Chapter books are often written in series and kids have come to expect that they'll come out once a year, so publishers want to keep the momentum going. It's the kind of art I love to make, except that the time frame is really nutty.
I do tend to look at my books in many ways as conceptual fiction, even to the point where I think the author's photograph is part of the package. And I have gone out of my way to select the photograph to connect to the subject matter of each book.
You really write the books you want to write. You can't take into consideration anything that anybody has said about you in the past, or what they'll say about you in the future.
I think Visions of Cody is the most radical book in terms of poetic stretch and the way Jack Kerouac is able to incorporate documentation and incorporate the live tape recording of Neal and so on.
I've always had a fondness for language... English. Not that I use it correctly but I like words. I like books and I like poetry.. I like the written word... and the sung word.
As a writer I am proud that if you took my last four books, and they didn't have my name on them, I don't think readers would know they were by the same author.
There is nothing wrong with a writer who has a distinct style in book after book, but I am not interested in repeating myself.
I do believe, especially with the character of Batman, that the tone and the mood of the book is 80% of the job right there. And the more control I had over the story, the more control I had over the tone and the mood.
Other people's creativity inspires me. Seeing great art, or reading a fab book or watching an interesting documentary or an exciting film - these things make me want to let my own imagination fly.
If you want to write a book that's very successful and famous, then it's hard. If you just want to get published, all you have to do is convince an editor that your idea will make them money.
The theme that runs through all my books is connection. Connection - physical and non-physical - with other humans, and connection with nature are necessary for our well-being. Without it, we are depressed, lonely, and fail to thrive.
When I go into a bookstore I always look for books by John Fante. If they are out-of-stock on one of his titles, I tell the clerk to order what is missing. I do it because I want people to read my father's work.
Like my father, I am very impatient. I have a strong bullshit detector. I may finish one book in twenty that I have started.
Most writers want to share their essay or book much too quickly. Those who accept the pain of hard work and revising are those who get published.
I stay in contact with kids, and that is a lot of fun for me, not only to get their letters but to meet them in schools and see that the books really have engaged their hearts and imaginations. That's what makes it so worthwhile.
In recent years I have become more interested in making the critical ideas that I love teaching and talking about available in more forms, because many people prefer to engage with ideas in films, infographics, comics and other forms that are not traditional books or articles.
I want to write the sort the book that my people want to read, even if the market is small.
I like to co-author books to learn from those I write with.
When I'm assembling a book I concentrate as though I were writing a poem. A truly imagined arrangement will indicate gaps and generate new poems. I re-read the new poems in my folder in the hope that this might happen.
I hardly ever look at my published books.
I wasn't inspired so much by a person as by reading many good books. I loved to write and I wondered if I might be able to write material that others would enjoy reading.
Your inspiration is better if it comes from many different sources and your sensibilities will transform all those influences and inspiration into your own visual world. It's like reading the book instead of watching the movie.
I have a very big apartment in Paris but you can't really move around there anymore; piles of books everywhere. I don't want any more books. I have too many books; sometimes I have to buy another copy of a book that I know I have somewhere in my house or office because I can't find it.
One summer I was homeless in L.A., when I was about fifteen, and I used to go to the library to get books. I would have books in abandoned cars, in the seats, cubby holes on the L.A. River, just to have books wherever I could keep them, I just loved to have books. And that really helped me. I didn't realize it was going to be my destiny; I didn't know I was going to be a writer.
Nobody had books at home. My dad was a very educated person, so he would have books at home. All Spanish books. That helped. Most of my homies had no books at home.
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