My family put a lot of emphasis on homework, so there weren't too many comic books or video games for me, when I was growing up.
I didn't follow the whole 'X-Men' story because it got too complicated. I'd pick up a comic book and have no idea what was going on.
Really, though, I just want to make the kind of comics I wouldn't be embarrassed to read in public.
My fan fiction is canon.
I think writing comics is predicated on being a fan - there's no either/or. I'd argue I'm an even bigger fan now than when I started because I know how the hot dogs get made. And I kinda always saw the moving parts. I think I appreciate the good ones more now that I realize how lousy the production process can be, how hard it can be, and how easily something good can get crushed in its cogs.
I wouldn't necessarily have been making books about how to make comics if I'd really felt I knew how to make comics.
Don't slag off other creators or companies. We'll cheerfully mock dumb politicians on Twitter, but we try to never slam another creator's work or make fun of another company's projects or initiatives. First, because life's too short. We'd rather use that time to celebrate the fantastic work of colleagues and friends. Second, because it's a small world, and people have long memories. A few snarky words today can ruin a chance for an incredibly rewarding creative partnership tomorrow.
These days, you don't just break into comics once. You have to break in again and again after each job is finished.
If comics are modern mythology, then black participation and representation is crucial.
I’m not really all that familiar with comic book culture.
A comic book publisher says he's trying to increase voter turnout in the presidential election by publishing comic books about John McCain and Barack Obama. Yeah, the publisher said that the election comic books are targeted at first-time voters and long-time virgins.
You get used to it I suppose, but it's always a bit disappointing to see a comic referred to as 'by [writer]' and no one else.
We are raising a generation on the spiritual junk food of religious videos, movies, youth entertainment, and comic book paraphrases of the Bible. The Word of God is being rewritten, watered down, illustrated, and dramatized in order to cater to the taste of the carnal mind. That only leads further into the wilderness of doubt and confusion.
I just love comic books. I've always loved comic book art, and I just think it's amazing.
Mostly, I was only interested in television as a kid, and the majority of reading material I collected was an adjunct to that central concern, comic books and magazines included.
People who are readers of fiction aren't particularly interested in comic books.
No, I'm not a comic book guy. I'm pretty fascinated with the subculture though and I do think that the world of comic books is such a natural transition into film.
Comic books are what novels used to be - an accessible, vernacular form with mass appeal - and if the highbrows are right, they're a form perfectly suited to our dumbed-down culture and collective attention deficit.
At the same time, as you know, unless you are a comic book reader, Daredevil is not a known thing.
Dennis the Menace was probably the most realistic comic book ever done. No space aliens ever invaded!
I used to get a haircut every Saturday so I would never miss any of the comic books. I had practically no hair when I was a kid!
A comic will always be more 'personal' than a DVD or CD, both of which require electronic 'players' to decode their content. With comics, the reader is the player so the engagement with the material is always more fundamental and dynamic. Reading comics is a much less passive activity than consuming CDs and DVDs.
What I worry about is working in this serial medium, where people are talking about your stories before they're done, we have this instant feedback loop now. I'm very active on Tumblr and I have a very active engagement with readers and I love it, but I don't want to start writing to try to please someone else. I don't want my meter to get skewed.
The thing that makes stories memorable is the experiences they impart onto the readership and the emotions that they make those readers feel. The audience will forgive an incredible amount if you deliver them a powerful emotional experience - and, conversely, if your story is emotionally false, no amount of pyrotechnics will save it.
Self-publishing in comics is core to the whole artform. There is no scarlet letter in comics as there still is, to some degree, in prose. As no publisher for a long time would publish serious work in comics, the only way a lot of it came out was because of self-publishing. Many of the greatest works of the medium are self-published.
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