Dancers have more bones than most people and on the days when you work hard you are sure that you have somehow accumulated more bones than you started with.
Every dance is a kind of fever chart, a graph of the heart. The instrument through which the dance speaks is also the instrument through which life is lived ... the human body.
Being a dancer meant you nearly always thought about food.
To dance at all is to confront oneself. It is the art of honesty.
My dance is a sacred poem in which each movement is a word and whose every word is underlined by music. The temple in which I dance can be vague or faithfully reproduced, for I am the temple.
Ballet is more than a profession - it is a way of life.
Jumping for joy' is a very basic human reaction, and a child skipping down the street is simply an untrained dancer.
The world of dance is a natural world from which civilization has divorced many of us by making it appear remote - something reserved for the few who have a special talent.
To dance is human, to polka is divine.
All writers, musicians, artists, choreographers/dancers, etc., work with the stuff of their experiences. It's the translation of it, the conversion of it, the shaping of it that makes for the drama.
Every dancer lives on the threshold of chucking it.
As unnatural as dancing is, you have to find a natural way to do the unnatural.
I was born to be a ballerina - my physique, my spirit, my feeling for music. What I am can only be expressed in dance. I am an erotic woman and that's what dance is.
crawling about the floor like half-dead November flies is one thing, and dancing reels another.
I loved dancing with a delirious 'I wish I could die' passion, especially when the music appealed to me ... but alas! only one in ten partners had any notion of time, and what made it worse, the nine were always behind, never before the beat. ... Sometimes I would firmly seize smaller, lighter partners by the scruff of the neck, so to speak, and whirl them along in the way they should go, but I saw they were not enjoying themselves, and oddly enough I wanted these wretches to like dancing with me.
The one important thing I have learned over the years is the difference between taking one's work seriously and taking one's self seriously. The first is imperative and the second is disastrous.
Be aware of wonder. Live a balanced life - learn some and think some and draw and paint and sing and dance and play and work every day some.
My goal now is to dance all the dances as long as I can, and then to sit down contented after the last elegant tango some sweet night and pass on because there wasn't another dance left in me.
The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.
The body is your instrument in dance, but your art is outside that creature, the body.
I focus on having a feminine body, a dancer's body. I do resistance and dance and cardio. I like hiking, swimming, being active. It clears your mind and it's a good way to decompress.
I am trying to walk a tightrope; trying to keep the DJ community happy while trying to spread the message about dance music to more people. That is the mission that I am on.
When I dance, I forget everything else and just feel completely happy.
I think hip hop is a dance music that's rebellious by nature.
I want to win an Oscar. I want to be known for more than, like, going out. For being the 'party girl'. I hate that. I bust my ass when I'm filming and when I have time off, yeah, I like to go out and dance.
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