I come from nowhere Brooklyn, New York. Williamsburg, Brooklyn. These days Williamsburg is kind of a hip area, but when I grew up there, the taxi drivers wouldn't even go over the bridge, it was so dangerous.
When Charles first saw our child Mary, he said all the proper things for a new father. He looked upon the poor little red thing and blurted, "She's more beautiful than the Brooklyn Bridge."
I recorded this album in a windowless room in Brooklyn by myself. I think Chamber of Reflection sums the album up better than Salad Days to tell you the truth.
You'll find little schools of musicians experimenting with different ways of making music in Brooklyn, all through Manhattan, in Queens, in Jersey, you know? The city is still bubbling with creativity.
Comparing the Brooklyn that I know with Manhattan is like comparing a comfortable and complacent duenna to her more brilliant and neurotic sister.
I came up in Brooklyn singing doo-wop music from the time I was 13 to the time I was 20. That music served a purpose of keeping a lot of people out of trouble, and also it was a passport from one neighborhood to another.
If the British prose style is Churchillian, America is the tobacco auctioneer, the barker; Runyon, Lardner, W.W., the traveling salesman who can sell the world the Brooklyn Bridge every day, can put anything over on you and convince you that tomatoes grow at the South Pole.
There's a tree that grows in Brooklyn. Some people call it the Tree of Heaven. No matter where its seed falls, it makes a tree which struggles to reach the sky.
My parents were very Old World. They come from Brooklyn, which is the heart of the Old World. Their values in life are God and carpeting.
I knew what the Dodgers uniform represented as a kid growing up in Brooklyn.
I have a day job Monday to Friday. I work at a record label in Brooklyn called Ba Da Bing. It's a great indie label and I listen to music all day. I meet people online and find out about the cool new music blogs.
I've worked over four dozen nine-to-five jobs before taking the chance to chase my dream of wanting to become an actor and filmmaker. Growing up in Brooklyn and Harlem, working at jobs like the bus company were great. I had benefits, a great salary, and security. But it wasn't my dream.
MAD FREE is simply described as "Liberating Conversations with Revolutionary Women about Beauty, Image and Power". It began as a Salon series in NY loft in Brooklyn as a salve to my broken heart after Honey Magazine folded. It was not because of the readership or because the market wasn't there; the company that held it collapsed, which I was the last editor in chief of.
I saw all those great '70s films when I was 9, and no one in my Brooklyn neighborhood cared if a kid watched an R movie.
I feel a real connection to Brooklyn, certainly, because I spent 20 years of my life there, but I don't think of myself as a Brooklyn artist any more than I think of myself as a male artist.
I met Muslim immigrants in Brooklyn who were swept up in 9-11 raids, held in abusive conditions, beaten, denied rights. That's how things started in Germany. Guantanamo was modeled after what Stalin developed for the Gulag.
I'm an animal. I'm an animal in real-life and an animal onstage. I never became a recluse, I never lived up in the Hills where I didn't see real life. You know what I mean? I'm not still living in Brooklyn, but I'm still living in the street. I go out by myself, I don't go out with a million body guards, I run my own errands.
The beautiful thing about having grown up in Brooklyn is, because of the rich cultural and racial diversity there, no one seemed to give too much thought to where I fit on the racial spectrum. But there were times when I would run up against someone who was interested in figuring out what race was. That would come as a surprise, and in some cases, like a slap in the face.
I grew up in northern New Jersey - the banlieue of New York - and I now live in Brooklyn. I am separated from my parents by about 50 miles, but really there is almost no distance between us. I speak to them nearly every day.
America has spent as of one month ago $6 trillion in the Middle East. And in our country we can't afford to build a school in Brooklyn or we can't afford to build a school in Los Angeles. And we can't afford to fix up our inner cities. We can't afford to do anything.
I learned a great deal doing Brooklyn Bridge. I was able to take a giant step into the terrible reality that was then. We saw the cattle cars that took folks away. Just knowing it was real, it would be impossible not to feel.
I really consider myself a Californian, but I have those great comedic roots in Brooklyn.
My relationship to Brooklyn is probably the relationship that any 40-year-old man has to his hometown, which is that this is where I live, this what I know, yet it's different, it's changed. My fascination with the city has maybe subsided and now it's just where I'm from, where I live.
I started off in Brooklyn, New York, with a small loan and built a business that today is worth well over $10 billion.
I can tell by your eye shadow, you're from Brooklyn, right? . . . Me too. My mother has plastic covers on all the furniture. Even the poodle. Looked like a barking hassock walking down the street.
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