Contemporary Quotes - Page 26

• Dunbar-Ortiz strips us of our forged innocence, shocks us into new awareness, and draws a straight line from the sins of our fathers-settler-colonialism, the doctrine of discovery, the myth of manifest destiny, white supremacy, theft and systematic killing-to the contemporary condition of permanent war, invasion and occupation, mass incarceration, and the constant use and threat of state violence.

  Bill Ayers

  Father, War, Destiny

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• We need to remind ourselves that contemporary art is first of all a form of conceptual gymnastics, in which we learn to coexist with what we don't understand.

  Massimiliano Gioni

  Art, Gymnastics, Firsts

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• Men are so charmed with valor that they have pleased themselves with being called lions, leopards, eagles and dragons, from the animals contemporary with us in the geologic formations.

  Ralph Waldo Emerson

  Courage, Men, Animal

  Ralph Waldo Emerson (1870). “Society and Solitude: Twelve Chapters”, p.206, London S. Low, Son & Marston 1870.

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• There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.

  David St. John

  Powerful, Moving, Reflection

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• Underground electronic music is art - fundamentally it's based on contemporary art, culture, dance, and real music. If you look at EDM, how many of those cultural standpoints are the same?

  Seth Troxler

  Art, Real, Edm

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• This world has many rings, like Saturn, and we live now on the outmost of them all. None can say deliberately that he inhabits thesame sphere, or is contemporary, with the flower which his hands have plucked, and though his feet may seem to crush it, inconceivable spaces and ages separate them, and perchance there is no danger that he will hurt it.

  Henry David Thoreau

  Crush, Nature, Hurt

  Henry David Thoreau (2013). “A Week on the Concord and Merrimack Rivers”, p.306, Courier Corporation

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• Here is one of the fundamental defects of American fiction--perhaps the one character that sets it off sharply from all other known kinds of contemporary fiction. It habitually exhibits, not a man of delicate organization in revolt against the inexplicable tragedy of existence, but a man of low sensibilities and elemental desires yielding himself gladly to his environment, and so achieving what, under a third-rate civilization, passes for success. To get on: this is the aim. To weigh and reflect, to doubt and rebel: this is the thing to be avoided.

  H. L. Mencken

  Character, Men, Contemporary Fiction

  H. L. Mencken, Marion Elizabeth Rodgers (2010). “H.L. Mencken: Prejudices: First, Second, and Third Series”, Hubsta Ltd

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• Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society . . . loses the confidence of its own people, and its published works are used as wastepaper instead of being read.

  Aleksandr Solzhenitsyn

  Pain, People, Literature

  Open letter to the Fourth Soviet Writers' Congress (16 May 1967) as translated in "Solzhenitsyn: A Documentary Record" edited by Leopold Labedz, "The Struggle Intensifies", 1970.

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• When you look on one of your contemporary 'good copies' of historical remains, ask yourself the question: Not what style, but in what civilization is this building? And the absurdity, vulgarity, anachronism and solecism of the modern structure will be revealed to you in a most startling fashion.

  Louis Sullivan

  Fashion, Civilization, Historical

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• In contemporary society [the typical lady] is an archaism, and can't hardly understand herself unless she knows her own history.

  Emily James Smith Putnam

  Typical, Contemporary Society, Knows

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• It is possible to see slavery and serfdom merely as extreme early forms of autocratic management, in which employees had no voice whatsoever in the work process and were viewed not as human beings but as alienated forms of individual wealth. Slavery, in this sense, did not die; it continues in modern dress in contemporary organizations wherever managers exercise autocratic power, unequal status, or arbitrary privileges, no matter how scientific the terminology or postmodern the image

  Kenneth Cloke

  Exercise, Organization, Voice

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• The pace of consumption, waste and environmental change has so stretched the planet's capacity that our contemporary lifestyle, unsustainable as it is, can only precipitate catastrophes, such as those which even now periodically occur in different areas of the world ... we need to reflect on our accountability before those who will have to endure the dire consequences.

  Pope Francis

  Change, Accountability, Environmental

  Pope Francis (2016). “Care for Creation: A Call for Ecological Conversion”, p.33, Orbis Books

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• The basic question 'will I obey Christ 's teaching?' is rarely taken as a serious issue. For example, to take one of Jesus' commands, that is relevant to contemporary life, I don't know of any church that actually teaches a church how to bless people who curse them, yet this is a clear command.

  Dallas Willard

  Jesus, Teaching, Taken

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• We do not have any respect, let alone reverence, for the world of nature because we do not have any respect, let alone reverence, for ourselves. It is because we cripple and mutilate ourselves that we cripple and mutilate everything else as well. Our contemporary crisis is really our own depravity writ large.

  Philip Sherrard

  Environmental, World, Stewardship

  Philip Sherrard (1992). “Human image, world image: the death and resurrection of sacred cosmology”, Sophia Perennis

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• I grew up in New Mexico, and the older I get, I have less need for contemporary culture and big cities and all the stuff we are bombarded with. I am happier at my ranch in the middle of nowhere watching a bug carry leaves across the grass, listening to silence, riding my horse, and being in open space.

  Tom Ford

  Horse, Cities, Space

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• I suppose in a way most of my characters are non-consumers, not terribly interested in all the little baubles and artifacts of contemporary life.

  Jonathan Lethem

  Character, Littles, Way

  Source: www.believermag.com

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• I'm not at all contemporary, not even modern, and the fact that I would be so quaintly attracted to that wrestling rule makes me, I suppose, seem all the more old-fashioned. I believe in rules of behavior, and I'm quite interested in stories about the consequences of breaking those rules.

  John Irving

  Believe, Wrestling, Would Be

  Interview with Suzanne Herel, www.motherjones.com. May/June 1997.

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• Each form of the acting is different. I think it keeps your mind active. TV, film and theater are different disciplines, as are independent films, opposed to studio films. There are differences in the size and the genre, or a period drama as opposed to a contemporary drama, or the types of characters.

  Luke Evans

  Drama, Character, Independent

  Source: collider.com

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• I feel very fortunate to have been a part of many successful contemporary horror franchises.

  Corey Feldman

  Successful, Horror, Feels

  "Corey Feldman and Jamison Newlander Interview Lost Boys: the Thirst". Interview with Christina Radish, collider.com. October 10, 2010.

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• I was always obsessed with finding truly researched images to add authenticity, out of that came something totally contemporary and modern. Research is very key to my process because over and over again, reality provides more interesting images than you could have invented.

  Tom Hooper

  Reality, Keys, Interesting

  "Oscar Watch Q &A: Tom Hooper Talks Long Road to King’s Speech". Interview with Anne Thompson, www.indiewire.com. November 22, 2010.

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• A lot of contemporary American culture makes its way to this county. Cuba is not some gray, isolated backwater. This is a happening place.

  Assata Shakur

  Culture, Way, Cuba

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• It's no longer terribly sexy to own shares in certain companies; it used to be that being a shareholder in a corporation would connect you with it. The result is that people really want to invest in valuable things, and contemporary art has become a very stable material value with great growth potential.

  Thomas Koerfer

  Sexy, Art, People

  Source: www.koerferfilm.com

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• Every writer scrounges for inspiration in different places, and there's no shame in raiding the headlines. It's necessary, in fact, when attempting contemporary satire. Sharp-edged humor relies on topical reference points.

  Carl Hiaasen

  Inspiration, Different, Facts

  "Writers on Writing, Carl Hiaasen: Real Life, That Bizarre and Brazen Plagiarist" by Carl Hiaasen, archive.nytimes.com. April 24, 2000.

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• Of all the human evils, of which we have thousands of years of record and our own contemporary experiences, the most horrible evil of all is hypocrisy. It's this idea that there are those who do bad and there are those who do good, when, in fact, even the people who supposedly do good are saying they do good to mask the fact that they do evil.

  Francis Ford Coppola

  Years, Ideas, People

  Interview with Tim Ryan, editorial.rottentomatoes.com. October 15, 2010.

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• When I saw what painting had done in the last thirty years, what literature had done - people like Joyce and Virginia Woolf, Faulkner and Hemingway - in France we have Nathalie Sarraute - and paintings became so strongly contemporary while cinema was just following the path of theater. I have to do something which relates with my time, and in my time, we make things differently.

  Agnes Varda

  Virginia, Years, People

  Source: www.believermag.com

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