Composing is not a profession. It is a maniaa harmless madness.
Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo.
It seems that the increased number of scientific workers, their being split up into groups whose studies are limited to a small subject, and over-specialization have brought about a shrinking of intelligence. There is no doubt that the quality of any human group decreases when the number of the individuals composing this group increases beyond certain limits... The best way to increase the intelligence of scientists would be to decrease their number.
As to writing another book on geometry [to replace Euclid] the middle ages would have as soon thought of composing another New Testament.
I think I've done more recording in the past 10 years than most people, but it's all been directed toward film composing and soundtracks. Just the same, it's been great.
When I am composing, I try to clear my mind of having to publish, or having to sell a book or find readers. That kind of thinking gets in the way.
When the Second World War broke out, I felt that everyone must do his share, and I began composing songs and marches for the front. But soon events assumed such gigantic and far-reaching scope as to demand larger canvasses.
From an outsider's perspective, it's amazing what [Clint Eastwood] does. If he's not directing a film, he's acting in it, or rather he's composing the music for that film. His commitment to what he does is astounding for all of us to witness. It's inspiring, actually.
The next time you see a person with a composed face and a soft voice, remember that inside her mind she might be solving an equation, composing a sonnet, designing a hat. She might, that is, be deploying the power of quiet.
All these tales of people sitting down and composing symphonies just as though they were writing a letter are very much exaggerated; at least, it isn't that way in my work.
What I so like about Poussin and Cezanne is their sense of organization. Ilike the way in which they develop space and shape in architecturalcontinuity - the rhythm across their paintings. When I paint a landscape, Iget the greatest pleasure out of composing it. As I paint, I try to work outa visual sonata form or a fugue, with realistic images.
Composing's not voluntary, you know. There's no choice, you're not free. You're landed with an idea and you have responsibility to that idea.
As soon as you put men together, they somehow sink, corporatively, below the level of the worst of the individuals composing it. Collect scholars on a club committee, or men of science on a jury; all their virtues vanish, and their vices pop out, reinforced by the self-confidence which the power of numbers is bound to bestow.
Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this the fourth, the fifth The minor fall, the major lift The baffled king composing Hallelujah
For many artists fame complements the value of creative self-expression. Ludwig van Beethoven loved composing music, but he probably would have enjoyed it less if no one ever listened to the product.
You haven't time to think about the composition. In working directly from nature, the painter ends up by simply aiming at an effect, and not composing the picture at all; and he soon becomes monotonous.
When I became thoroughly acquainted with the Greek and Roman authors, I thought it incumbent upon me to do something towards the honor of the place of my nativity, and to vindicate the rhetoric of this ancient forum of our Metropolis from the aspersions of the illiterate by composing A Treatise of the Alercation of the Ancients; wherein I have demonstrated that the purity, sincerity, and simplicity of their diction is nowhere so well preserved as amongst my neighbourhood.
Gold and silver grow, and so does every other kind of metal, the same as the hair upon my head, or the wheat in the field; they do not grow as fast, but they are all the time composing or decomposing
I cannot learn creation from other people; I've got to do it myself. Now, honestly, I regret not studying - I don't know about harmonies, or anything, so if I'm composing a song, it's really hard.
Although I don't know Paul McCartney, a mutual friend told me that Paul was reading my book, This Is Your Brain on Music, and stopped after chapter two. McCartney said he was concerned that if he learned more about how he does what he does (as far as composing music), he may not be able to do it anymore!
Let us dismiss, as irrelevant to the poem per se, the circumstance ... which, in the first place, gave rise to the intention of composing a poem that should suit at once the popular and the critical taste.
Beyond the formative effects of reading on the individuals composing society, the fact that they have read the same books gives them experiences and ideas in common. These constitute a kind of shorthand of ideas which helps make communication quicker and more efficient. That is what we mean when we say figuratively of another person, We speak the same language.
It was an interesting thing to do. Why did I write any of my books, after all? For the sake of the pleasure, for the sake of the difficulty. I have no social purpose, no moral message; I've no general ideas to exploit, I just like composing riddles with elegant solutions.
Probably, indeed, the larger part of the labor of an author composing his work is critical labor; the labor of sifting, combining, constructing, expunging, correcting, testing. This frightful toil is as much critical as creative.
When you set about your composing, it may be necessary for your ease, and better distillation of wit, to put on your worst clothes, and the worse the better; for an author, like a limbeck, will yield the better for having a rag about him: besides that, I have observed a gardener cut the outward rind of a tree (which is the surtout of it) to make it bear well; and this is a natural account of the usual poverty of poets, and is an argument why wits, of all men living, ought to be ill clad.
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