I would love to be the poet laureate of Coney Island.
It is with roses and locomotives (not to mention acrobats Spring electricity Coney Island the 4th of July the eyes of mice and Niagara Falls) that my poems are competing.
Heaven: The Coney Island of the Christian imagination.
Constantly risking absurdity and death whenever he performs above the heads of his audience, the poet, like an acrobat, climbs on rhyme to a high wire of his own making.
the poet like an acrobat climbs on rime to a high wire of his own making.
Sometimes I feel like the Tom Hanks character in Big. But my life is not a movie. I never have to go back to Coney Island to find the fortune-teller machine so I have to grow up again.
I took my son to Coney island, I said "wanna go in the crazy house?", he said "save your money we'll be home soon"!
There's a different kind of comfort that comes from knowing that you are putting your best foot forward. It's called psychological comfort. Look at a picture of the Coney Island boardwalk in 1925. Men were in full-on three-piece suits, hats. They may have only had one suit. But they pressed it. They made it look as good as possible.
Beauty stands and waits with gravity to start her death-defying leap
I'd go to Coney Island to hang out, and I saw a magician doing a rope trick on the boardwalk. I was fascinated. I guess that's how it started.
They can't hurt me. Sure, they can crush you and kill you. They can lay you out on 42nd and Broadway and put hoses on you and flush you in the sewers and put you on the subway and carry you out to Coney island and bury you on the Ferris wheel. But I refuse to sit here and worry about dying.
Never had there been such an opportunity for the dissemination of knowledge…. But the obverse is also true. We can have thrust upon us a false picture of reality as distorting as the trick mirrors in a Coney Island funhouse.
I had a great education. From kindergarten to John Dewey High School in Coney Island, I am public-school educated.
Back when I lived in Brooklyn, I'd sometimes take the Q train all the way out to Coney Island and back, and work on my laptop. There's something about pushy New Yorkers looking over your shoulder that really makes you produce sentences.
I'm one of relatively few stage-trained actors who doesn't much like acting on stage. It feels kind of like riding the Cyclone at Coney Island, which I did when I was eight. When it was all over, I was glad I had done it, but most of the time when it was actually happening, I was just kind of hanging on for dear life.
My family originally lived in Brooklyn. Our first apartment was a little place above my father and uncle's hardware store in Coney Island. Now, don't get the impression that we were surrounded by merry-go-rounds, roller coasters and Ferris wheels. Nope, this was a little side street.
When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.
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