Ive been to London twice. I saw the Broadway show Billy Elliot there - phenomenal. I was crying through the entire thing.
I began modeling in N.Y. and doing commercials. That led to regional theatre and then Broadway and then movies.
It took me a while to figure it out, but to have a real hit on Broadway, you have to get the respected Broadway people to like it. But then the production also has to appeal to the most middle-class people who know nothing about Broadway and who come to see it later.
What's the difference in opening from scratch in Philly or opening from scratch in New York? The old out-of-town tryout circuit - taking the show pre-Broadway to cities like Boston, New Haven, Philadelphia, Washington - has sort of been replaced with the amount of workshops we do.
Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.
The dream is to originate a role in a show on Broadway. That's the ultimate goal.
I miss singing. I did Broadway forever.
I think as a writer you never have to flee from fame because you're not that visible in the first place, but, after the Broadway success of 'Beauty Queen,' people were coming up to me all the time, and I wasn't really prepared for that level of attention.
Yeah, I feel sort of unfinished in New York, even though I spent so many years there. I think it's because I never got a chance to do any Broadway, or even off-Broadway. I would love to do that and I haven't given up on that.
If I have all the tears that are shed on Broadway by guys in love, I will have enough salt water to start an opposition ocean to the Atlantic and Pacific, with enough left over to run the Great Salt Lake out of business. But I wish to say I never shed any of these tears personally, because I am never in love, and furthermore, barring a bad break, I never expect to be in love, for the way I look at it love is strictly the old phedinkus, and I tell the little guy as much.
I would like to play Broadway!
I am all for cultural diversity and would be willing to see each recognizable group value its cultural heritage. I am a New York patriot, for instance, and if I lived in Los Angeles, I would love to get together with other New York expatriates and sing "Give My Regards to Broadway".
What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.
To be a success as a Broadway composer, you must be Jewish or gay. I'm both.
I have more dumb luck thank anybody I know. There must be a convey of guardian angels working twenty-four hours a day looking after me[...] Like the night I first got to Nashville that I laid down in the middle of Broadway, waiting to get run over. It didn't happen [...] I could swear they were keeping me alive just to see what I'd get next, I'm glad they feel that way. I'm trying to help them a little more this days.
There have been two [career highlights]. Waking up in New York to hear I'd been nominated for Best Actor for a Tony Award on Broadway, for An Ideal Husband. The other one was waking up the morning after the opening night of A Man For All Seasons and reading the reviews.
Shakespeare is God, of course. I have studied his plays for the vast majority of my sentient life. When I was a kid, my parents found an old copy of the LP recording of Richard Burton in John Gielgud's Broadway production of Hamlet and they gave it to me for my birthday. I listened to it till the grooves wore thin and I was off and running.
I've been in this business 25 years. I've been eking out a living doing Broadway, off-Broadway... I've seen the unemployment line a lot.
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