There is a definite Chinese pop sound developing, but I was shocked at how influenced it is by American music.
Because of the Chinese culture of obedience, you don't ask questions... You follow and obey.
I have a blog in Chinese, which you can follow, Chinese signs. But I don't even update at all, often I don't.
If the United States wants access to Chinese, Indian or Vietnamese markets, we must get access to theirs. U.S. protectionism is very subtle but it is very much there.
I had various jobs, I taught a SAT class, I was a bartender, I had a day job at an office and was making short films. I got grants from NYSCA and NEA for an idea, which later became 'Huckabees,' about a guy in a Chinese restaurant who had microphones on every table and heard every personal conversation and would write perversely personal fortunes.
I think you can go back in history and look at what the effect in Asia and the world was of a divided, fractured China from, you know, the opium wars through the Chinese civil war, and I don't think it was pretty for Asia or the world.
My purpose is to create music not for snobs, but for all people, music which is beautiful and healing. To attempt what old Chinese painters called 'spirit resonance' in melody and sound.
A revolution is bloody, but America is in a unique position. She's the only country in history in a position actually to become involved in a bloodless revolution. The Russian revolution was bloody, Chinese revolution was bloody, French revolution was bloody, Cuban revolution was bloody, and there was nothing more bloody then the American Revolution. But today this country can become involved in a revolution that won't take bloodshed. All she's got to do is give the black man in this country everything that's due him, everything.
[Sun Yat-sen is a] combined Benjamin Franklin and George Washington of China.
The only part of Christian teachings which will be truly accepted by the Chinese people is Christ's injunction to be "harmless as doves" but "wise as serpents.
The humour of the Chinese people in inventing gunpowder and finding its best use in making firecrackers for their grandfathers' birthdays is merely symbolical of their inventiveness along merely pacific lines.
Of late, attempts have been made in the USA - at a high level and in a rather cynical form - to play the "Chinese card" against the USSR. This is a shortsighted and dangerous policy.
We are firmly convinced that private capital, Chinese as well as foreign, must be given liberal opportunities for broad development in postwar China; for China needs industrial growth.
The membership of our party is necessarily a small portion of the Chinese people. Only if that small portion reflects the opinions of the majority of the people's, and only if it works for their interests can the relationship between the people and the party be healthy.
All the experience the Chinese people have accumulated through several decades teaches us to enforce the people's democratic dictatorship, that is, to deprive the reactionaries of the right to speak and let the people alone have that right.
The relationship between science and the humanities is two-way. Science changes our view of the world and our place in it. In the other direction, the humanities provide the store of ideas and images and language available to us in understanding the world. The exploding star of A.D. 1054, the Crab Nebula, was sighted and documented by the Chinese, but nowhere mentioned in the West, where the Aristotelian notion of the immortality of stars still held sway. We often do not see what we do not expect to see.
I find Chinese debates about their political system domestically, but also about China's claims in the international system, to be among the most original and surprising and exciting of our time. The starting point is a system that none of us had anticipated, which I call Leninist capitalism, but also obviously because it is the most important emerging power. The question of China's relations with the United States in particular, and the rest of the world in general, is the question of war and peace in the 21st century.
What is the elephant in all our rooms? It is the global triumph of capitalism. Democracy is fiercely disputed. Freedom is under threat even in old-established democracies such as Britain. Western supremacy is on the skids. But everyone does capitalism. Americans and Europeans do it. Indians do it. Russian oligarchs and Saudi princes do it. Even Chinese communists do it... Karl Marx would be turning in his grave. Or perhaps not, since some of his writings eerily foreshadowed our era of globalised capitalism. His prescription failed but his description was prescient.
I remember in 1996 falling in love with the Chinese divers. These were people on 20 metre and 10 metre platform boards, doing stuff that you couldn't believe. Then when you saw them afterwards they were about the size of my leg. That was just sensational.
The phrase "may you live in interesting times" is the lowest in a trilogy of Chinese curses that continue "may you come to the attention of those in authority" and finish with "may the gods give you everything you ask for." I have no idea about its authenticity.
We believe in a strong dollar. Chinese financial assets are very safe.
I don't think they (the Chinese) have better friends in Africa than us. But when we compare to how much money we get, if we succeed, if the MCA is funded by the US Congress for Tanzania, it's going to be $700 Million. It's going to be huge, it may be a total of all the Chinese have been giving us all these years.
All of the Chinese people, the Asian people say, "Oh Yao Ming, you are all the Chinese, all of Asia's hopes." That's a lot of pressure. I'm just a basketball player.
You may baptize as long as you want, but the Jew remains a Jew, the Chinese a Chinese and the Negro a Negro.
Since it was announced that I had been awarded the Nobel Prize in Literature, the Chinese Foreign Ministry has condemned my works and criticized them harshly. All of my works are now banned from getting into China or being published in China. What author would want to return to a country that banned his or her books?
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