We are all linked by a fabric of unseen connections. This fabric is constantly changing and evolving. This field is directly structured and influenced by our behavior and by our understanding.
WANT shows up in conversation - EXPECTATION shows up in behavior.
For behavior, men learn it, as they take diseases, one of another.
Nothing is more silly than the pleasure some people take in "speaking their minds." A man of this make will say a rude thing for the mere pleasure of saying it, when an opposite behavior, full as innocent, might have preserved his friend, or made his fortune.
Chaos is lawless behavior governed entirely by law.
It's more along the lines of raising a child: we train the system to a certain range of behaviors that we find most useful. But then we let it go, because we don't want to have to be babysitting it the whole time.
The essential element of successful strategy is that it derives its success from the differences between competitors with a consequent difference in their behavior.
Blaming our behavior on forces outside ourselves is a way of avoiding responsibility.
Many people don’t realize the extent to which stories influence our behavior and even shape our culture. Think about how Bible stories teach the fundamentals of religion and rules of conduct. Think of the fables and parables that molded your values. Think of how stories about your national, cultural or family history have shaped your attitudes about yourself and others.
There's a gigantic gray area between good moral behavior and outright felonious activities. I call that the Weasel Zone and it's where most of life happens.
The ancient dream of man to fly among the stars and go through the could and look down on the lands and seas has degenerated in its realization to the socialized and apathetic behavior of passengers who hardly look out the windows.
Who hath a prospect of the different state of perfect happiness or misery that attends all men after this life, depending on their behavior, the measures of good and evil that govern his choice are mightily changed.
I think Cruella is evil, because she's the devil. But all the other characters, I was able to find a common humanity with them somewhere, knowing where they're most fragile, where they're most vulnerable, knowing some of the things that happened to them that might have formed this kind of behavior.
Because as an actor, I really feel you cannot judge a character. You have to totally commit to that character. And for me to totally commit to the character, I have to find those places where I understand the sequence of behavior.
I have some sort of affinity for compulsive behavior. The most interesting stories come up from the people on the outside.
You can do everything differently in a novel. Hero narrates the novel; we're in his head. You're hearing all his thought processes and you're hearing him call himself out on his bad behavior. You don't have the benefit of that narrator in a movie. What you see a character do, very often, becomes that much more important because you don't have him editorializing it for you.
If you are a libertine, if you're not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It's like the person who knows they're not trustworthy; they tend to mistrust everyone else.
I don't consider myself very brave in any sense. I'm interested in this kind of behavior. My job is to try to make it realistic and emotionally resonant. That's the most challenging thing, to bring emotional resonance to what you do as an actor.
Everything's getting homogenized. It seems to me like music and behavior and everything else is getting homogenized.
I think it's better to have limits. My limits are different from other people's limits. I'm all for freedom, I'm all for people doing what they want. I'm also all for people shouldering the consequences of their behaviors, and not being assholes, and not lying unless they need to, and being honest except when you shouldn't, and being faithful except when it's okay to cheat. I guess I'm just a mass of contradictions.
I think people have the capacity to be many different things and many seemingly contradictory behaviors.
If the film isn't in some way going to study behavior then I'm not interested, but the reason why I'm not interested in directing in film is that it would take me, to be as good an artist as I feel I am an actor, it would take me another 35 just to conquer.
I think if you play characters, it's very important not to ever tag them with any sort of disorder, or diagnose them, or whatever. You have to normalize the behavior to get inside the character.
Handheld camera is approximating what we're seeing when we're looking at each other, and kind of looking around, and your eyes whipping around. It adds an immediacy, where you feel like you are watching something through your own eyes, standing there with them. And that just allows you to take more liberties and have more fun with people's behavior.
From the writing stage, I had envisioned a film that would be bright and light, even if the movie addresses adolescent unrest and self-destructive behavior. Talking about adolescence, I wanted to make a very musical film that was also a love story with a sensorial, sensual dimension and which had a strong emotional impact.
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