The task of the architect is to encompass everything about the site, starting from the concrete conditions and the sensory impressions created by those, to memories of the place, through empathy to vision.
Black people drink lots of beer. However, you won't see us skiing down a mountain for one, or see us diving for Frisbees on concrete for one.
We perceive and interpret the outer world through a set of incredibly fine internal receptors. But we are incapable, by ourselves, of grasping or tweezing out any permanent, sharable figment of it. Practically speaking, we ritually verify what is there, and are disposed to call it reality. But, with photographs, we have concrete proof that we have not been hallucinating all our lives.
The gay life is filled with as much cruelty and loneliness as the heterosexual life... I search into my dreams or desires and try to ask myself how these feelings can be made into concrete images... Are they really abnormal, or are they trying to tell us something we have repressed about ourselves, something we don't want to see, something about the darker side of the human condition itself?
The goal of the 'liberals' - as it emerges from the record of the past decades - was to smuggle this country into welfare statism by means of single, concrete, specific measures, enlarging the power of the government a step at a time, never permitting these steps to be summed up into principles, never permitting their direction to be identified or the basic issue to be named. Thus, statism was to come, not by vote or by violence, but by slow rot - by a long process of evasion and epistemological corruption, leading to a fait accompli.
My published works are concrete evidence that I exist.
For me, writing music is a way of processing the world. It's not a concrete thing, as in, "This piece is about giraffes." It's much more of an emotional sort of thing. I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn't really confront.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
Investors don't like uncertainty. The market is telling us that they need certainty, they need to see where the economy is heading. If the government is committed to continue the Open Door policy, they will need to come up with concrete policies and execution steps to increase confidence.
I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images.
I believe more in concrete spirituality rather than in a spirituality that is divided from the body and from nature.
There's a dilemma over how to balance concrete economic interests with critical opinions on the state of human rights. It's the human rights that suffer, and that's a great price to pay.
Even in this nuclear thing, [ Donald Trump] says we should be stronger and expand. What does that mean? So, what is concrete in what he's saying?
Succesful people are all dreamers. A dream becomes an idea and then something concrete. I think it all starts with a dream.
The issue is that when you're a critic it's hard to tell the difference between the thrill of denouncing and telling the truth. Telling the truth to me feels more often like denouncing than like praising. There are many more concrete advantages in the world for people who praise than for those who denounce. So if you want to tell the truth, oftentimes you're going to err on the side of denouncing. That's just something I have to work on.
I try to mimic the pattern of memory and of thinking and the randomness of life. It's like a journey. That is the main thing about the beauty of life; that you don't cram. And not only beauty, but also the fact that there is never a concrete thing in life.
The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination.
Joseph Conrad and Heart of Darkness loom huge in my development as a writer. I think I'm always trying to write Heart of Darkness - trying to explode an abstraction in concrete terms, although I am aware that Conrad's story has a bit of baggage that I'd rather avoid in my work.
It doesn't need to be deep and it doesn't need to be a 65-point plan, but just to give some concrete examples of how this economy is going to work for the people that feel right now it's not working for them, and then finally to get to central tension of this campaign. This is a presidential campaign where you have Americans now who want to see change. And Hillary Clinton is the status quo. How can she be both status quo and change?
It's pretty obvious there's a lot of corruption in the world right now. That takes many forms. There's economic, political, religious, social corruption. Just the manipulation that takes place with all the information that people are given, and even just the way the world is presented as this concrete block, this concrete idea that there's not really an alternative at this point in the world. You can't really go off and live your own life off in your own world.
Andrew Preston and I moved to Florida, to get some air. Am I going to live there forever? No, I'm not. But I have a warehouse, all white, concrete floors, a big, big space with very high ceilings and nothing inside. And that's where I go to work, and I like that because I just like to be alone and quiet. Is it explainable as a typical fashion designer? No. But am I a typical fashion designer? I don't think so.
For me, there's no difference between what's temporary and what's definitive. I built the church in Kobe, which was supposed to be temporary, and people liked it so much that there's a version of it still there today - unlike some concrete buildings that were just built for money and that can be destroyed from one day to the next. Concrete can be very fragile during earthquakes.
There are many agreements across the so-called "world religions," at a certain level of abstraction. But when it comes to applying them in concrete situations they may lead to incompatible decisions. As an example, some people think that Christian ideas of sexual modesty suggest that homosexuals should be locked up, some people think that they mean that the churches should recongize gay marriages. But everyone believes in sexual modesty. I think there are universal moral truths, whether or not everyone accepts them. Here's one very low level but important one: it's very bad to torture people.
Most of the time the concept of globalization ends up sounding unnecessarily abstruse - even the name itself sounds clunky and highfalutin. And people discuss it in a way that makes it seem so impersonal. But globalization really is a concrete, fundamental fact in everybody's lives, and you really see that come to life in soccer stadiums.
People have their morals, but morals aren't concrete. People think because I'm a Muslim that I pray five times a day, but you're never going to see that on a day-to-day basis. People fluctuate. To me, that was the most specific way to put it, the best way to be like, "I listen to this music, but it's the most violent music on the planet." But I like it, and to make up for it, I don't say the cuss words. That's how I get away with it.
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