I've always considered myself a feminist, which is such a tough word for people. Some people immediately assume that you're angry or you hate men, which is obviously not true.
Now that I believe in God, I have an extra layer of saying I'll write about what I write about and assume that I'm being offered the opportunity to illuminate something important. But when you think you are too important, you become some sort of fascist.
Yes, we know more than ever before, and it's a wonder that we get to inhabit a world full of driverless cars and 3D printers. But that doesn't mean that we know any more about the essential things in life - love, faith, death - and it would be dangerous to assume we did. The only thing that gets us through sometimes is a proper, humbled sense that we don't have a clue, we can't be sure what's going to happen next and life will always be much larger than our ideas of it.
I think people assume that women write about the domestic sphere. Women write about relationships and family. Men do, too, but then it's the Great American Novel.
Populism in contemporary art can become a dirty word. There is this notion that to not be understood is a reflection of depth. I'm sure this is true in some cases, but on the whole I can't accept this as a vision of art. There's something so cynical about assuming your audience is unintelligent or that artists shouldn't care about their viewers.
I think that it's worthwhile to explore the ways in which you write the person that's writing your plays as opposed to simply assuming that it's all a natural process and there's no design in it. Because your public persona is designed, to a certain extent, and you can have fun and profit at various times doing that.
The fascinating thing about standard economic stories is exactly that: they assume that everybody wants that kind of closure. That all human relations are forms of exchange, because if everything is an exchange then it's true that we're both equals. We walk up, I give you something, you give me something, and we walk away. Or I give you something, you don't give me something right now, and you owe me. So if we have any ongoing relationships at all, it's because somebody is in debt.
Within a capitalist corporation, someone says, "Lend me a wrench," and someone asks, "Yeah, what do I get?" You assume that the idea of each according to his or her abilities, each according to his or her needs - in solving a problem - is actually the only thing that works. And in situations of disaster, there are often communistic notions of improvisation, where you basically exchange hierarchies and all of a sudden all those things that are luxuries that you can't afford, you have them in an emergency.
I also think if you get sort of early success there's always this part of you which feels like, "I need to address the imbalance, I need to kind of earn that success after the fact". I try to find roles that are hard and also, I still find now, even after I've done loads of really random movies, directors are really surprised that I want to play the parts that I want to play. They just assume that you want to only do the honorable good guy lead who saves the day or dies at the end .
There was a review by Fairfield Porter from the 1950s about Mark Rothko, one of the more hallowed names in American art. Porter says something like, "Yeah, Rothko paints rectangles of color. They have mass but no weight." That's not in any way a detraction, but it's a description. And it has nothing to do with the spiritual dimension. The main thing is as an intelligent viewer, to identify just what those things are that it does, that those rectangles do, and then not assume that they do these things over here. I don't know why that's challenging.
The Clinton administration opened the doors for Bush Junior in ways that Junior's father never did. Aside from the obvious Oedipal things going on with Bush Junior, his father hasn't been a big help to him. But Clinton certainly has. When Bush talks about his "other father," people are assuming that he's talking to the supreme deity. But I think that maybe it's Clinton who's on the speed dial.
There are people who assume that Christianity is about the afterlife and that our chief problem in this life is that we are sinners who need to be punished and the point of Jesus life is that he took our punishment so we can go to heaven. I write about the problems we get ourselves into by misunderstanding and limiting the way we think about our faith.
Most people assume because I'm an actor that's all I know about and care about, I'm actually a camera geek and a film geek. I grew up making short films the same time I was acting. For me, it's a motion picture, not a play. I'm just as interested in what the camera department is doing and world building through costume design and production design as I am in acting. I think all good directors do that whether they're an actor or not.
People assume thoughts and processes about you that may have nothing to do with you whatsoever, but they make political assumptions and assertions about who you are based on your choice of partner.
The IMF acts as the collection agent for global bondholders. Its projections begin by assuming that all debts can be paid, if economies will cut wages and wiping out pension funds so as to pay banks and bondholders.
It's a funny thing, I think people meet us and they assume that we know a lot more about politics than we actually do. People will really get into it. I'm like, I don't really know a lot about tariff reform or export trade reform. That's really not something I know about.
How difficult it is to exist, that we are athlete and artist. We have injuries. People don't see the hard side of being a ballerina. They just see this beautiful and effortless thing, and they assume it's easy and cute. I hate when people say it's cute!
My view of ethics and of its priority is connected to my view that we are fundamentally relational beings - both the product of human interactions, as well as committed as part of the expression of our own humanity to various social involvements. I see ethics as having two places in the maintenance of these relational activities - first as providing the basic coinage of our interactions qua humans and second as mediating the various roles we assume as humans.
I always assume that nothing that I make is going to be a success, that everything I make is going to be a failure - not a failure but not some huge box- office success. If something is an artistic success, I'll be happy, but I'll maybe be the only person that's happy.
When I was in graduate school at MIT I was trying to think about how to develop software and systems for farmers and villagers in India. In the process of doing that, I realized that my reference point was internal to the laboratory, rather than in the communities that I was wanting to serve. I realized that I could no longer assume what a good technology looks like from inside the laboratory; instead, I had to be in the world with people. Not just designing for them but with them.
I'm always surprised on my social accounts that people assume that because you have a job in television you don't have a political opinion, or don't have a family, or don't have an interest in the rest of the country. It's just absolutely shocking to me how closed minded some people are.
If Barack Obama believes there are no victims in U.S, then I assume he'll shut down all the civil rights offices throughout the federal government, starting with the Civil Rights Division of the Department of Justice. If there are no victims, all affirmative action laws will immediately be repealed. Same thing for equity in pay.
There are so many stories that need to be told and are not being told. We tend to want to put things in boxes: "This is a memoir about a Muslim," or "This is a memoir about a woman or a normal personal." There's a certain story that assumes to be universal. Everyone else is ethnic fiction. Anyone can aspire to universality.
I see depression as an exponentially developed version of a human condition. Meaning I always think in the end it's humanizing. People who never suffer from depression I find suspect. I assume Donald Trump is not a sufferer from depression.
I think what we journalists too often do is we assume the status quo is unchangeable. I think all sorts of issues of political reform, electoral reform need more discussion than they get.
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