Knowledge has outstripped character development, and the young today are given an education rather than an upbringing.
In horror, character development is often pushed aside in favor of the shock value. The best genre movies to me are movies like The Shining. You had a connection to the characters in that film.
Most horror films fail to scare me. I think 'The Ring' plays more as a psychological thriller. It's smarter, there's more character development and some of the themes explored go a little deeper.
When sex is necessary for the plot of a book, or a character development, then I don't shy away from it. Why should I?
There've been many a season where I couldn't get work, and I think that you learn character development and you learn how to really want what you do in life when you can't really do it.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
Character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened, ambition inspired, and success achieved.
Character cannot be developed in ease and quiet.
Ability may get you to the top, but it takes character to keep you there.
Intelligence plus character-that is the goal of true education.
Knowledge will give you power, but character respect.
Self-control is the only possible road to character development
Character grows in the soil of experience with the fertilization of example, the moisture of ambition, and the sunshine of satisfaction. Character cannot be purchased, bargained for, inherited, rented or imported from afar. It must be home-grown. Purely intellectual development without commensurate internal character development makes as much sense as putting a high-powered sports car in the hands of a teenager who is high on drugs. Yet all too often in the academic world, that's exactly what we do by not focusing on the character development of young people.
Character is developed one positive action at a time. Therefore nothing is actually trivial in our lives. To grow in character development, pay attention to seemingly trivial matters. Someone who grows from each minor life event will eventually reach high levels of character perfection.
God uses his Word, people and circumstances to mold us. All three are indispensable for character development. God's word provides the truth we need to grow, God's people provide the support we need to grow, and circumstances provide the environment we need to grow.
God's ultimate goal for your life on earth is not comfort, but character development. He wants you to grow up spiritually and become like Christ.
That's where everything starts, as an actor: you've gotta have great writing and great character development, and then you have really great materials to work from.
There’s more time spent on teaching kids about recycling than on character development in the American schools.
In a great horror movie, you've gotta have some character development and you've gotta set some of your people up and you've gotta have a little back story going. You've gotta take that time for exposition.
Children are 25 percent of the population but 100 percent of the future. If we wish to renew society, we must raise up a generation of children who have strong moral character. And if we wish to do that, we have two responsibilities: first, to model good character in our own lives, and second, to intentionally foster character development in our young.
God has a program of character development for each of us. He wants others to look at our lives and say, He walks with God, for he lives like Christ.
I love the Russian absurdists - [Nikolai] Gogol,[Daniil] Kharms, and [Vladimir] Bulgakov. Even within the Russian experimentalists, there's a lineage of traditional narrative, conflict, and character development, which I find vital to my storytelling.
Character development is what I value most as a reader of fiction. If an author can manage to create the sort of characters who feel fully real, who I find myself worrying about while Im walking through the grocery store aisles a week later, that to me is as close to perfection as it gets.
I feel that Pride and Prejudice is an incredibly well constructed novel on every level. The dialogue is great. The character development is great. The plotting is great. The pacing is great. The language is great.
As with editing, I think my strength as a writer is structure. It's not a skill that's much discussed when we discuss fiction, or not as much as language or character development anyway, but it's the first thing I determine before I begin writing - not just books, but anything. I think I know how to pace a narrative well. I think I'm aware of repetition, that I try to create different kinds of sentences as often as I can. Those are all things I learned from magazine editing.
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