The process of acting is no different [playing human or ape]. You're embodying the character. You're creating the psychology and the physicality. You're living the moment.
Animators do amazing working translating and interpolating the characters [in the Planet of the apes], the facial performances. What we're creating on set - if you don't get it on the day, in the moment, on set, in front of the camera, with the director and the actors. The emotional content of the scene and the acting choices.
I like working together with different producers. Of course the process is different, producing a new track is like creating something all new, while reworking an already existing track is more like giving your own twist to the record.
Making music, creating lyrics comes very naturally to me.
The Obama-Clinton energy restrictions are a massive tax on the poor that disproportionately impacts communities of color. I will lift these restrictions, creating millions of jobs.
I'm starting to be a lot more comfortable with allowing people to decide for themselves and almost creating a situation that forces people to decide for themselves whether they like it or don't like it or agree with the character or disagree with the character.
The majority of fighters now are Al-Qaeda. If you want to support them, you are supporting Al-Qaeda, you are creating havoc in the region, and if this region is not stable, the whole world cannot be stable.
Prime Minister [Shinzō Abe] and I have spoken a lot, and we said all the right things, in my opinion, about creating an atmosphere of trust and friendship between our nations and peoples.
Our agreements on creating the conditions for preparing a peace treaty [with Japan] should be rooted in this trust. This may be achieved, for example, by large-scale economic activities that will also cover the Kuril Islands. It may be achieved by solving purely humanitarian issues, for instance, unhindered visa-free travel by former residents of the Southern Kuril Islands to where they used to live: visiting cemeteries, native places and so on.
No doubt, the United States and the American people are a gear country and a great people. Nobody disputes this, but talking about exceptionalism is way too much, and this is creating certain problems in relations, and not only with Russia, as I see it.
We can design things that learn, so you can grow an intelligence by creating an environment and creating things that just do it a million time faster than we do.
It's possible that Trump will have success by staging jobs theatre, rather than creating jobs. It's the inverse of what Obama did: saving an enormous amount of jobs without having the televised theatre to go along with it.
What writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.
This is a choice I made 26 years ago when I joined the magazine. Vogue was in Italian but I wanted to speak to everyone so I thought of creating images that were made to talk.
We have not looked at any particular movies [in creating War Horse], but again, it's hard not to see the similarities between those movies [because of those filmmakers' influence on the industry].
We're creating a TV show of Scrooge, starring Jamie Farr, with Buddy Hackett as Scrooge. We're shooting in this Victorian set for weeks, and Hackett is pissed all the time, angry that he's not the center of attention, and finally we get to the scene where we've gotta shoot him at the window, saying, "Go get my boots," or whatever. The set is stocked with Victorian extras and little children in Oliver kind of outfits, and the director says, "All right, Bud - just give it whatever you want." And Hackett goes off on a rant. Unbelievably obscene.
What I really like is the marriage of both [writing and acting] - for instance, with Postcards. I don't actually act in it, but I worked on it with Mike [Nichols] as I went along, creating the character, so it was a bit like acting for me.
I can't begrudge anyone who opts to get a job instead of creating one for themselves.
In terms of creating new music, I'm willing to even branch out and take a slight gamble, but I'm not going all the way far left. I'm not trying to reinvent the wheel.
Since announcing his candidacy in June of 2015, Donald Trump morphed into a national phenomenon, captivating the country, dominating news cycles day in and day out and creating a white hot debate about our national media like nothing we have seen in a long, long time.
I'm not always successful, but I take my job as a storyteller very seriously and want to make sure the audience has as much fun watching it as I am creating it.
The same as in a German neighborhood, the stores are run by Germans, and in a Chinese neighborhood they're run by Chinese. In the negro neighborhood the businesses should be owned and operated by Negroes and, thereby, they would be creating employment for Negroes.
Ingeniously, capitalism discovered that the economy may be moved not by satisfying existing needs, but by creating new ones.
When you think about the person responsible for creating the character and the dialogue, Bill Monahan, who's a Boston guy, obviously, his words roll off my tongue quite nicely.
I like writing dialogue - I can hear my characters so clearly that writing dialogue often feels as much like transcribing something as it does like creating it.
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