My maternal family are South African and when I was small and my parents separated my mother and I went back to South Africa. So for me the emergence of my own childhood consciousness was in the context of 1970s and 1980s apartheid South Africa and the movement there.
I myself am a very, very peaceful person. Throughout our history, from our own American revolution to the resistance against apartheid in South Africa, to labor strikes in the US, people have resorted to violence to achieve a more progressive society, from time to time.
I listen a lot to the incredible young artists who are coming through, which is something that just wasn't possible during Apartheid. That's the way I learn.
South Africa, with US support, after the fall of the Portuguese empire, invaded Angola and Mozambique to establish their own puppet regime there. They were trying to protect Namibia, to protect apartheid, and nobody did much about it; but the Cubans sent forces, and furthermore they sent black soldiers and they defeated a white mercenary army, which not only rescued Angola but it sent a shock throughout the continent-it was a psychic shock-white mercenaries were purported to be invincible, and a black army defeated them and sent them back fleeing into South Africa.
He [Belafonte] was a good teacher and looked after me. He said, 'You have such great talent, you must try not to be a tornado - be like a submarine. It was good advice when I found myself speaking at the UN Committee Against Apartheid and then the UN General Assembly.
Mumbling obeisance to abhorrence of apartheid is like those lapsed believers who cross themselves when entering a church.
Disengagement is a response to certain demographic realities, .. Within a few years, due to the higher Arab birth rate, Jews will become a minority in the area between the Jordan River and the Mediterranean Sea. I don't want [Israel] to be South Africa because we don't believe in apartheid. We simply have to separate from the Palestinians so that we can control our own destinies.
I think all of my writing life led up to the writing of 'The Train Driver' because it deals with my own inherited blindness and guilt and all of what being a white South African in South Africa during those apartheid years meant.
I was 15 years old when I first heard the name Mandela, or Madiba, as he is fondly known in Africa. In apartheid South Africa he was public enemy number one. Shrouded in secrecy, myth and rumour, the media called him 'The Black Pimpernel'.
I was raised in a country [South Africa] with a lot of political turmoil. I was part of a culture and a generation that suppressed people and lived under apartheid regimes. I don't know how you can come out of that and not have an awareness for the world. I think that if my life had turned out any other way and I was working in a bank, I would still feel this way about it, because there's a connection to humanity that to me is really important.
Even in South Africa, the Commonwealth were not doing anything, and their attitude was to tolerate apartheid in South Africa. There was a lot of lip service being paid to the need to stop this practice, but nothing was done.
What has happened to us? It seems as if we have perverted our freedom, our rights into license, into being irresponsible. Perhaps we did not realise just how apartheid has damaged us so that we seem to have lost our sense of right and wrong.
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