I think, in a weird way, the reason I was drawn to screenwriting and the reason I really love doing it is because I love writing dialogue.
You could say that everything the musicians have learned and known over the years, all of their technical resources, are in a dialogue with the things they are discovering every time, as if it was the first time.
I think “The Book of Mormon” has made that difference in its field. It changed the game. It’s something that 20 years from now people will still be talking about, hopefully. That’s my goal as an artist, as a creator, as a work for hire, is to choose projects that make people think, make people talk, and make people interested in having a dialogue.
It's disgusting that a Broadway show can't try out anymore, that no matter where they are in the world, there is this massive dialogue going on between people damning or praising it.
I don't want to be in a movie with 20 minutes of dialogue and then stand around while the robots start explosions.
People feel uncomfortable talking about racial issues out of fear that if they express things they will be characterized in a way that's not fair. I think that there is still a need for a dialogue about things racial that we have not engaged in.
When you're an actor working in the theater, you would never say anything to the writer, never alter the dialogue, never dream to ask for changes.
China pays a great deal of attention to the Korean nuclear issue. We stand for achieving denuclearization of the peninsula in a peaceful way through dialogue and consultation to maintain peace and stability of the peninsula and Northeast Asia.
I get readings, I sometimes get five a week. You'll feel like a schizophrenic by the end of that week. I don't know who I am any more. You'll be in conversation with a friend and start spitting out dialogue.
Actually, I met a lot of directors and most of them have that fantasy to make a silent movie because for directors it's the purest way to tell a story. It's about creating images that tell a story and you don't need dialogue for that.
If you try to make a silent movie with a normal script and you just pull out the dialogue, you will have big problems with the actors because you will ask them to tell a story that you don't know.
The reason I write is that I'm not in dialogue with my emotions; writing puts me in touch with myself.
Being published in Arabic is a strong and consistent wish I have. I live in the Middle East and want to be in some sort of an unpragmatic dialogue with my neighbors.
I like what Oliver Lakes does on the saxophone. The saxophone comes pretty close to the sound of the human voice and when Oliver plays with other sax players, it's like a dialogue.
What I think improv is great for is making dialogue more natural.
I think America is going to have to think through whether it wants to uplift the political dialogue or advance an approach that divides and, frankly, can lead to violence.
So I think it's important to communicate with the people in terms of what the real facts are on these proposals and try to have a discussion and a dialogue that gives people information. I think they're hungry for that rather than just political rhetoric.
I take it very seriously, music. I think it's one of the tools that a director has with which to kind of paint. The right music can sometimes do five pages of scripted dialogue.
In business, there's a constant focus on developing strategies, reviewing executive performance against those strategies each year, engaging with opposing or different points of view, and having intellectual dialogue.
I usually do at least a dozen drafts and progressively make more-conscious decisions. Because I've always believed stories are closer to poems than novels, I spend a lot of time on the story's larger rhythms, such as sentence and paragraph length, placement of flashbacks and dialogue.
A good argument, like a good dialogue, is always a proof of life, but I'd much rather go and read a book.
The craft of writing is all the stuff that you can learn through school; go to workshops and read books. Learn characterization, plot and dialogue and pacing and word choice and point of view. Then there's also the art of it which is sort of the unknown, the inspiration, the stuff that is noncerebral.
I liked to think I had written 'scripts' when I was in high school, but looking back at them, they were about thirty pages of wannabe-Mamet dialogue with a staple through them.
I'm interested in character and dialogue and exchange of ideas.
Dialogue that is written in dialect is very tiring to read. If you can do it brilliantly, fine. If other writers read your work and rave about your use of dialect, go for it. But be positive that you do it well, because otherwise it is a lot of work to read short stories or novels that are written in dialect. It makes our necks feel funny.
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