Being honest in the spotlight is the worst idea . But I do like when artists are honest and are able to build a persona for the artwork with their honesty. That's really good.
To be honest, my social life is my work. It's quite boring to say, but I meet a lot of people, and we have people from different creative disciplines. I enjoy life right now, and I enjoy work.
It's not hard for me to be honest with my fans because that's what I set out to do from the beginning - I've based my entire career off of just trying to do that for them - but I always kind of forget that my real life friends can hear my music and they can watch my interviews if they want and that's when I get kind of like- "oh..." - I don't necessarily sit down and talk to my friends about all the things that I write my music about, because it's easier for me to write music than to sit and talk to my friends about it sometimes- it's almost like writing in a diary.
I always liked creativity, whether it was to draw or sew - any creative assignment I was getting from school, or just on my own. I love people and behaviors, and I'm interested and fascinated by why we do what we do. And I wanted to be a therapist, to be honest. Maybe wirking in film combines the two worlds, in a not super-linear way, but it definitely feeds both my two passions.
I'm not comfortable walking on a red carpet. I think a lot of people actually love that part of it. I'll never be a "look at me" guy. It's not in my DNA and I struggle in those situations. What gives me anxiety is knowing I have to be honest with people, and as much as people say they want honesty, the minute you give it to them, they don't want it. Sometimes I can tell I'm being baited for a certain answer and that's not the answer I give and I can tell it upsets them.
To be honest, I'm usually totally stuck in my own bubble when it comes to the music I produce and the music I listen to, so I don't often have much of an interest about what's on trend or find myself having those conversations. I do find it interesting though, and you definitely hear batches of releases that all sound exactly the same released around the same time, and you can tell that a certain distinct type of track does especially well.
Public people are definitely captives. It wasn't really my ambition, but that's what happened. If I could find another word that would be more precise, I'd tell that I'm captive of my need for acknowledgement. People ask me, "Isn't it terrible to be famous?" Not for me! I sort of need it. To be honest, I always enjoyed it. It's as if it gave me some structure. It's as if I needed someone else's eyes to look at myself.
I say no to a double standard that men can roam and women must stay put at home. I say no to the fact that men are allowed to claim their sexuality and women just have to pretend that it doesn't matter to them. It's resisting poor relational arrangements. An affair is a way of saying, "No. I'm not playing by the rules." And sometimes betrayal is part of that because you deceive somebody else but you feel like you are, for the first time, being honest with yourself. Sometimes when people have affairs, they feel like they have been lying to themselves for years.
So many actors get caught up in their technique, and to be honest, I see it really getting in the way. I see them forcing things. I definitely do my best work when I'm free of that. But I think as an actor, I work really hard in preparing the roles. I spend like 90 percent of my waking moments walking around thinking: "What does this character do? What is his relationship with so-and-so?" Always, really. Too much!
I think that I'm pretty much who you see onscreen. Are there times when I ask questions of people and have a sense of what their answer may be? Sure. I think that you can't deny that. But you still want to hear from that person, even though you may anticipate what they may say. I am as natural right now as I am when I talk to somebody in the Middle East. It's just trying to be a real person to them. So long as I can be as honest with myself when I make a movie like that, I can continue to be honest with you.
When I worked with Gianni Versace at the end of his life, I was the person with whom he would confide and say anything. If there was something I didn't like, I would be honest and say, "No, no, no! Do something different."
As a writer, I haven't delved into dramatic writing. As an actor, I could always, even more so than comedy, do drama. When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.
I think it's vital to be honest with yourself. You do have to satisfy yourself first. If you're drawing something, you have to ask yourself if it's something you genuinely think is funny. Or is it starting to fall into just a category, just kind of a shtick thing? I think it's important for all cartoonists to be honest with themselves about their own sense of humor and what they're doing.
I do what I love to do. I have awesome people who let me make the choices I want to make. I navigate things by whether I want to play a part or not, to be honest.
I can think of a handful of auditions where the director has literally said, "That is the opposite of what I think." But it's really good to be honest and have that dialogue. I don't think you should be criticized though.
I've been in a relationship for almost two years now, so I'm kind of locked in there. My mind doesn't even really remember when I was single, to be honest.
Sometimes, even when I'm writing the lyrics, I'm not sure what I'm getting at, but then months will pass and I'll listen to it and I'll understand it completely. I think I trust myself in that most of what comes out of me will be honest. Even if it seems like it doesn't make a lot of sense, I realize that it does. It's hard to follow, and maybe there's a lot of subtext to it that nobody knows, so it makes it impossible to follow.
I think being honest with one another creates an environment that's comfortable. You want to know where you stand, whether you're doing a good job. The players know what's going on before you do. They're trying to see if you're going to do something about it. And when it's not like that, everybody is pissed off, because they know that people can get away with stuff and that nobody is keeping them in line. That's not a team to me.
Germans argue with the Americans about many things, from the death penalty to the relationship between security and freedom. We have to be honest about these differences. And yet, whenever we quarrel with the Americans, it amounts to controversies over different interpretations of values we share. You can't say that about Russia. Vladimir Putin fundamentally questions Western values.
I don't feel the pressure to deliver an unrealistically great man to the screen; I just want to be honest to who my character is on the page. If I can reflect that and put some heart into him and make him real, then I think I've done my job, and I think that people will like who he is.
To be honest, I am not theatre-trained and though I am confident in my skill set, to do theatre requires a better-tuned set of muscles and I sometimes defer to actors who are better trained. But at the times I do want a shot, I'll go for it, especially if the piece speaks to me and the opportunity comes up. The immediate response from a theatre audience is so thrilling, affirming, and soul-feeding; to know how you've affected an audience at curtain can be ego-blowing, both good and bad.
My siblings and I were raised like tenants, to be honest. There was a total absence of intimacy in my family, though there was still a great deal of camaraderie among the kids. Things were set up almost like a business, and it had to be managed that way because we were really poor, and there were a lot of mouths to feed.
As a preacher I just feel like I have to be honest; I couldn't live with myself if I wasn't. I think that's why I've been able to reach some people who don't feel comfortable in churches. I do make mistakes and I can be goofy and quirky sometimes. I'm not the world's greatest speaker. I don't try to hide that.
When I look back on the past two decades of my journey today, I guess many people would interpret my artistic practice as a kind of cross-media attempt. I have indeed tried many different kinds of media over the past 20 years and collaborated in many different ways with people from many different fields. However, I like to understand this process as a kind of compensation for having once lost my "right of choice," an exercise of free choice and taking responsibility for any consequences that might result from it. To be honest, it's a bit of a paranoid act.
I'll be honest with you, one of the things that frustrated me the most out the record leak thing, it had nothing to do with record sales - I mean, that's a joke. Has anybody looked at how many records anybody sells anymore? If you're not Jay-Z, a record leaking isn't going to affect you. It was just really personal.
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