What is beyond the mind, has no boundary, In it our senses end.
The Aristocratic Institutions of England [had] acted much like the Slavery Institutions of America... [in] demoralis[ing] large classes outside their own special boundaries... [in producing] a long habit of submission... [and in] enfeebl[ing] by corrupting those who should assail them.
Theatre is so much fun because you do theatre and you have a month of working it out on your own, and then a month of rehearsal, so by the time you get to stage I know where I'm failing and I know where I'm succeeding and your boundaries are pretty concrete.
In personal conversations between director and actor, the male directors that I've worked with are just as emotional. Maybe it's because I had to start having very intimate conversations with adult men at a very young age in order to get the work, but I'm really comfortable with dudes. I mean, we push boundaries in this business in terms of getting to know people.
The 70s were a wonderful time to be young. I think most young people at that time were pushing the boundaries, asking all sorts of questions of society, of life and of themselves. They were very politicised. It was part of the air that we breathed.
It's not a good idea to define the boundaries of normality by tearing apart people who are outside of it.
I love costume dramas, I love performing in them, because in a funny kind of way, you feel more free. You know about the period, you can read the books, you can see the paintings, but you've never actually going to know what it was like. You can kind of stretch those boundaries a bit.
With Superman, there are certain limitations for an actor. You can't go past certain boundaries because then you cease to be what the character is.
It's very difficult to know when you're crossing the boundary. I hate the word boundary because I never think about it when taking a picture. Very often it doesn't mean anything because it depends on who's looking at the picture more than the content of the picture itself.
The boundaries between contemporary art and cinema are so rigid. It's unbelievable. The film critics don't know my artwork and the art world doesn't know my films.
Boundaries are basically about providing structure, and structure is essential in building anything that thrives.
Some people do have softer boundaries.
I want to preserve a certain unknowing about my own poems - perhaps because unknowing is in itself a useful poetic thirst. To move the perimeter of saying outside my own boundaries is one reason I write.
Working with family is probably one of the hardest things in business, but it can also be one of the most rewarding. You have to be very, very careful that you don't overstep the boundaries that you wouldn't with anyone else. Sometimes, we think that the unconditional love they have for us makes overstepping boundaries alright. It's really not. You have to work harder to not damage the family dynamic. That lasts forever.
I have always been interested in innovation but I was never able to find innovation inside of disciplinary boundaries.
To me thinking outside the box means; crossing disciplines and pulling in expertise and perspective from outside of the standard boundaries.
The geometry reveals five development direction for applications (each with endless possibilities); dividing, dwelling, trestle, fenestration and artistic installation. I find these enabled designs so reflective of an ever-changing world where contextual factors and technological resources are shifting definitions of architecture, design, and the traditional boundaries between disciplines.
The pursuit of truth in science transcends national boundaries. It takes us beyond hatred and anger and fear. It is the best of us.
Giving means extending one's love with no conditions, no expectations and no boundaries. . . Peace of minds occurs, therefore, when we put all our attention into giving and have no desire to get anything from, or to change, another person. . . The giving motivation leads to a sense of inner peace and joy that is unrelated to time.
Ameen Rihani, one of the earliest Arab Americans, devoted his life to bringing the East and the West together. We are not of the East or the West, he wrote. No boundaries exist in our breast: We are free.
For me, I just like to be as fun as possible, but I do like to bring a lot to a character. Given the script or the show, I know my boundaries, limits, and how far I can go with it. As far as me choosing these characters that have a lot of personality, I don't necessarily think it's intentional. I just think that I try and come up with a backstory of who they are, depending on the script or how rounded these characters are, and just go from there.
I think that things are poetic when they don't have a boundary. Without rules. My life is poetic.
My spiritual connection is about embracing everything around me. We're all the same. There are no boundaries . . .
To seek out making films that are unique and insightful, boundary-pushing and genre-bending, and not films that fit into the neat, little boxes that people "want" (expect) women to be making. In some ways, I guess for me, any filmmaker should strive to be a good director first, regardless of their gender, race, sexual orientation etc.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
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