When I was on Broadway, people would really just recognize me around the theater. When you're showing up on commercials and posters, the scope of people recognizing you gets a little wider.
For performances I have my favorite go to's like Prince, Donna Summer, Vanity 6, Sheila E, but it also depends on the type of show I am giving. I could pull references from Broadway musicals, Rock Steady Crew, a Jamaican dancehall or gentlemen's club, etc. all within one show. It truly is a playground with no restrictions for me.
I remember my mom had a conversation with Sam Jackson about what she should do with our careers and what the next step should be; I was eight and my brother was nine. He said, "You need to get them on Broadway."
People see a lot of huge stuff on Broadway, but there's always Off-Broadway energy and also shows that you can work in.
It's probably my favorite part of my whole showbiz experience, is Broadway. The community of Broadway. That feeling that happens every night.
I wouldn't mind doing Broadway, but I am definitely trying to get a album out there first.
There's something about being a part of Broadway and going backstage. You know, like when I go to see a show now and going backstage and saying "Hi" to the cast. It's so thrilling. It's so beyond my wildest dreams from when I was a kid.
I'm hoping to do a Broadway musical on the life of Rasputin. He's someone I can definitely identify with.
A good analogy [Charlie Hebdo] in lots of ways is "South Park" - the hugely popular American cartoon show - and the things that the "South Park" creators have created, like "The Book Of Mormon," the Broadway musical. If I were a devout Mormon, I would be offended by a lot of things that go on in "The Book Of Mormon," right? It mocks mercilessly the pretensions to truth of Mormonism and the pretensions to virtue of Mormon missionaries.
When I first arrived (in New York), it seemed to me the most terrifying city in the world... all those big buildings. I remember walking on Broadway, looking up at this huge, mountainous place-and being so lonely. But things started to clear up when I met a few people on the street whom I'd met before-all of a sudden there got to be a certain familiarity about the place, and the terror kind of evaporated. There was a lot of playing going on, and the New Yorkers, of course, were a completely different crowd from what I'd known.
What about Broadway? Yes, I'm involved with a new musical based on 'The Adams Family.'
I got my first paycheck as a cast member in the Broadway production of 'HAIR' when I was 16 years old.
When I'm working, on stage, entertaining people, or watching someone do something amazing, it inspires me to be the best artist that I can be. I enjoy being around art - whether it be a museum, a Broadway show - or even writing a poem. Those are things that make me feel alive and inspire me.
At the premiere of Hairspray on Broadway, Harvey Fierstein's mom said to my mom, "Didn't we raise great sons?" and my mother just started sobbing, because I'm sure they'd both been through other nights when people didn't say that.
When somebody mentions that I did a play with George C. Scott, I'm like, it can't have happened. What was I doing on a Broadway stage at 11 years old? It's so far in the distance now.
I grew up in a crazy, gypsy-like household of actors, dancers and loony Broadway people. It was their way of life, and I didn't know anything else.
I would love to do Broadway. I dont think theres anything more amazing than theater. OK, Supergirl is number one. Maybe I could be Supergirl on Broadway That would be perfect.
Michael has never cried during a Broadway show. Except in that scene where Tarzan's ape father is brutally murdered. And that was only because he was laughing so hard.
Performance art is going to be the future. Plays on Broadway are so restricted. But performance art is like haikus, just one line thing. And it's more casual but more interesting.
When I still lived in Manhattan, people-watching was my hobby, and I spent many Sunday afternoons eating up the scene from a window seat at a Starbucks on Broadway.
I didn't grow up with Broadway music. My mother played Perry Como, while I listened to Andy Williams records. Later on it was Cream, Grand Funk Railroad and lots of R&B like the Isley Bros. and Parliament.
On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
I started taking ballet lessons when I was 4, and I was performing in ballet companies when I was 10, and I did summer stock in Miami Beach when I was 12, and finally I said, 'I gotta go to Broadway.'
It was a different planet in 1967, the Broadway theatre. It had a little ashtray clamped to the back of every seat and the author got 10% of the gross.
The hope is they would like to bring it to Broadway next year, so we'll see that's to come in the end of the finance year and everybody else and also real estate and what theaters are available at the time but I would like to come back with it.
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