So wearing a corset certainly changes your state of mind.
Happiness is the sublime moment when you get out of your corsets at night.
It might not look it but rocking in a corset is harder than you think
I preach freedom of the mind through freedom of the body; women, for example - out of the prison of corsets.
I'm one of those strange beasts who really likes a corset.
She wore tight corsets to give her a teeny waist - I helped her lace them up - but they had the effect of causing her to faint. Mom called it the vapors and said it was a sign of her high breeding and delicate nature. I thought it was a sign that the corset made it hard to breathe.
It would be nice to really shed the corsets.
Words are like untying a corset - you can move into this great space with them.
I should get a few ribs taken out, because I'll be in a corset for the rest of my life.
Satan himself can't save a woman who wears thirty-shilling corsets under a thirty-guinea costume.
I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
I am used to wearing corsets. Even when I was first starting out it was either Shakespeare or Chekov. Everything that I was doing involved corsets. I guess I am just not destined to breathe that deeply.
I have loved corsets since I was small. When I was a child, my grandmother took me to an exhibition, and they had a corset on display. I loved the flesh color, the salmon satin, the lace.
I don't mind wearing a corset; it informs your posture, changes the way you move, you can't slouch.
Really I was open-minded about doing anything, but the one thing I didn't want to do was get myself into a corset, because I was worried I'd never get out again.
I actually enjoy wearing the corsets required in some period films.
An imaginative adventure does not enjoy the same corsets as reportage.
I'd love to be in a 1910s film - the era between the corsets and losing the corsets.
A rich woman seems to have all her banknotes about her, guarding her virtue, like a cuirass, in the lining of her corset.
In Australia I was seen as somebody who did only very modern, contemporary stuff. Then as soon as I went overseas I did two period pieces so it was like, 'When are you going to get out of the corsets?' And I was thinking I just got into them!
I have a terrible weakness for collecting snatches of other people's conversations, and occasionally I'm rewarded with unusual fragments of knowledge. My favorite of the day came from a large but shapely woman sitting nearby whom I learned was the owner of a local lingerie shop. 'Beh oui,' she said to her companion, waving her spoon for emphasis, 'il faut du temps pour la corsetterie.' You can't argue with that. I made a mental note not to rush things next time I was shopping for a corset, and leaned back to allow the waiter through with the next course.
Coco Chanel really wanted to have freedom of a man, and at first the only way she could find that freedom was through the clothes. They freed her movement; she got rid of the corset. This imposed her not as a decoration but as a real personality. She invented a new way of seductions through these clothes.
Wearing a real corset doesn't make you look thin! It just makes you look like you're going to pass out! Also it doesn't actually shape your body in any positive way.
My most recent purchase was a black lace corset.
The one thing I've come to figure out is this equation where the more uncomfortable I am, the better I'm going to look. I'm like, "This one really hurts. I must look awesome!" The corsets are uncomfortable, but they are so flattering. No, my waist will never be that small.
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