I think the erotic is very spiritual, and I never see that spiritual dimension when you look at collections of erotica. That's always missing for me.
That's important to remember: it's not just a collection of great individuals but a group of people who enjoy playing in the sandbox, thoroughly enjoying collaborative problem solving.
Savant syndrome is not a disorder in the same way as autism is a disorder or dementia is a disorder. Savant syndrome are some conditions that are superimposed and grafted on to some underlying disability. So savant syndrome is not a disease or disorder in and of itself. It is a collection of characteristics, or symptoms, or behaviors that have grafted on to the underlying disability.
The term syndrome generally appears to be a constellation, or collection, of similar traits or behaviors within an individual. So, savants do have sort of a constellation of symptoms, which is characterized by some spectacular skill, or skills, coupled with this massive memory which is grafted on to some underlying disability. So those three conditions quantify, in my mind, the term syndrome.
There is a sense that science and politics are incompatible. I don't think so at all. I think it's important that scientists take great pains to make sure that ideology and personal bias and wishful thinking do not contaminate the collection and analysis and evidence.
While I enjoy and have enjoyed great success building my own personal apparel and accessories collections, my greatest passion has and will always be real estate.
Gender inequality is not one problem, it's a collection of problems.
We are made up of an entire parliament of pieces and parts and subsystems. Beyond a collection of local expert systems, we are collections of overlapping, ceaselessly reinvented mechanism, a group of competing factions. The conscious mind fabricates stories to explain the sometimes inexplicable dynamics of the subsystem inside brain. It can be disquieting to consider the extent to which all of our actions are driven by hardwired systems doing what they do best while we overlay stories about choices.
In studying language we can discover many basic properties of this cognitive structure, its organization, and also the genetic predispositions that provide the foundation for its development. So in this respect, linguistics, first of all, tries to characterize a major feature of human cognitive organization. And second, I think it may provide a suggestive model for the study of other cognitive systems. And the collection of these systems is one aspect of human nature.
Who wrote the Bible? Current scholarship, to my knowledge, assumes that the material that constitutes the Old Testament was put together from various oral and folk traditions (many of them going far back) in the Hellenistic period. That was one of several currents, of which the collection that formed the New Testament was another.
At the beginning of his administration, Reagan tried set the basis for American military intervention in El Salvador - which is about what Kennedy did when he came into office in regard to Vietnam. Well, when Kennedy tried it in Vietnam, it just worked like a dream. Virtually nobody opposed American bombing of South Vietnam in 1962. It was not an issue. But when Reagan began to talk of involving American forces in El Salvador there was a huge popular uproar. And he had to choose a much more indirect way of supporting the collection of gangsters in power there. He had to back off.
Muhammad sets the model for being a good statesman. He also sets the model for being a good warrior, for chivalry, of nobility, of all the things which the Quran and Hadith [The recorded collections of the sayings and traditions of the Prophet] says of treating your enemy with dignity and kindness.
Lots of things are not possible for municipalities, suburbs, or collections of them now. They are not possible and they would become possible, because they would have more authority. They would have the same authority as a province now.
[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so forth, Greece. We could see the most sophisticated things that came out of the Orient - Japan, Korea, and China - some few pieces of European porcelain, majolica [tin glazed earthenware], and that sort of thing. But they had a marvelous collection.
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact with works hadn't arrived on the scene yet. That, I think, I first ran into at the Freer Gallery in Washington, D.C., where a man named Marty [Martin] Amt decided that he really felt his job - part of his job, as an assistant [to the] director was to make the collection available to interested people.
We were living with Bernard [Leach] in his home. He had a fantastic collection of early English and Japanese and Chinese and Korean pots and German pots, contemporary English work as well. And we had access to this collection.
When I started going to church, my first memories are of the minister getting up and accusing us of being full of sin, though he didn't say why; then they would pass the collection plate, and I got it in my mind that this had to do with purification of the soul, that we were being invited to buy expiation from our sins. So I gave it all up. It was too nonsensical.
Just do exactly what it is that makes you want to do what you do. The stuff I listen to in my private collection, it's what moves me, makes me want to play. I want to make other people feel like I feel when I listen to that music. Whether other people like it or criticize it - even if there's only 10 people on the planet that love it, you're touching 10 people that way.
I feel that one of the roles of the artist, in the way I define it, is that I need to be not just someone observing these tiny pockets of people on the planet who have devoted their lives to preserving whatever it is they're passionate about. I want to be them. I am one of them. I just have a different outlet and final outcome as an artist than many of them would. For them, the process can just end in holding on to it, just knowing they've got it tucked away in their private collection. I value that so much, but I feel the conversation dies in a way there.
Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year.
Philately is normally a boys' hobby but for some reason it was in vogue at my junior school. Between the ages of eight and ten I collected avidly. I'd pore over my Stanley Gibbons book, obsessively checking my collection's value. I always hoped I'd stumble across a really valuable one, a Penny Black or an Inverted Jenny, but it wasn't to be.
'Passione' is a selection of the music moments that have accompanied my youth; a collection of cherished memories, of moments, of fleeting emotions, of sleepless nights.
I love everything about books. I love the content, the way they look and even the lovely way they smell. I think a book collection says something about you as a person, and certainly my books are something I'd want to pass on for future generations.
Museums do not share their collections with other museums unless they get something in exchange. The Metropolitan will deal with the Louvre, but will they send their stuff to Memphis? No.
Jeff Smith was the Julia Child of my generation. When his television show, 'The Frugal Gourmet,' made its debut on PBS in the 1980s, it conveyed such genuine enthusiasm for cooking that I was moved for the first time to slap down cold cash for a collection of recipes.
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