Traveling is like dancing lessons from God.
Get into the habit of singing a tune. It will give you new life and fill you with joy. Get into the habit of dancing. It will displace depression and dispel hardship.
What unnerves so many liberals about talk radio? Simple: It's the unapologetic nature of the conversation, the unwavering sense of certainty. Where's the nuance? The shades of gray? We all know truth is a fragile butterfly dancing in and out of shadow and light, and these guys act as though truth is a rhino charging across a sunlit veldt.
Dancing is a gift. You are supposed to do it; it's like breathing.
I don't remember anybody ever pointing me out as a dancing prodigy, but I played a not bad second base.
There's an aesthetic theme, which is cities at two o'clock in the morning. Not cities packed with people going out to clubs and dancing but desolate, empty streets. It's off-putting but there's a strange comfort to it as well, that desolate urban environment.
I grew up as a dancer. I did tap, classical ballet, all of that. I did Indian dancing, or Bharata Natyam, classic temple dancing from Madras, originally. My mother always had the great idea that I should learn it.
I don't know what should have happened in my life, but I do know that I'm dancing as fast as I can.
I was always into performing and dancing as a kid and acting was a safe place to have all my feelings, which is good as a child.
I would always say I'm doing a video project. About dancing or birthday parties. Of course, the video becomes more than that. It goes deeper than that. But it's not a lie. It's a starting point.
Anything that provokes a visceral or spiritual response and ignites my senses. Whether it's listening to the ocean, dancing to a song I adore, feeling the wind across my face, sampling a fantastic new dish, or witnessing a phenomenal show, if I experience it before I can even think about it, it makes me come alive.
In any regime there is always something that one should agree with, and in Shades there are quite a few notions that, on the face of it, seem like a good thing - the strict adherence to good manners, the fact that learning a musical instrument is compulsory, as is dancing, performing musicals and an hour's Useful Work every day in order to properly discharge your duty to society. But a cage is still a cage, irrespective of the nature of its bars.
I feel like somehow I'm living my life mentally in reverse. It's taken me to my 30s to feel relaxed and comfortable in my skin. I think I'm going to be dancing on tables when I'm 50. I really hope I am.
When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the first lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.
I feel like fashion was much more exclusive. There weren't as many parties. There weren't as many social gatherings. It wasn't required that designers have events to lure customers or editors or any of that - it was about a show. If there was a dinner or a party, people would go out after. New York nightlife was about late nights and dancing.
In 1993, I had my Super Show in Red Square, Moscow. No one before me had ever gotten permission to use that location and my show included fashion, fireworks, and dancing. I felt like it really communicated my heartfelt belief that all human beings are wonderful and unique individuals.
I remember when I first rocked in it was a great big dance hall and Tommy Young was blowing trombone and Louis [Armstrong] was singing a tune and it was just Satchmo and you could hear it resounding through the dance hall and people were dancing. It was a highlight.
I was always the one leading the way in terms of wanting to do acting, singing and dancing.
There's still people that do it poorly... and people that do it very, very well. I think there's still an incredible spectrum. I guess there's something that's appealing in it, in that everyone on some level is a DJ. But people still go to clubs, and there's still... it is interesting - with everyone having an iPod now - when music is so personalised and things like Pandora and making your own playlists, there's something really powerful about a room full of people all dancing to the same song.
My most recent project has been acting and dancing on VH1's TV series Hit the Floor. On the show, we perform at least one dance number an episode. They are all different themes and different dance styles and keep us literally on our toes. The show is exuberant, exciting, and full of scandal. Tune in and I know you'll get addicted.
I was a martial artist. So, for me to be able to do all of the fights is a blast. It's so fun. It's like dancing, but more bad-ass. I really enjoy doing it.
My favorites are Stevie Wonder and Marvin Gaye, but those are a little off in terms of getting Detroit right on the head. But of course, you know, "Dancing In The Streets." You can't forget the Motor City. And we can't forget the Motor City.
Also, with acting and dancing I portray a predetermined character and story for the most part, with music I have the creative freedom to create a song on a whim with whomever I choose and at whatever time I choose to do it. It's more liberating artistically and that's why I've stuck with it. It's a good balance to be able to portray a character and also be myself in avenues that I'm passionate about.
Well, I would say that Shake It Up was a chance for me to do two things I really love: acting and dancing.
Shake It Up is a buddy comedy based around dance. It's about two best friends Rocky and CeCe who live out their dream as background dancers on a show called Shake It Up Chicago. They have to navigate life as young teens going to school and dancing on the show.
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