In the United States there has been a kind of a structure in the Modern art world. The New York School was nearly a coherent thing-for a minute.
I have spent a lot of time in the art world, and I guess I do listen to how people speak. I'm interested in what they say and how they say it.
I don't like a lot of the stuff that goes on in the art world, but it's hard to be old and like what goes on around you.
The New York art world readily proves people wrong. Just when folks say that things stink and flibbertigibbet critics wish the worst on us all because we're not pure enough, good omens appear.
Who is one's audience, the spiritually hostile professional art world or one's visually insensitive Christian neighbour?
Beyond the pervasive disinterest in the visual arts among the Protestant community, the core problem lies in the fact that the art world rejects on several grounds work that is in any way explicitly Christian in content and also shrugs off as naive anything that has the semblance of hope or optimism in outlook.
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
Within the next five years, I predict major changes in the art world and it will look nothing like it did ten years ago. Just like the sport of skateboarding, the new innovators will define the future. I believe the art world will become more vibrant and usher in a strong healthy market for new works.
The only way to survive is to intently focus on how the art world operates. Once you understand how things work, you can find a solution to the problems you are facing.
The rule in the art world is: you cater to the masses or you kowtow to the elite; you can't have both.
In the art world, Monet means money.
The issue is Kinkade's ideology, and particularly his nostalgia; his paintings endlessly trumpet a nonexistent past when times were simpler and morality more pure. There's nothing wrong with this, but it stands at odds with a contemporary art world that looks to the future for inspiration. We value complexity and innovation, and distrust saccharine pictures of the past.
I believe in advertisement and media completely. My art and my personal life are based in it. I think that the art world would probably be a tremendous reservoir for everybody involved in advertising.
Beauty, which I admit to being in pursuit of, is an extremely suspect word among many in the art world. But I don't think you can get along without it. It's the confirmation of meaning in life.
I didn't know how a working-class girl like me could possibly make a living in the art world
The fine-art world knows very little about the cartoon world.
New York is what Paris was in the twenties. . . the center of the art world. And we want to be in the center. It's the greatest place on earth. . . I've got a lot of friends here and I even brought my own cash.
In '83 I started travelling round Europe with my slide show. It wasn't until I moved to Europe and got accepted in a big way in Berlin in the '90s that I got acceptance by the big art world in New York. I didn't really get to be known, or in the market, til '93 in New York.
Most of the work I make uses materials that are a bit outside of the traditional fine art world.
When I was looking at the Russian Constructivists, these agitprop artists actually painted on trains. It was a heavy influence. They were bringing art to the people, to the masses, and breaking it out of the clubbiness of the art world, which is a monolith.
I never heard the term "art world" until I was in my thirties, and I was like, "What are you guys talking about?" It's the world, and we all live in the world!
I'll never understand the art world. But I kind of feel like there's been some art world/black metal crossovers happening for a while.
So sound art I'm always intrigued with how little we use of other senses and we just prioritize the eye and you just want to see everything and navigate. You know the art world is similar. Like I wish people would use their ears a lot more.
There's actually a disdain for the conversation about audience in the art world. Artist to artist, if you say, "What do you think about audience?" they would probably say, "I don't think about audience, I only think about my work," yet the audience is such an important part.
There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.
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