The urge is always with me to retouch yesterday's canvas with today's paintbrush and cover the things that fill me with regret.
If they keep exposing you to education, you might even realize some day that man becomes immortal only in what he writes on paper, or hacks into rock, or slabbers onto a canvas, or pulls out of a piano.
I find that it is important to work slowly. Anyone who looks at such a canvas will follow the same path the artist took, and he will experience that it is the path which counts more than the outcome of it, and that the route taken has been the most interesting part.
You put a blob of yellow here, and another at the further edge of the canvas: straight away a rapport is established between them. Colour acts in the way that music does.
Before I put brush to canvas, I question, 'Is this mine? ...Is it influenced by some idea which I have acquired from some man? ...I am trying with all my skill to do a painting that is all of women, as well as all of me.
Put a colour upon a canvas - it not only colours with that colour the part of the canvas to which the colour has been applied, but it also colours the surrounding space with the complementary.
The canvas has an idiotic stare and mesmerises some painters so much that they turn into idiots themselves.
If hindrances obstruct the way, Thy magnanimity display. And let thy strength be seen: But O, if Fortune fill thy sail With more than a propitious gale, Take half thy canvas in.
Heaven speed the canvas, gallantly unfurl'd, To furnish and accommodate a world, To give the Pole the produce of the sun, And knit the unsocial climates into one.
The thoughts we choose to think are the tools we use to paint the canvas of our lives.
I see for others... in order to put on canvas the sudden apparitions which come to me.
Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand. By using the technique of embroidery, which is traditionally employed to represent femininity and applying it to the expression of its opposite, I hope to challenge the pre-conceived notion that 'women's work' is light and easy. Aiming to represent the effects of hard work arising from employment in low paid 'ancillary' jobs, such as cleaning, caring and catering, all traditionally considered to be 'women's work'.
Take the birds which you'll have noticed in so many of my recent paintings. I never thought them up, they just materialized of their own accord; they were born on the canvas... it is absurd to read any sort of symbolic significance into them.
People think you can get out your canvas and paint any time you have a free moment. You can't. Commercial art and painting are entirely different. Painting takes a different mental approach. You have to get the right attitude, the right mood.
Of course, when one is faced with a canvas, one is no longer alone, and the sense of solitude diminishes. This can be an agreeable passage of time. In fact, solitude then becomes a kind of companion.
Cold exactitude is not art... The so-called consciousness of the majority of painters is only perfection applied to the art of boring. People like that, if they could, would work with the same minute attention on the back of their canvas.
Light - dews - breezes - bloom - and freshness; not one of which... has yet been perfected on the canvas of any painter in the world.
[...] marriage is one thing, and love is another...You need to have a solid canvas; nobody stops you to weave the arabesques.
My belief is that it is most important for an artist to develop an approach and philosophy about life - if he has developed this philosophy, he does not put paint on canvas, he puts himself on canvas.
One of my favorite beauty products is Vincent Longo Water Canvas creamy blush. I have it in every color and I've been using it for 5 years and that's all I put on when I leave the house. It looks so natural I just put a little bit on my cheeks to give them some color.
Lenelle Moïse's poems render the abstract - policy, disaster, history, diaspora - specific. Her words make the political not just personal, but corporeal: the beautiful system of the human body as canvas and subject, perfect in all its attendant complications and complexity, and still ruled, undeniably, by a warm, beating heart.
The challenge of yoga is to go beyond our limits - within reason. We continually expand the frame of the mind by using the canvas of the body. It is as if you were to stretch a canvas more and create a larger surface for a painting. But we must respect the present form of our body. If you pull too much at once, we will rip the canvas. If the practice of today damages the practice of tomorrow, it is not correct practice.
The art of avoiding extremes is an art that is drawn on the canvas of maturity and painted with the abstract strokes of many experiences.
I don’t like to talk about what my paintings mean since they are so personal, so I like to leave it up to the viewer’s interpretation. It’s very strange to pour your heart out onto canvas and then put it on display for the whole world to see.
The painter puts brush to canvas, and the poet puts pen to paper. The poet has the easier task, for his pen does not alter his rhyme.
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