At the end of the day, the TV show is the best job in the world. I get to go anywhere I want, eat and drink whatever I want. As long as I just babble at the camera, other people will pay for it. It's a gift.
I like to know where the camera is.
Being an anchor is not just a matter of sitting in front of a camera and looking pretty.
You know, when cameras are rolling, improvisation doesn't feel natural. The pressure is too great. You're on a time schedule. You've got 60 crewmen.
If there were camera phones back in the day, the biggest athletes in the world would have had a lot of explaining to do.
At almost forty years old, I assumed my career on camera was over. And I was certainly given that message by all the TV managers and news directors who passed on me when I was trying to get a job back in the business.
I don't know if I always want to be in front of the camera. I love producing, I love the camaraderie. I love the adventures. I love the stress.
As long as I have enough money for makeup artists, everything is okay. I feel young and very free. But one day, my face will be too old for the camera.
Being in front of a camera, in a nice dress, getting all dressed up is extreme. There's a lot of other extreme situations, you know, just getting out of bed sometimes is extreme - but I do it. Just got to do it, just got to get up. Put your sweatpants on, brush off the dog hair and just get out of the house!
You know, everyone says, 'Modeling and acting are so similar'... they say, 'It's so natural for models to become actresses because they use the camera.' I don't think of it in that way.
I think I've spent more time in front of a camera than off camera. That's just the way it is.
I know there's been a lot that's been said about animated voice work, as though it's 'you can do this in your jeans and there's no camera and no pressure there. It's no big deal. It's easy.' The truth is, it's really a great test: how deep is your ability is to access your imagination?
So many actors are not open in front of the camera - they have a persona.
There's nothing like the energy in a small comedy club room or a small theater when it's going really well. I can see everybody's face practically in the whole room. There's no cameras in the way, and it's just me.
Some people, myself in particular, have an adversarial relationship with the camera, and it sprouts up in every photograph.
It is totally different making films in the East than in the West. In the East, I make my own Jackie Chan films, and it's like my family. Sometimes I pick up the camera because I choreograph all the fighting scenes, even when I'm not fighting. I don't have my own chair. I just sit on the set with everybody.
I've walked with very famous people down red carpets over to the crowd of thousands of people, and you'll reach out to shake their hand and they've got a camera in their hand. And they don't even get their hand out, because they're recording the whole time.
It doesn't matter if they're in front of the camera or behind the camera. I know women who are producers who are surviving on nothing but juice and almonds.
I don't like people who are hypocritical, who pretend to be nice, particularly in show business when they're nice on camera, and then off camera they're absolutely appalling to the makeup people, or the waitress in a restaurant, you know? I don't like - I can't bear those kind of people. So I like people who are, you know, up front in your face.
I am a big fan of photography, more of being behind the camera - so when I get the opportunity to work with such great photographers, I always try and learn from their technique.
Sometimes you will do a close-up for a scene in the morning where you are totally distraught, then shoot the rest of that scene seven hours later. How do you hang on to that feeling all day without burning up, without going so far that you have nothing left to give when the cameras roll again?
The reason bin Laden staggered the planes going into the towers was so every camera would be focused on the second tower when the plane hit. It was not only the murder, but the perpetual image of the horror that permeated into people's consciousness.
With acting, you wanna see if you can get into trouble without knowing how you're gonna get out of it. It's like the exact opposite of war, where you need an exit strategy. When you're acting, you should get all the way into trouble with no exit strategy, and have the cameras rolling.
Cars and cameras are the two things I let myself be materialistic about. I don't care about other stuff.
Hey, I fool the camera. I'm a liar, a magician.
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