Once upon a time," he said out loud to the darkness. He said these words because they were the best, the most powerful words that he knew and just the saying of them comforted him.
I will be brave, thought Despereaux. I will try to be brave like a knight in shining armour. I will be brave for the Princess Pea.
the story is not a pretty one. there is violence in it. And cruelty. But stories that are not pretty have a certain value, too, I suppose. Everything, as you well know (having lived in this world long enough to have figured out a thing or two for yourself), cannont always be sweetness and light.
The sound of the king's music made Despereaux's soul grow large and light inside of him.
Love is ridiculous. But love is also wonderful. And powerful. And Despereaux's love for the Princess Pea would prove, in time, to be all of these things: powerful, wonderful, and ridiculous.
Stories are light. Light is precious in a world so dark.
At the thought of being eaten by rats, Despereaux forgot about being brave. He forgot about not being a disappointment. He felt himself heading into another faint. But his mother, who had an excellent sense of dramatic timing, beat him to it; she executed a beautiful, flawless swoon, landing right at Despereaux's feet.
Reader, you must know that an interesting fate (sometimes involving rats, sometimes not) awaits almost everyone, mouse or man, who does not conform.
Despereaux marveled at his own bravery. He admired his own defiance. And then, reader, he fainted.
There are those hearts, reader, that never mend again once they are broken. Or if they do mend, they heal themselves in a crooked and lopsided way, as if sewn together by a careless craftsman. Such was the fate of Chiaroscuro. His heart was broken. Picking up the spoon and placing it on his head, speaking of revenge, these things helped him to put his heart together again. But it was, alas, put together wrong.
Stories are light. Light is precious in a world so dark. Begin at the beginning. Tell Gregory a story. Make some light.
There is nothing sweeter in this sad world than the sound of someone you love calling your name.
The world is dark, and light is precious. Come closer, dear reader. You must trust me. I am telling you a story.
Say it, reader. Say the word 'quest' out loud. It is an extraordinary word, isn't it? So small and yet so full of wonder, so full of hope.
There are hearts, reader, that never mend again once they are broken. Or if they do mend, they heal themselves in a crooked and lopsided way, as if sewn together by a careless craftsman.
But still, here are the words Despereaux Tilling spoke to his father. He said, "I forgive you, Pa!" And he said those words because he sensed that it was the only way to save his heart, to stop it from breaking in two. Despereaux, reader, spoke those words to save himself.
And hope is like love...a ridiculous, wonderful, powerful thing.
The shapes arranged themselves into words, and the words spelled out a delicious and wonderful phrase: Once upon a time.
But, reader, there is no comfort in the word "farewell," even if you say it in French. "Farewell" is a word that,in any language, is full of sorrow. It is a word that promises absolutely nothing.
The Tale of Despereaux is the story of an unlikely hero, a mouse, who falls in love with a princess and then must save her. It's a triumph of the human spirit, via a mouse.
The Tale of Despereaux came at the request of Luke, my friend's then-eight-year-old son, who asked, "Write for me the story of an unlikely hero with exceptionally large ears."
In The Tale of Despereaux, there is a lot of darkness, a lot of despair. There's also a lot of light, redemption, hope. There's forgiveness, there's friendship, there's love. But the world in all of its potential craziness is also there.
In luggage claim at the Minneapolis airport, the guy came up to me and said, "Maybe you're wrong, maybe stories do matter." I wrote that on a scrap of paper and put it above my desk. That was the thing that pushed me through to the end of telling Despereaux, that comment, "Maybe they do...maybe stories matter."
I was visiting my mother in Florida when the September 11, 2001 attacks happened. I was working on The Tale of Despereaux at that point. I had already gone into writing it with a great deal of trepidation and fear, and then this God-awful thing happens and it was really hard to even get back home to Minneapolis.
I think that that's part of how people have responded to The Tiger Rising. It's what I call my dark child. It's gotten sandwiched in between two overachieving, tap-dance-performing kids - Winn-Dixie and Despereaux.
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