The collection is a labor of love and devotion, and whenever I found free time from my journalism work, I'd work on one story or another, or at least sketch out my characters, and research various issues related to my characters' dilemmas.
After twenty years and thirty stories, thirteen pieces were finally selected and the collection was born. So far, the blurbs from [authors] Maxine Hong Kingston, Gish Jen, Robert Olen Butler, Oscar Hijuelos and others, have been most encouraging.
There's an early 2014 email from Hillary Clinton, not so long after she left the State Department, to her campaign manager John Podesta that states ISIL is funded by the governments of Saudi Arabia and Qatar. Now this is the most significant email in the whole collection, and perhaps because Saudi and Qatari money is spread all over the Clinton Foundation.
I'm not extra'd out. I got a cool little vinyl collection.
Albert Camus was never abandoned by his readers. Camus is enormously read. He's the highest selling author in the entire Gallimard collection, and has been for some years now. Sales haven't ever stopped, so to talk about rediscovering him would suggest that he isn't read anymore and that's not true.
If you're the head of the organization that has to pay salaries, bills and keep the money coming, you have to be concerned with pleasing the middle. I find it means you have to dumb down your message to something less radical than the gospel. It can't be the real gospel. It has to be "churchiness" that pleases everyone, so they come back next Sunday and keep putting money in the collection plate. I don't mean that in a cynical way. I just think it's what happens.
When we started the show [Lonesome Dove], Suzanne De Passe - who had done the original miniseries and still owned the property and was turning it into this series - she brought in a lot of old friends - Diahann Carroll and Billy Dee Williams and Dennis Weaver. And we had an interesting collection off the top of these old seasoned actors. Billy Dee was lovely and iconic.
I had this fantastic collection of Grateful Dead T-shirts and live concert music the band had give me over all these years, decades of material, and when our boys became teenagers they started going through everything and wearing the shirts and listening to the music and that's what the Grateful Dead is all about.
I have the largest private collection in the world [of Hollywood memorabilia].
Jews and Gypsies were well-nigh the only Diasporas in 19th century Europe. Now go to London, it is a collection of Diasporas.
Books were rare,expensive, time-consuming to create and copy, and difficult to transport. That is why collections ofprint-based books developed around centers of religious belief, learning, and wealth. It was cheaper andeasier for people to come to the collection than for the collection, or parts of the collection, to go to thepeople.
Now it is much faster and cheaper to bring thedocument to the user, rather than ask the user to come to the document or collection.
Collections of books and other documents, either printed or electronic, are a form of congregation.
A good collection is more than just the sum of its parts.
Every collection reflects the ideas andvalues and interests of the individual or group who developed the collection.
We have to call mass surveillance mass surveillance. We can't let governments around the world redefine, and sort of weasel their way out of it by saying this is bulk collection.
Bulk collection means all of your communications are being secretly intercepted. They are being stolen as they cross India, and they're being stored in these silos so that they can be rifled through at the convenience of secret agents, basically.
A different [Ronald] Reagan-era authority: EO 12333, an executive order for foreign-intelligence collection, as opposed to the ones we now use domestically. So this one isn't even authorized by law. It's just an old-ass piece of paper with Reagan's signature on it, which has been updated a couple times since then. So what happened was that all of a sudden these massive, behemoth companies realized their data centers - sending hundreds of millions of people's communications back and forth every day - were completely unprotected, electronically naked.
I think that some of today's focus on freedom of information and trans rights have a tendency to focus on the actions of individuals and how they should be regulated by governments. However, I think it's important to remember that it is the institutions themselves - schools, tax collection services, banks, human resources decisions, health departments, police departments, prosecutors, courts, and prisons - where the most devastating and systemic problems occur today. The scale of these problems is simply unimaginable.
In prêt-à-porter now we understandably need to make the collection satisfy the big market more, so couture is extra special.
David Foster Wallace was a brilliant experimentalist who I deeply admire. His ability to do formalism helped me understand how to tackle stories like "Dictionary" and "Failed Revolution." "Dictionary," in particular, functions against narrative in many ways - each of the definitions are their own mini-story or prose poem, and the collection of them adds up to create a different effect than the traditional Freytagian Pyramid story.
I think that's really the beauty of life, like, we're this collection of moments, this collection of experiences that we've had, or little tics that we've stolen from other people, it's like we're this amalgamation of all of that.
It's an art installation to put out a collection, with the people behind the scenes who are inventing and creating these designs and making sure they're realized on the catwalk, and just how much hangs on it for the designers. Their livelihoods hang in the balance, as far as whether this year's collection works for them or not, and there are so many people's jobs on the line, as a result of that. I just had no idea.
I went to London Fashion Week for the first time, after I got the job [on The Collection ], and it completely changed the way I perceived it. I thought, "This is a far bigger operation than I ever expected, and it has far more worth than I ever gave it before." It definitely changed my view of the fashion world.
When I was quite young I came across a collection of [Franz] Kafka stories and read "The Judgment." I was just floored by that story. I couldn't understand it. I still don't. I'm talking about something I read more than 50 years ago. That story left a little scar on me.
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