I can go out raw with nothing, and my fans would still be happy, but I feel that I owe it to them to give them almost like a Broadway musical at this point in my life. I have to give them something more, so I do have to think of different ways to do it.
I was in a Broadway musical called Big Time Buck Wright.The play didn't make it but I was a success. It lasted six days but I sung four songs and there were critics, seriously, in New York who said that my part was perfect. So I can beat Joe Frazier singing.
Honestly, people told me to. It was weird, I graduated from school, I never thought I'd live in L.A. and I always wanted to be to New York. I assumed that would be my trajectory - that romantic ideal of moving there and doing plays Off-Broadway and being scrappy about it. Then we did a showcase in New York and a showcase in L.A., and for whatever reason the response that I generated in L.A. was significantly more enthusiastic.
On Broadway and in the United States it's very different - people crossover all the time into television. I think that we'll get there [in London] in the end, but it has to start with who comes to see you in the musical and whether they can see beyond the dancing and the singing.
It still feels like Hip Hop is in the early '80s on Broadway.
I am not of the impression that an overwhelming amount Hip Hop artists are super savvy on Broadway and it's goings-on, but who knows.
[Vincent Price] did Oscar Wilde on Broadway, and I think he probably did it because he was almost like an Oscar Wilde. He had that brilliant humor.
I remember the first time I saw a Broadway show and how excited I was. That really fuels me and for some, it's the first time they have seen Aladdin.
The play I was doing [on a Broadway ], I was playing an obnoxious, outspoken kid, so [the director James Lapine ] saw me do the play, and he was like, "That's what I'm looking for." I tested for the part [in Life With Mikey]. Back then, I used to do screen tests. I mean, they still do every once in awhile, but it was a big deal.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.
My grandmother took me to a lot of theater. I was exposed to performance quite a bit - everything from Broadway to off-Broadway and dance and music as well. I was very lucky that way. It was a very rich childhood.
Since nobody upstages Rudolph Giuliani, his will be a Broadway-class show, perhaps his final bravura performance before November 2000, when he hopes to be turned out of the mayor's office by virtue of his election to the United States Senate.
I love Jane [Krakowski]. Jane's been a dear friend for maybe a dozen years. We've worked together on many shows and concerts and readings. We did 'Damn Yankees' together and then we did 'Xanadu.' Jane did all the workshops of 'Xanadu' before it moved to Broadway. She's hysterical and our voices blended. We had a similar sensibility.
Burlesque thrived during the Great Depression, and by extension, so, too, did Gypsy [Rose Lee]. Men could no longer afford to pay $5.50 to see a show on Broadway, but they could scrape together $1.00 for a matinee at a burlesque house.
I had to get used to the theater atmosphere because I haven't had a role on Broadway since Aida. It was a different process from day one because I was learning my parts by myself.
My daughter just graduated college and she's a dance major. She's done a couple of dance videos already and won Miss Massachusetts a couple of weeks ago. She's going out for Miss United States the second week of July, out in Las Vegas. She will probably wind up going to New York and trying the Broadway thing.
Id like to do Broadway if the right project came along, but my mission in life is that I want to help change peoples lives.
I get psyched about coming onto a Broadway stage every night. it's very exciting. You develop a kind of gratefulness for it when you spend months trying to get a job.
I would like to win the Pulitzer Prize. I would like to win the Nobel Prize. I would like to win a Tony award for the Broadway musical I'm now working on. Aside from these, my aspirations are modest ones.
Any chance I had to get in front of people - amateur talent contests at movie houses like the Broadway, the president - I took.
I want to get the point across that you may not have money to give to a charity, whether that is Ronald McDonald House or Broadway Cares or DIFFA, but you can help RAISE money or give your time and talents.
A month before graduation I got an off-Broadway job. Then I did some commercials, including one for MCI. You can only see half of me, but it paid well. Thank God for commercials.
I live in Derry, a little town in Ireland, and I don't have the background of Hollywood or Broadway.
My childhood dream was always to be on Broadway. I wanted to end up in TV and film. It's kind of flipped, and I'm not mad about it, but my childhood dream is Broadway and I want to end up there.
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