[At Conventions] they give me all the photos to sign. Star Wars, Superman. And Hammy the Pig is right up there.
[The Massachusetts constitution] resembles the federal Constitution of 1787 more closely than any of the other revolutionary state constitutions. It was also drawn up by a special convention, and it provided for popular ratification - practices that were followed by the drafters of the federal Constitution of 1787 and subsequent state constitution-makers.
[Regarding] the convention that clergymen are more virtuous than other men. Any average selection of mankind, set apart and told that it excels the rest in virtue, must tend to sink below the average.
I don't believe in convention at all. I do what I have to do to stay alive.
No convention gets to be a convention at all except by grace of a lot of clever and powerful people first inventing it, and then imposing it on others. You can be pretty sure, if you are strictly conventional, that you are following genius--a long way off. And unless you are a genius yourself, that is a good thing to do.
Every one knows about the young man who falls in love with the chorus-girl because she can kick his hat off, and his sister's friends can't or won't. But the youth who marries her, expecting that all her departures from convention will be as agile or as delightful to him as that, is still the classic example of folly.
I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4.
I think that the person who is going to be nominated will be nominated by the convention.
Art is about asking questions and engaging a dialog. By challenging or investigating conventions contemporary art helps promote an on-going sense of discovery, contemplation, and understanding. I think these are all important things.
Memoirs have dominated the literary scene now for ten or 20 or even 30 years: most of them seem to use the conventions of fiction and it's astonishing how in so many of these books people seem to be able to remember conversations that took place when they were five years old and give three pages of coherent dialogue, which is utterly impossible.
I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don't. Some artists sit at their drawing board because their personality actually dictates that.
I want you to pledge to yourselves in this convention to stand as one solid army against the foes of human labor. Think of the thousands who are killed every year and there is no redress for it. We will fight until the mines are made secure and human life valued more than props. Look things in the face. Don't' fear a governor; don't fear anybody. You pay the governor; he has the right to protect you. You are the biggest part of the population in the state. You create its wealth, so I say, let the fight go on; if nobody else will keep on, I will.
If the States were not left to leave the Union when their rights were interfered with, the government would have been National, but the Convention refused to baptize it by that name.
I'm the only member of SFWA in Nebraska, but I don't pine away for the companionship of other science fiction writers. I [go] to very few conventions. I'm quite willing to be that eccentric who has a very odd job, quite happy to be the only science fiction writer in town.
I kind of wish I'd been to these sci-fi conventions before I was on Heroes just so I could experience it from that side.
I think I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. It's not the way people talk in life at all.
I hate to see great works of literature ghettoized, whereas others that conform to the rules, conventions, and procedures of the genre we call literary fiction get accorded greater esteem and privilege. I also have a problem with how books are marketed, with certain cover designs and typefaces. They're often stamped with an identity that has nothing to do with their effect on the reader.
You don't have to follow anybody's conventions.
I have more folds than an origami convention.
At no time, at no place in solemn convention assembled, through no chosen agents, had the American people officially proclaimed the United States to be a democracy. The Constitution did not contain the word or any word lending countenance to it.
Human lives seldom conform to the conventions of fiction. Chekhov says that it is in the beginnings and endings of stories that we are most tempted to lie. I know what he means, and I agree.
My family was very engaged in the world around us. My father was an African Methodist Episcopal minister and an immigrant from Panama. He was deeply involved in civil rights causes, which scared my mother - she was also an immigrant, from Barbados, who had her hands full with six kids, and she worried that my father would get deported. But because of his passion for politics and civil rights, we paid close attention to current events. We would watch political conventions together - for fun!
A big reason I wanted to do a tour was because I'm from Michigan and not many things go to Michigan. Most conventions are in like London or Florida or California, and that's about it.
There were very strict social conventions, and you adhered to it, and I think it gave you a lot of character. When a man said something, he meant it. He wasn't kidding around. There were no jokes involved. Nobody was in the mood to joke unless you hit a guy with a baseball bat.
The lore of our fathers is a fabric of sentences. In our hands it develops and changes, through more or less arbitrary and deliberate revisions and additions of our own, more or less directly occasioned by the continuing stimulation of our sense organs. It is a pale gray lore, black with fact and white with convention. But I have found no substantial reasons for concluding that there are any quite black threads in it, or any white ones.
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