Get it down. Take chances. It may be bad, but that's the only way you can do anything really good.
A day of bad writing is always better than a day of no writing.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
It takes a lot of bad writing to get to a little good writing.
Bad writing is not easier than good writing. It's just as hard to make a toilet seat as it is a castle window. Only the view is different.
You can't fake it. Bad writing is a gift.
Bad writing is bad not just because the language is humdrum, but the quality of the observation is so poor.
It is better to write a bad first draft than to write no first draft at all.
If you write one story, it may be bad; if you write a hundred, you have the odds in your favor.
People do not deserve to have good writing, they are so pleased with bad.
The world is a hellish place, and bad writing is destroying the quality of our suffering.
There is no left and right in writing. There is only good and bad writing.
There's no bad writing; you did something. I was operating inside language, and I did something. I'm not ashamed of it.
Don't apologize, justify or rationalize bad art or bad writing. If you do, you are part of it.
The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell, together, as quickly as possible.
Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.
It's difficult to write a really good short story because it must be a complete and finished reflection of life with only a few words to use as tools. There isn't time for bad writing in a short story.
All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.
Good writers hate bad writing but hating bad writing doesn’t make you good. Writing badly does.
Like everyone else, I am going to die. But the words - the words live on for as long as there are readers to see them, audiences to hear them. It is immortality by proxy. It is not really a bad deal, all things considered.
Read widely and with discrimination. Bad writing is contagious.
If a man means his writing seriously, he must mean to write well. But how can he write well until he learns to see what he has written badly. His progress toward good writing and his recognition of bad writing are bound to unfold at something like the same rate.
Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model.
I’m convinced that fear is at the root of most bad writing. Dumbo got airborne with the help of a magic feather; you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. Just remember before you do that Dumbo didn’t need the feather; the magic was in him.
Think 'Game of Thrones.' In the old days, this sort of show might be considered bad writing. It doesn't really seem to be moving toward a crisis or climax, it has no true protagonist, and it's structured less like a TV show or a movie than a soap opera.
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