I was good at football and cricket at school. My dad said, 'Son, be an architect,' and I came to Melbourne passionate about becoming an architect.
Ballybunion is the course on which many golf architects should live and play on before they build golf courses.
The number of African Americans in my profession is woefully small; about two percent of architects in the country are black. I'd like to see more diversity. That's why whenever I'm asked to speak at middle and high schools I always say yes.
As an architect it is very important that you distinguish between different realities. There's the reality of the drawing and the reality of the building. So one could say, or at least it is the common belief that architecture has to be built; I always denied that, because ultimately it is based on an idea. I don't ever need a building to verify my idea. Of course, what with a building is more its vanity and actual physical experience. But I anticipate; I wouldn't even build it if I could not anticipate how it would be.
Normally, architects render a service. They implement what other people want. This is not what I do. I like to develop the use of the building together with the client, in a process, so that as we go along we become more intelligent.
An architect does not need to spend his whole career making monuments for rich people.
Who knows, maybe I am simply a talented architect?
There's no architect who doesn't want to build a library - and I am no different. With so much scrutiny now attached to reading - because of technology and how we approach it as a social activity - that is a very exciting area in architecture.
As architects we have a responsibility to society
The brevity of human life gives a melancholy to the profession of the architect.
Every woman is the architect of her own fortune.
Heaven is so far of the mind that were the mind dissolved - the site of it by architect could not again be proved.
The fate of the architect is the strangest of all. How often he expends his whole soul, his whole heart and passion, to produce buildings into which he himself may never enter.
I did a cake for the 60th birthday of Elton John, for Britney Spears' 27th birthday and for the 'Circus' album she put out - the cake had circus themes. I prepared a cake for a surprise 82nd birthday event for the architect Frank Gehry; the cake was comprised of mini-replicas of his buildings.
I think of architecture as language, and I look within the intra-communication between architects.
Knowing what you need doesn't always mean you know how to get it, though. I'd spent a long time hiding in my cave. No matter how much I might want to come out into the light, I knew it would hurt my eyes. I was a fool. A fool, but nevertheless too smart not to know I was the architect of my own demise, that it was time to put my past behind me. It was time to stop allowing the white elephants to stand unspoken of in my living room.
Ultimately I'll probably end up going out with an actress again. But an architect would be cool. They need to do something creative. I'm attracted to talent. But it would maybe be healthier if it wasn't in the industry.
This was not the old Chichikov. This was some wreckage of the old Chichikov. The inner state of his soul might be compared to a demolished building, which has been demolished so that from it a new one could be built; but the new one has not been started yet, because the infinitive plan has not yet come from the architect and the workers are left in perplexity.
Architects see the world a certain way, and cooks see and smell the world a certain way. [Dancing ] is always been my lens, what I use to see.
In order for architecture to experience its ongoing evolution as a language, there has to be a lot of adjusted copies between how architects draw, think, engage bylaws and constraints.
I started off in architecture, and I just couldn't fit into the vibe there. I just felt more at home in the Art Department, so I just ended up there. But I would be an architect if it didn't require so much engineering.
One of the reasons why architects are often attracted to philosophers, partially, has to do with making sense of the world around us as well as the making of worlds.
The modern architect is, generally speaking, art's greatest enemy.
In creating a building, architects do think they're making the world a better place. And then they hope to make the world an even better place by making another thing which will be even bigger than the last thing... and it is part of the pathology of being an architect to believe thus, and they do believe it, despite all the evidence to the contrary.
Conversion requires a subtler mind. Architects don't like it, architects want to create their own landmark buildings so that people a few years hence will say, 'Oh, that building there is being knocked down, who did that one?'
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