I always enjoy working with an international crew and director. But on the set of a Hollywood action film - now that's a whole other world. The sheer grand scale of the way things are done over there makes me envious; it's just so different from the way things are done in Japan.
Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.
I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.
Born alone, die alone, no crew to keep my crown or throne
The trumpet player, Ronnie Hughes, has still got his chops today but for some strange reason the culture doesn't call him because he's 83-years-old. And these people are in their 70s and 80s and 90s and came with such verve every day and would still be shooting these 10 and 12 hour days. So, that in itself made this an extraordinarily special occasion for all of us. It wasn't a job for the crew after a few days, it took on another tone.
The same advice my commanding officer at Patrol Squadron 17, Cmdr. Robert J. Quinn, gave me before I was grilled to be given the responsibility to lead a crew of 12 all over the world, ready to stop a Russian submarine preparing to wipe out an American city with a nuclear missile: ‘Always remember that common sense and communication will solve 95 percent of the challenges you face in the Navy and life.
I read the Phantom comics when I was in Australia shooting 'Dead Calm'' and when one of the crew told me that there were plans for a movie, I went for it. That was in 1987 and I told (producer) Graham Burke I was going to be the Phantom. We had a laugh about that recently because you usually get what you deserve, not what you desire, and that is especially true in Hollywood!
I basically made the movie from the crew's suggestions. For one scene, I wanted some kids' toys against the wall in Mikey's room, to give the scene texture, and we tried a field hockey stick. It looked really good to me, until someone had to say that in America, field hockey is more of a girl's game. Gradually I got tuned into the world - that happens on every movie.
I've learned that if you can keep it calm and keep it fun and loose, then that allows for ideas from the crew. I don't care where an idea comes from, whether it's the crew or my producer or the actors or anybody. I just want it to be fun, and if that's the case, then I think you make a better movie.
Sexism is real and it persists in film and television. I've seen female directors openly undermined by male cinematographers in front of the entire crew
We ran well there in the November 2012, my first race with (Tony) Gibson (as crew chief). Unfortunately, we haven't left there without a torn up race car. We got caught up in accidents in November of 2012 and then again in November 2013. We cut a tire and crashed last spring, so it'd be nice to have a good clean run with the GoDaddy car. I like Phoenix and Gibson has won there a few times. Hopefully our luck will turn around and we can have a good smooth run and get back on track.
No attempt of any kind must be made at rescuing members of ships sunk, and this includes picking up persons in the water and putting them in lifeboats, righting capsized lifeboats, and handing over food and water. Rescue runs counter to the most primitive demands of warfare for the destruction of enemy ships and crews. Be hard, remember that the enemy has no regard for women and children when he bombs German cities.
It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. Curiosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.
Some things just have a short, beautiful life, and some things have a longer one. One hopes that the things that go a long time are things that you love. It's like a relationship. The longer things go, you have to really work on that relationship with your character, with your castmates, the crew your working for, the producers, and the writers.
I don't think it's my responsibility, but I definitely try to create my own projects that are Latin-based with a Latin crew and Latin cast. I try to give all my characters Latin names whenever I can and make sure that they are of Latin heritage. But that does not work with every project.
I think in my case winning fans came as a result of winning tournaments. Certainly, I didn't have too many supporters when I came on Tour. I didn't look like an athlete, I was overweight, had a crew cut, baggy clothes and on top of that I didn't smile much. I was very serious about my game, literally and figuratively the heavy.
One of the most painful things for me was Jay Leno, Jay Leno going back on the air and saying to people that it was a choice between his writing staff and his crew, I think that really hurt a lot of show runners, because it was never a choice between our writers and our crew.
Theater will always be my first love. The time and dedication that goes into the rehearsal process with the cast and crew is something that TV/Movie acting does not offer.
As we begin to have landings on the moon, we can alternate those with vertical launch of similar crew modules on similar launch vehicles for vertical-launch tourism in space, if you want to call it that adventure travel.
As an actor on sets, Ive always clocked how hard the crew works, how much longer their days are, how much lesser their glory is - and the fact that their commitment to the work and project is unwavering, no matter the budget.
The thing that has helped me the most has been surrounding myself with a strong community of people with common interests and relevant knowledge - other directors, artists, crew talent, and smart and fun people in other fields.
If you fill your time as a director talking about lights and technique with the crew then it's frightening for the actors to be left alone. Somebody has to keep them safe from the mess that is the machinery.
Don't take no for an answer. Don't let yourself get pushed around, and don't be afraid to be the bad guy. Find a producer who will be there to back you up when things get difficult. Make sure you work with key crew that you trust.
I'm so excited to be working on Doctor Who as it's such a big and important part of British Culture. I can't wait to meet the cast and crew and start filming, especially as we'll be shooting not too far from my home town.
The truth is, I just love to work. I love being on set. I love being around crews. I love being around my fellow actors. Anything that can keep that going is a joy for me.
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