. If he and I are checking each other out, then that means we aren't looking out for her.

  Richelle Mead

  Badass, Mean, Important

  Richelle Mead (2013). “Vampire Academy: The Complete Collection”, p.187, Penguin

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• "She was right about something else too," Dimitri said after a long pause. My back was to him, but there was a strange quality to his voice that made me turn around. "What's that?" I asked. "That I do still love you." With that one sentence, everything in the universe changed.

  Richelle Mead

  Love You, Voice, Long

  "Last Sacrifice". Book by Richelle Mead, December 7, 2010.

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• I don’t belong to anyone. I make my own choices." "And you’re with Adrian," said Dimitri. "But I was meant for you.

  Richelle Mead

  Choices, Said, My Own

  Richelle Mead (2010). “Last Sacrifice: A Vampire Academy Novel”, p.257, Penguin

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• Ever since Dimitri came back...no, scratch that. Ever since you became obsessed with changing him, you've been torn over me. No matter what's happened between us, you've never really given yourself over to our relationship. I wanted to believe what you told me. I thought you were ready...but you weren't.

  Richelle Mead

  Believe, Matter, Scratches

  Richelle Mead (2013). “Vampire Academy: The Complete Collection”, p.1073, Penguin

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• If Victor was frightened by Dimitri's threat, he didn't show it. His jade green eyes glanced between the two of us. "You two are a match made in heaven. Or somewhere.

  Richelle Mead

  Eye, Two, Heaven

  Richelle Mead (2008). “Shadow Kiss: A Vampire Academy Novel”, p.100, Penguin

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• Dimitri should have been here with me. That's how it was supposed to have been.

  Richelle Mead

  Should Have, Has Beens, Should

  Richelle Mead (2010). “Spirit Bound: A Vampire Academy Novel”, p.10, Penguin

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• I lost track of day and night too. My time was divided into Dimitri and not-Dimitri. He was my world. When he wasn't there, the moments were agony.

  Richelle Mead

  Night, Agony, Track

  Richelle Mead (2009). “Blood Promise: A Vampire Academy Novel”, p.167, Penguin

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• It had to be one of the weirdest things in the universe that Lissa had never come close to suspecting my feelings for Dimitri but that Adrian had figured it out.

  Richelle Mead

  Feelings, Universe

  Richelle Mead (2008). “Shadow Kiss: A Vampire Academy Novel”, p.23, Penguin

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• Who else is going?" I asked. He shrugged. "Just you and me." My mood promptly shot up past 'cheerful' and went straight to 'estatic.' Me and Dimitri. Alone. In a car. This might very well be worth a surprise test. "How far is it?" Silently, I begged for it to be a really long drive. Like, one that would take a week. And would involve us staying overnight in luxury hotels. Maybe we'd get stranded in a snowbank, and only body heat would keep us alive. "Five hours" "Oh." A bit less than I'd hoped for. Still, five hours was better than nothing. It didn't rule out the snowbank possibility, either.

  Richelle Mead

  Past, Luxury, Car

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• Yet, it had been Dimitri’s gentleness and thoughtfulness mixed with that deadliness that made him so wonderful. The same hands that wielded stakes with such precision would carefully brush the hair out of my face. The eyes that could astutely spot any danger in the area would regard me wonderingly and worshipfully, like I was the most beautiful and amazing woman in the world.

  Richelle Mead

  Beautiful, Eye, Hair

  Richelle Mead (2013). “Vampire Academy: The Complete Collection”, p.683, Penguin

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• I wasn't fooled. He was avoiding looking at me. "There's nothing to talk about." "I knew you'd say that. Actually, it was a toss-up between that and 'I don't know what you're talking about.'" Dimitri sighed.

  Richelle Mead

  Talking, Toss, Avoiding

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• Dimitri: "Don't look at me like that." Rose: "Like what?" Dimitri: "You've got this look on your face that says you think I'm delusional, but you're too nice to say anything.

  Richelle Mead

  Nice, Thinking, Rose

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• Don't cut it," he said gruffly. "But no one'll see my tattoos if I don't." "Wear it up." -Dimitri, Rose, Dimitri

  Richelle Mead

  Tattoo, Cutting, Rose

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• Dimitri seemed like the kind of guy you could throw into the wilderness and he would survive off anything.

  Richelle Mead

  Guy, Kind, Wilderness

  Richelle Mead (2010). “Last Sacrifice: A Vampire Academy Novel”, p.78, Penguin

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• To my surprise, I recognized Dimitri Belikov-Rose's boyfriend-among those doing crowd control. He was easy to spot since he was almost always taller than everyone around him. Dhampirs look very human, and even I could admit that he was pretty good-looking. There was a rugged handsomeness to him, and even in a still photograph, I could see a fierceness as he watched the crowd.

  Richelle Mead

  Rose, Looks, Crowds

  Richelle Mead (2011). “Bloodlines”, p.127, Penguin

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• VAMPIRE ACADEMY: Rose- See something you like? Dimitri- Get dressed. LAST SACRIFICE: Rose- See something you like? Dimitri- Lots

  Richelle Mead

  Sacrifice, Rose, Vampire

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• Lure him out. Send in a 'customer' with a message from me needing to meet him. I'm not the kind of person he can ignore-well, that he used to not-never mind. Once he's out, we can get him to a place we choose." I nodded. "I can do that." "No," said Dimitri. "You can't." "Why not?" I asked, wondering if he thought it was too dangerous for me. "Because they'll know you're a dhampir the instant they see you. They'll probably smell it first. No Strigoi would have a dhampir working for him-only humans." There was an uncomfortable silence in the car. "No!" said Sydney. "I am not doing that!

  Richelle Mead

  Smell, Car, Silence

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• Your hair," repeated Dimitri. His eyes were wide, almost awestruck. "Your hair is beautiful." I didn't think so, not in its current state. of course, considering we were in a dark alley filled with bodies, the choices were kind of limited. "You see? You're not one of them. Strigoi don't see beauty. Only death. You found something beautiful. One thing that's beautiful." Hesitantly, nervously, he ran his fingers along the strands I'd touched earlier. "But is it enough?" "It is for now." I pressed a kiss to his forehead and helped him stand. "It is for now.

  Richelle Mead

  Beautiful, Eye, Dark

  Richelle Mead (2010). “Last Sacrifice: A Vampire Academy Novel”, p.135, Penguin

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• I eyed Dimitri, recalling a shadow in my periphery back in the ballroom. "You followed when I jumped in front of Lissa, didn't you? Who were you going for? Me or her?" He studied me for several long seconds. He could have lied. He could have given the easy answer by saying he'd intended to push both of us out of the way-if that was even possible, which I didn't recall. But Dimitri didn't lie. "I don't know, Roza. I don't know.

  Richelle Mead

  Lying, Long, Shadow

  Richelle Mead (2010). “Last Sacrifice: A Vampire Academy Novel”, p.297, Penguin

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• Poor Dimitri Shostakovich: In the Soviet Union, he was condemned as being too radical; in the West, for being too conservative. He could please no one but the musical public. He revenged himself on both by writing a short piece called 'March of the Soviet Police.'

  Edward Abbey

  Writing, Police, Musical

  Edward Abbey (2015). “A Voice Crying in the Wilderness”, p.41, RosettaBooks

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• I spent the rest of the day doing little more than that. I skipped dinner. I shed a few tears. But mostly, I just sat on my bed thinking and growing more and more depressed. I also discovered the only thing worse than imagining Dimitri and Tasha together was remembering when he and I had been together. He would never touch me again like that, never kiss me again.

  Richelle Mead

  Kissing, Thinking, Tears

  Richelle Mead (2008). “Frostbite: A Vampire Academy Novel”, p.68, Penguin

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• We had just paid the check when Dimitri's cell phone rang. "Hello?" he answered. And like that, his face transformed. That fierceness I so associated with him softened, and he practically glowed. "No, no. It's always a good time for you to call, Roza." Whatever the response on the other end was, it made him smile.

  Richelle Mead

  Phones, Cells, Roza

  Richelle Mead (2012). “The Golden Lily: A Bloodlines Novel”, p.138, Penguin

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• You see something you like?" I asked, echoing something I'd said to him ling ago, when he'd caught me in a compromising position at school. "Lots," he said. -Rose (Roza) to Dimitri

  Richelle Mead

  School, Rose, Roza

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