Great dancers are not great because of their technique, they are great because of their passion.
The body says what words cannot.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
There is a vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique.
When I miss class for one day, I know it. When I miss class for two days, my teacher knows it. When I miss class for three days, the audience knows it.
If you dance with your heart, your body will follow.
Choreography is simpler than you think. Just go and do, and don't think so much about it. Just make something interesting.
Ultimately there is no such thing as failure. There are lessons learned in different ways.
Movement should be approached like life - with enthusiasm, joy and gratitude - for movement is life, and life is movement, and we get out of it what we put into it.
I see dance being used as communication between body and soul, to express what it too deep to find for words.
Dance is the hidden langauge of the soul, of the body.
If words were adequate to describe fully what the dance can do, there would be no reason for all the mighty muscular effort, the discomfort, the sweat and the splendors of that art.
No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
Failure: Is it a limitation? Bad timing? It's a lot of things. It's something you can't be afraid of, because you'll stop growing. The next step beyond failure could be your biggest success in life.
A choreographic idea flows only as fast as the initiator can communicate it to bodies and see them realize it.
Good choreography fuses eye, ear and mind.
Dance every performance as if it were your last.
Animals cannot speak, but can you and I not speak for them and represent them? Let us all feel their silent cry of agony and let us all help that cry to be heard in the world.
I am sincerely trying now to create a dance technique based entirely upon corrective exercises, created with a knowledge of human anatomy; a technique which will correct physical faults and prepare a dancer for any type of dancing he may wish to follow; a technique having all the basic movements which govern the actions of the body; combined with a knowledge of the origin of movement and a sense of artistic design.
Dance is the only art of which we ourselves are the stuff of which it is made.
I dance not to entertain but to help people better understand each other. Because through dance I have experienced the wordless joy of freedom, I seek it more fully now for my people and for all people everywhere.
I'm not interested in fame and glory. It's just that I would like others to know what a happy dance this is.
Our arms start from the back because they were once wings.
Dance is not an exercise. Dance is an art.
Strong and convincing art has never arisen from theories.
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