Orientalism has successfully built my critical awareness to question and see the big picture of knowledge, perspective or idea from a Western point of view and always see things from different perspective.
Krishna says, fight. He says, go out on the battlefield and kill those people whom it's your job to kill; and whether they were your friends or not, you have to look at the big picture. In the big picture, you can't go kill anybody, you can't be killed.
In chaotic situations, I feel like I can take a breath and look around and assess the situation and see the big picture. Going through the traumatic time that I did in my life, that's also given me even more of a breather in life to just be like, "I know everything's going to be fine. Even if this is the worst show in the world, no matter what happens, everything's going to be fine." It's an accumulation of things.
One thing that fiction does is it allows us to take big picture questions, big issues, big moral and socio-political changes and see how they play out on real people's lives, with real individuals.
I find it weird that people who claim to speak for the prisoners basically want to keep them in cages all the time - and then they'll fight for better prison libraries or whatever. It's like they're missing the big picture. If I were in prison, of course I would prefer to be outside doing physical labour. It's not physical labour but prison life that kills a person. It's so bad inside that the outside jobs are often sought after. So, yeah, call them work crews and let them do it. At the same time the retributive side can feel the cons are being punished.
Israel is very confusing because it seems to be a Goliath, and in some ways it is, when you look at the tanks versus the Palestinian boy. But deep down, when you look at the big map and the big picture and the big history, we are really a David. We are a David with some megalomaniac ideas who thinks he's huge. But we're not. At the end of the day, Jews as a people are an endangered species. One cannot overlook this dimension.
The beauty of history is that historians have the ability to find patterns, the big picture. When you make a movie, you try to find that. I'm doing in the cinema what historians try to do in their own media.
There are story-room sessions where you think about the big picture, like a novel, but once you have certain things in place, you have to treat each episode like an hour of TV, and think that maybe this will be the only episode that anyone will ever watch. You want to have some sort of beginning, middle, and end to the episode, even if you have storylines that are carrying over. You still want it to feel like a cohesive hour of entertainment. And you can't think about both at the same time.
My short stories are so character-based and they're also so private. They're like a private world in each story and I'm getting more and more interested in allowing myself to investigate the big picture about this country, and about human beings, and about the planet, and about the solar system, and about the nature of the material world in general. And I felt like I needed to move into a bigger form.
It's what everyone is after, I mean they want success and when they get it it's an incredible pressure but what you have to do is try to keep the big picture in view.
I always encourage people to start in their own personal universe, because sometimes we as parents start thinking about the big picture. How do I change what's happening in my entire school? And how do I do it in my community? And then you get overwhelmed and it's just like, "Forget it, I'll just stay here in my kitchen and wait." But, start small.
The big picture, I think, is that common ancestry is evidentially prior to natural selection in Darwin's theory and in contemporary evolutionary biology as well.
In civilizational issues you don't look at the tiny details as the debate. You have to look at the big picture!
Sometimes you've got to be a little flexible. For the most part, it's hard to get players to look at the big picture also. I understand that. They're looking at their next start or their next at-bat.
I think you can maintain two tracks. I think you have to. That's what this kind of filmmaking is about. If you're not aware of the limitations of what you're up against... it's like a general: you have to know your artillery and you have to know your infantry. You have to know what you have. You have to marshal your forces and use them well. It comes down to the personal and the intimate, but at the same time you have to have the big picture.
Real life ... it was an ambiguous world, where actions sometimes had no meaning, where chaos reigned and no one was allowed to see the big picture, only their small portion of it.
I didn't have time to deal with practicing in a way that I would have liked to. I wish I could have just said, "I've got four to five hours every day that I'm going to go deal with music." I just didn't' have that. I missed a lot of lessons, but I think that maybe was frustrating to me in a big picture sense of, I need the time and energy to put into my instrument.
Some people who are creative are not reliable and vice versa; some see big pictures while others see details, etc. All of them are important to have on well-orchestrated teams.
The mind is the most important thing of the big picture and no one has a stronger mindset than amateur wrestlers.
A lot of people have a hard time living out of a suitcase, being on the road constantly in different cities. For us it's just kind of what we do. You do get homesick. I miss my wife, I miss my home, I miss my dogs, I miss my kitchen, which is something I like to do outside of this is cook. You miss the simple things. But when you look at the big picture we get to see a crazy amount of cities and the people we get to meet, all over the world it kind of makes up for it. It makes you realize how lucky you are because it could be gone tomorrow you just never know.
I naturally gravitate toward the big picture which isn't necessarily advantageous when you go on to a career in research because successful researchers usually choose a pretty narrow channel. So having tunnel vision actually helps you stay where you are supposed to stay. The big picture in medical care was looking at the underlying causes of all of this pathology. I really wanted to do something about that and play a meaningful role in changing the trajectory of people's lives and their health and by changing their health, changing the quality of their lives.
In a big picture sense, it's more national prestige that we're risking. You know, we are proud of our space program, but as we were talking earlier, the average American doesn't think that much about it right now. So, it may seem like something we could just give up and not really worry about it, but I think it starts creeping into the national psyche. If American astronauts have to hitch rides with the Russians or other nations in the future.
I want to tell every fan that I appreciate them with a retweet or reply but I don't want my account to lose my own tweets. I don't my fans to have to go through a bunch of replies to get to my own tweets right? In the big picture though I do read all of the tweets and I appreciate all of my followers and my fans.
Whitman expressed the whole universe in his poetry and in his catalogues. That attitude almost defines what we call American romanticism, or American transcendentalism. I feel particularly close to them, because I am now out in the universe. I’m in a position to see nature from another point of view, to be outside the earth and see the big picture.
We often plough so much energy into the big picture, we forget the pixels.
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