No law made by man can overturn that of the Creator without dramatically affecting society in its very foundation.
As is the case with all original creators, Charles Chaplin's working life was an amalgam of arrogant self-confidence and deflating self-doubt.
I think that white people were, no question, the creators of what we call white America.
My characters often start out with a loss of some sort, usually a loss of emotion or purpose or hope. What I do in the course of my writing is weave a thematic arc of fulfillment. It is my constant theme as a creator.
When I was in my teens I had a series of intensely religious experiences. They deepened my sense of God as the creator of all things. And they also deepened my sensitivity towards creation itself so that concern for God's creatures and animal rights followed from that. Some people think I'm an animal rights person who just happens, almost incidentally, to be religious. In fact, it's because I believe in God that I'm concerned about God's creatures. The religious impulse is primary.
I look forward to the time when the churches come to celebrate and honour the work of animal protection as an imperative arising from their belief in the Creator and in the gospel of the crucified. After all, similarly remarkable things have happened, for example, the growing consensus among churches that the environment should be cared for and protected as a Christian duty--an astonishing turnaround when one considers the prevailing dualism in previous centuries, which expressly discouraged concern for "earthly" matters as distinct from "spiritual" ones.
It took Christians many years to realize that we cannot love God and also keep humans as slaves. It has taken even longer for Christians to realize that we cannot love God and also regard women as second-class humans. Now is the time for Christians to realize that we cannot love God and hate the Creator's nonhuman creatures.
Looking back through the mists of time, I recall some distinctly religious experiences in my teens--when I was only fourteen years old to be precise. These experiences opened my mind to the idea of a Creator and that caring for other living things was a Christian duty. My parents were not strongly religious at the time and when I announced at that youthful age that I wanted to be a priest, it not unnaturally provoked some incredulity, even mirth. In the same year, I became a vegetarian, which--for family and friends--was even more vexing.
The Founding Fathers believed that our Creator gave us certain inalienable rights. The Pledge of Allegiance simply reinforces the beliefs that led to the birth of our great nation. It is an oath of our fidelity to our country, and I am disappointed that the [9th Circuit] Court chose to rule against this American treasure.
I don't know if you've ever seen this film called Elite Squad, which, actually Wagner [Moura] is the one narrating that. José Padilha, one of creators of our show, that's where the style comes from. It has a heavy narrator. But I thought about it a lot. You [the viewers] have to work for the show, unless you're bilingual. It's a really aggressive type of filming, it's engaging, you've got to read.
Fans can't ruin shows. Only creators can.
[Black-ish creator] Kenya Bariss wrote on Girlfriends. We've been friendly since then. He sent me [the pilot] and said, "I wrote it for you." But I know what that means in this industry.
Under my plan, I'll be reducing taxes tremendously, from 35 percent to 15 percent for companies, small and big businesses. That's going to be a job creator like we haven't seen since Ronald Reagan. It's going to be a beautiful thing to watch.
Superhero creators who engage in deconstruction fall into two categories: There are the guys who do it because it's easy, because it gets an audience reaction if you point out that superheroes must be a bunch of psychotic nuts. And there are the guys who do it because they're actually interested, and they're trying to get at what's going on underneath. They're interested in the process and the results.
The work on "Weeds" was wonderful! It was pure fun, from the people involved in the production to Jenji Kohan, who was the creator of the show, to Justin Kirk, who was my partner and who was terrific to work with because he's a great friend. The whole experience was just wonderful.
As a viewer myself, I tend to gravitate toward projects that have a really strong voice of a strong creator.
I guess the story that best defines us [with Bud Yorkin] and our relationship goes back to the [Dean] Martin and [Jerry] Lewis show. The four stage managers on that show became major TV creators and directors - John Rich, Jack Smight, Arthur Penn and Bud Yorkin.
Fighting for and defending the values from the pulpit is critical. You can't love the Creator, and disrespect the creation.
As a writer, author, creator of something the fact that people are still interested, is fantastic.
Every work coming from the creator is about getting the demons out, and each character in those stories had a different personal crisis to get through.
It's just people who grew up in that time are suddenly old enough to be creators themselves, but I think they have a little perspective. I'm 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the '80s and think back.
I can easily say "no" to a project if the script isn't great, but when the script is good, then I start asking the other questions. Who's going to direct it? Who's the creator? Who are the actors? When are we shooting? Where is it shooting? All that kind of stuff.
A surprise to others, but not to me, since I've watched this closely for eight years now, is how George W. Bush has internalized the founders' belief that all human beings are endowed by their Creator with a certain inherent yearning for freedom. In turn, Bush has applied this to his vision for the Middle East, believing that a democratic transformation in that region is possible, given that inherent desire for liberty within all hearts, including the hearts of Arab Muslims. People disagree with that, which is fine, but that's the Bush vision.
The American founding is not just about a group of people, a group of men. It is about an ideal: Both a vision and understanding of the very essence of democracy, constitutional government, a representative republic, and the remarkably powerful concept of being endowed by our Creator with certain unalienable rights.
There's a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future.
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