The colossal might of wickedness: how we love to locate it massively elsewhere. But so much of it comes down to what each one of us does between breakfast and bedtime.
White pill, blue pill, yellow pill, purple pill; its like swallowing a rainbow every bedtime.
What frightens you? What makes the hair on your arms rise, your palms sweat, the breath catch in your chest like a wild thing caged? Is it the dark? A fleeting memory of a bedtime story, ghosts and goblins and witches hiding in the shadows? Is it the way the wind picks up just before a storm, the hint of wet in the air that makes you want to scurry home to the safety of your fire? Or is it something deeper, something much more frightening, a monster deep inside that you've glimpsed only in pieces, the vast unknown of your own soul where secrets gather with a terrible power, the dark inside?
We are but older children, dear, Who fret to find our bedtime near.
It's all about time, dimwit time, inferior time, people checking watches and other devices, other reminders. This is time draining out of our lives. Cities were built to measure time, to remove time from nature. There's an endless counting down, he said. When you strip away surfaces, when you see into it, what's left is terror. This is the thing that literature was meant to cure. The epic poem, the bedtime story.
I'll love you forever, I'll like you for always, As long as I'm living, my baby you'll be.
I suppose a fire that burns that bright is not meant to last.
This one time I stayed up way past my bedtime... man that was scary.
I tell writers to keep reading, reading, reading. Read widely and deeply. And I tell them not to give up even after getting rejection letters. And only write what you love.
Good writers are often excellent at a hundred other things, but writing promises a greater latitude for the ego.
Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.
Many childrens writers dont have children of their own
I think writers rush in where everybody is very frightened to tread
At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
Just before bedtime prayers, evaluate each day. Make plans for tomorrow that will move you toward your long-range goal. Strive for a close partnership with God in making your dreams come true.
And I have to consider myself fortunate, because there are plenty of writers who spend most of a lifetime looking for that certain something without ever finding it.
Few writers are willing to admit writing is autobiographical.
Writers say many true things about their own experiences with publicity and promotion.
You and I are standing this very second at the meeting place of two eternities: the vast past that has endured forever, and the future that is plunging on to the last syllable of recorded time. We can't possible live in either of those eternities - no, not even for a split second. But, by trying to do so, we can wreck both our bodies and our minds. So let's be content to live the only time we can possible live: from now until bedtime.
Writers in repressive societies are considered dangerous. That's why so many of them are in jail.
I'm pretty earthy; I nursed forever because I liked it and my kids liked it, but at the same time I'm very laissez-faire about stuff like bedtimes and food.
Suggested remedy for the common cold: A good gulp of whiskey at bedtime-it's not very scientific, but it helps.
Ah, music," he said, wiping his eyes. "A magic far beyond all we do here! And now, bedtime. Off you trot!
The persons hardest to convince that they're at the retirement age are children at bedtime.
I will defend the importance of bedtime stories to my last gasp.
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