I learned to understand the distance a character can be from yourself and how important rehearsal can be to creating a person that feels like a person that isn't you.
As I got older, then my particular ambitions started cohering around creating a world in which people of different races or backgrounds or faiths can recognize each other's humanity, or creating a world in which every kid, regardless of their background, can strive and achieve and fulfill their potential.
My publisher feels that my readers are loyal to the voice of my stories, the characters I'm creating.
If most of the reviewers are white cis men, if most of the distributors are white cis men, most of the executives in history have been white cis men. Most of the people who have been giving awards to people are people who've already been in the business - retired white cis men. They've been creating a body of narrative forever.
If we are to believe or accept that buildings are cultural markers, if architects work in a vacuum with their own preconceptions about society, then we won't be creating appropriate cultural markers.
I want to get on to defeating ISIS, because I want to get on to creating jobs, because I want to get on to having a strong border, because I want to get on to things that are very important to me and that are very important to the country.
If you're creating a smile in yourself and also giving it to someone else, then you've started a dialogue. You also start to play.
That's why we call for a New Deal prototype. Which means we are creating the jobs - nationally funded program but locally controlled - with guidelines to achieve 100% clean renewable energy through wind, water and sun by 2030. Also to create a sustainable food system, since this is a major portion of climate emissions, and also calling for public transportation as well as infrastructure restoration including in that ecosystem restoration.
There are potentially hundreds of billion dollars, potentially more, that could be saved by moving to a clean energy system. Studies [on healthier diet] show those savings, in fact, are enough to pay the costs of creating 100% clean renewable energy.
Is such an alliance helpful to us in this day and age? Are we creating a cold war in order to justify NATO?
With living wage jobs, basically 20 million of them to help jump-start a sustainable and healthy economy, with an insured, just transition, for example, for workers in both the fossil fuel and in the weapons industry, because they all need to transition to sustainable forms of production. This is also our answer to the departure of manufacturing jobs and good jobs by creating the manufacturing base here for clean renewable energy and the efficiency systems and public transportation to put these workers to work in jobs that are actually good for them.
Family is so important and I think that is what you are doing in a relationship - you are in one way or another creating a family. And if you don't have a solid base for that, then it is never going to work.
I prefer always to think that I am creating a book, not a series of stand-alone poems.
If you are at Coca-Cola, the creative challenge is one of maintaining - rather than creating - a tremendous level of consumption for your products.
The management of creativity is more intimate. By that I mean that it deals with an individual's personal, psychological landscape. It deals with the way you create relationships. It deals with creating an atmosphere and environment that support the creative process. As a result, it is a management skill set that is inherently psychological and that encourages desired outcomes rather than demands those outcomes.
The traditional managerial mind-set is an analytical mind-set. It is about creating accountability and defining responsibilities.
Managing the creative process means selecting the best people and then letting them do their work. That means nurturing. It also means, from time to time, creating drama - even uncertainty - so that the creative environment has an edge to it, a charge, and does not run out of steam.
I am very grateful that the Russian budget has a yearly budget for film. And usually this budget goes to "auteur" cinema, which actually needs this support and which indeed contributes to creating "national culture".
I guess part of my ambivalence about pursuing music as well as acting is that acting is already one of the most difficult careers to create for yourself, I must be insane to embark on creating two careers in two of the most difficult fields. But I have really different ambitions with music; I just want to stay in love with music. I want it to continue to be a means of expression for me that feels like it's mine, and something that feels community-based.
The joy of creating is the truest joy.
Creating music and just having someone's art directs the way you think about life subconsciously.
There are people creating Photoshopped pictures of me getting beat as if I were a slave back in the day.
My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.
I want people to understand there is a such a thing as creating a harmonious experience between the dogs and the humans.
The editor, Stephen Segal, actually called me with the idea of creating an accordion book [ "The Thorn & The Blossom"], and asked if I could write a story for it. I was so intrigued! I immediately knew that it had to be a love story told from the points of view of the two main characters. Right away, I started working on a proposal. And once I had my main characters, Brendan and Evelyn, it was as though they started telling me their stories.
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