It [Cambridge] wasn't a holy grail in the sense that I'd never been to Cambridge. But then, when I did go, the contrast between Leeds, which was very black and sooty in those days, and Cambridge, which seemed like something out of a fairystory, in the grip of a hard frost, was just wonderful.
I really gravitate to the comedy of tonal contrasts. I hope that doesn't sound insufferably pretentious. What I mean is people having reactions to things that seem inappropriate, or being happy in an apparently unhappy situation.
I'm being provided with some emotional ballast by giving me an intimate portrait of one character in particular in contrast to the collective. I'm fortunate that I had very sympathetic readers, but ordinarily - if a book makes you laugh too much, it shifts from "literature" to "entertainment."
Change itself is changing. The process of evolution itself is evolving. There is a meta-evolution, or a metachange that is taking place. And in that process what you see is actually an increasing contrast between change and the eternal or the unchanging.
While it may not heighten our sympathy, wit widens our horizons by its flashes, revealing remote hidden affiliations and drawing laughter from far afield; humor, in contrast, strikes up fellow feeling, and though it does not leap so much across time and space, enriches our insight into the universal in familiar things, lending it a local habitation and a name.
Old age is not one of the beauties of creation, but it is one of its harmonies. The law of contrasts is one of the laws of beauty. Under the conditions of our climate, shadow gives light its worth; sternness enhances mildness; solemnity, splendor. Varying proportions of size support and subserve one another.
The concept of need is often looked upon rather unfavorably by economists, in contrast with the concept of demand. Both, however, have their own strengths and weaknesses. The need concept is criticized as being too mechanical, as denying the autonomy and individuality of the human person, and as implying that the human being is a machine which "needs" fuel in the shape of food, engine dope in the shape of medicine, and spare parts provided by the surgeon.
When I contrast the loving Jesus, comprehending all things in his ample and tender charity, with those who profess to bear his name, marking their zeal by what they do not love, it seems to me as though men, like the witches of old, had read the Bible backward, and had taken incantations out of it for evil, rather than inspiration for good.
Where philosophy ends, poetry must commence. There should not be a common point of view, a natural manner of thinking which standsin contrast to art and liberal education, or mere living; that is, one should not conceive of a realm of crudeness beyond the boundaries of education. Every conscious link of an organism should not perceive its limits without a feeling for its unity in relation to the whole. For example, philosophy should not only be contrasted to non-philosophy, but also to poetry.
I was in a group show at a museum in Torino, a lot of American artists installed in a floor of this museum. Another floor of the museum houses the most refined collection of arte povera in the world, which is perfectly selected and perfectly installed. I remember being struck by the contrast between the Italian works and the American. I would say the hallmarks of the Italian style are a poetical connection to nature and to materiality, materials, and exquisite taste. On contrast, the American work was essentially a bunch of bad-tempered, complaining kids.
That was one of things that surprised me so much when I was writing the poems. The contrasts between the haves and have-nots is so complicated. It's financial of course, but it's also the lifestyle choices. The more money people have the further away from each other they often want to be. So while I loved not being hungry and having new gear, etc. I missed the sounds of my neighbors and the kind of generosity people who are struggling together often show.
I think that it is not right to deny a constitutional right based on simple, derogatory information that's been reported but not investigated. By contrast, to get on the No Fly List or the Selectee list, there has to be credible evidence that the individual is either involved in a terrorist plot, has terrorist associates or is providing material support to terrorists.
Donald Trump is doing well. Trump is shocking everybody. He's shocking the Democrats. He's shocking the Republicans. He's shocking world. Contrast what's happened here in just the last three days with eight years of Barack Obama. We have had no apologizing. We've had no bowing. We've had a president of the United States actually tell the heads of state of countries where terrorism is rampant to get rid of it, to drive it out. We've had a president of the United States directly confront Iran where his our previous president threw everybody else overboard for Iran.
We don't know for a fact that Donald Trump did. We only think we know because it's been reported by how many unconfirmed, anonymous sources? Two scoops of ice cream, Trump's so selfish, guests only get one. The contrast is stark. Trump on this trip and the Trump in Washington. My contention is that Trump is Trump. What's different is the reporting.
Though youth be past, and beauty fled, The constant heart its pledge redeems, Like box, that guards the flowerless bed And brighter from the contrast seems.
And the glory of character is in affronting the horrors of depravity to draw thence new nobilities of power: as Art lives and thrills in new use and combining of contrasts, and mining into the dark evermore for blacker pits of night.
Take three conscious breaths. Just pause. Let it be a contrast to being all caught up. Let it be like popping a bubble. Let it be just a moment in time, and then go on. Maybe you are on your way to whatever you need to do for the day. You are in your car, or on the bus, or standing in line. But you can still create that gap by taking three conscious breaths and being right there with the immediacy of your experience, right there with whatever you are seeing, with whatever you are doing, with whatever you are feeling.
No matter how long it takes, the United States will find and bring to justice the terrorists who are responsible for Kayla's captivity and death, ISIL is a hateful and abhorrent terrorist group whose actions stand in stark contrast to the spirit of people like Kayla.
In the short stories - if I can make a very lumpy contrast - in the short stories I feel like the lives of the people have a kind of prior desperation and a prior need and my longing is for the story and their lives to somehow come together, even if not finally or forever, to face something; and it felt like a lot of the time with the essays I was wading into situations where there was an assumption of finality of understanding, and I felt like I could wade into any understood moment and tear it apart and make it fall apart.
Under heaven all can see beauty as beauty only because there is ugliness. All can know good as good only because there is evil. Therefore having and not having arise together. Difficult and easy complement each other. Long and short contrast each other. High and low rest upon each other. Voice and sound harmonize each other. Front and back follow one another.
Consider the Donald Trump that you have seen and watched in Saudi Arabia and now in Israel. Contrast that with the president you see and hear reported on in Washington. The two men don't even look remotely similar. This trip should not be possible. The news coming out of this trip should not be possible based on what everybody is saying about Trump in Washington. Incompetent, boorish, impolitic, rude, mean, all those things.
Three great ways to lose a lover: Talk to him the way your mother talked to your father. Berate him in public because everybody loves an audience. Contrast him to your friends, and compare him with his predecessors.
There was a time when black and navy blue suits were pretty much everything you saw. That has completely changed. People are wearing big checks, checks with browns and blues and shades of gray, and the scale is very large, and some of them are very bold with heavy contrasts.
In the past, people couldn't place me. They thought that I was Danish or English or French. They never got that I am Italian. I'm not typical, maybe because my visual education was very mixed. There was a lot of London in my aesthetic: The Face, i-D, British music, and a lot of British fashion . . . But I really enjoy this contrast.
In contrast to our own social environment which brings out different aspects of human nature and often demonstrated that behavior which occurs almost invariably in individuals within our society is nevertheless due not to original nature but to social environment; and a homogeneous and simple development of the individual may be studied.
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