I'd love to sign a contract for the soundtracks to every Wes Anderson movie, you know what I'm saying? Things like that, I have no spots on my conscience about.
When I was in Middle of The Night, MGM came and offered me a contract and I said that when I got out of the play, I'd like to try it. I didn't know anything about making movies but I was certainly finding it interesting.
I think the most surreal moment for me having been a kid who was on unemployment, was on food stamps - I'm not kidding you, to utter these words aloud is so surreal to me - but to say, "I had to give up my Super Bowl tickets for my all-expense paid research trip to Argentina's wine country," it was like, who's life is this? It was splendid, and the nice thing was that they renewed my contract for another year.
In life, some people just know that they have the power of their money. They can sign checks, contracts, and things like that. And they think they are bright just because they can sign these things because someone gave them the possibility to have this economic power over you. And they behave as censors.
Sometimes if your only approach is cutting spending at a time when the economy's contracting, then the economy will contract further.
My response [to fear of being poor]was to study contracts, finance, economics, to plan, to have a goal, to work on that goal. To learn everything I could. I always poked at the things that scared me most.
When I got drafted I was sitting at home with my Mom watching the draft live on the internet when my name popped up on the screen. We both jumped up in joy and I immediately called my Dad who was out of town for work. Everyone was thrilled and then about 10 minutes late Matt Anderson (the Marlins scout who drafted me) called to give me the news as well and to start negotiating a contract.
I first reported to our Marlins spring training complex in Jupiter as well as the other draft picks to receive physicals and to sign contracts. From there I flew to Jamestown, NY to play for the Jamestown Jammers.
Gucci Mane is my brother, Birdman also, we're working together but it is a form of brotherhood. We're friends but there is no need to contract. In a sense, I'm signed on their labels, but there is no lawyer, no contract.
There's a contract that I make between myself, the author, and the reader. I have to figure out how to give the reader certain powers of recognition, or his own knowledge, his own feelings, but I provide them, so we're working together.
I have learned patience, for sure. Pre-publication is a long waiting game, especially for authors of picture books. We write the manuscript, sign the contract, and wait. It takes a while for the art director to find an illustrator and then the illustrator works on the sketches, and depending on those first round of sketches, it could be a few more months before you see a final illustration. I was surprised at how long it takes for all the pieces to come together.
Most of the ethical dilemmas that I have faced have all been in the category of, you know, I know something and what's my obligation to disclose it. So, for example, you see people make a mistake in the contract that you're making between the businesses and do you disclose it or do you reveal it? And generally speaking, the way that I solve these is I kind of go through a list of, you know, what's the most, what are the obligations and constituencies and in what order?
It just amazed me that so many people came to see my show even to a place that I've never been to. I was independent for a long time and I knew every person who I sold my CD to. But now with a major record contract, you don't get to meet every person who buys your CD. It's a new feeling, and it's very inspiring that they have been waiting for me to come to their town and sing.
Our sacred contract is not a literal document. That's the first thing to understand. We could think of our sacred contract as a spiritual document that our soul recognizes.
You know how we say things like "I just have to be true to myself"? What does that mean? Great people always say, "There's something I was meant to do." That knowingness is what the soul understands. You have fundamental agreements that you simply feel. You can't put your finger on them because they reveal themselves to you within the context of your life through coincidence, synchronicity, and obligations you can't get out of. Together, these things form the whole of your sacred contract.
I teach Korean translation at the British Centre for Literary Translation summer school, so I see an emerging generation too, who are around my age. I'm hoping to find time to mentor, and to help emerging translators to a first contract through Tilted Axis.
There is a social contract in "Fight Club" and in "Choke" where the protagonist has deceived a whole bunch of people. In "Choke" it's all of these people who think that they've saved his life, and really care about him because they've embraced him and they've been his saviors. In "Fight Club" it's all of these people who are dying of various diseases, and they thought that Edward Norton was also dying so they allowed him really strong pent-up emotions.
You can't put passion and obsession into someone's employment contract - either you are or you aren't.
Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.
I did the drawing and writing - for five years. I made a lot of short films the whole while and I made a promise to myself in front of the mirror that I would stop drawing when I signed my first contract for a feature film.
The secret knowledge is there's nobody home but us chickens. The Constitution was written by a bunch of regular guys who tried to get together and thrash out a contract under which they could get together that would keep people together.
So, when I got the contract for my album, even though it was an English record, my manager insisted on making sure we would record in Spanish as well, and it worked out really well for me.
The Social Contract is nothing more or less than a vast conspiracy of human beings to lie to and humbug themselves for the general Good. Lies are the mortar that bind the savage individual man into the social masonry.
I have repeatedly stressed that the selfish impulses of man constitute a much less historic danger than his integrative tendencies. To put it in the simplest way: the individual who indulges in an excess of aggressive self-assertiveness incurs the penalties of society-he outlaws himself, he contracts out of the hierarchy. The true believer, on the other hand, becomes more closely knit into it; he enters the womb of his church, or party, or whatever the social holon to which he surrenders his identity.
Our focus is on the forward end of things: the customer and what does he want to do? If you're buying underwear and household items ladders and everything else - I buy all sorts of stuff on Amazon Prime - why shouldn't I buy this? Any legal document, contract or otherwise, that prevents me from doing that, I don't want to be a part of.
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