I was offered to take over for Reba in 'Annie Get Your Gun,' but it wasn't where I wanted to be. I think my fans would be upset if I confined my shows to one city for a long period of time.
Liza-don't let it make any difference. It won't, will it? With us, I mean." "Of course it won't," I told her. But I was wrong. Six months of not writing-that's a difference. And so I lied to Annie. On top of everything else, I lied to Annie, too.
It's Annie and me they're all sitting around here like cardboard people judging; It's Annie and me. And what we did that they think is wrong, when you pare it all down, was fall in love.
I am impressed by the way Annie Kevans captured the different types of beauties that have been my inspiration and my muses from my grandmother to artists like David Bowie and Boy George.
Did you ever see so many pee-wee hats, Carl?" "They're beanies." "They call them pee-wees in Brooklyn." "But I'm not in Brooklyn." "But you're still a Brooklynite." "I wouldn't want that to get around, Annie." "You don't mean that, Carl." "Ah, we might as well call them beanies, Annie." "Why?" "When in Rome do as the Romans do." "Do they call them beanies in Rome?" she asked artlessly. "This is the silliest conversation.
And Annie showed me how ailanthus trees grow under subway and sewer gratings, stretching toward the sun, making shelter in the summer, she said, laughing, for the small dragons that live under the streets.
Cynie Cory roams the outer reaches of the heart’s territory, from the snowy winter of family life to the tropical jungles of love. She wears her heart on her sleeve and it is as big as the country she writes about. Is she the quintessential American girl? You bet she is, part Annie Oakley, part Emily Dickinson—sharpshooting poet of wild nights. She zooms in on the detritus of love—the broken fragments, the fallen leaves—and puts together a collage that is as heartbreaking as it is beautiful. Watch out—she’s driving down your street.
Peeta and I had adjoining cells in the Capitol. We're very familiar with each other's screams.” Annie, who's on Johanna's other side, does that thing where she covers her ears and exits reality. Finnick shoots Johanna an angry look as his arm encircles Annie. “What? My head doctor says I'm not supposed to censor my thoughts. It's part of my therapy,” replies Johanna.
Finnick:" Good to see you, Peeta." Peeta:" You be nice to her, Finnick. Or I might try and take her away from you." It could be a joke, if the tone wasn't so cold. Everything it conveys is wrong. The open distrust of Finnick, the implication that Peeta has his eye on Annie, that Annie could desert Finnick, that I do not even exist. Finnick:"Oh Peeta," says Finnick lightly. "Don't make me sorry I restarted your heart.
And random bits of happiness, like Finnick and Annie's newborn boy.
Daddy once said, "If you don't know what you believe, Annie, you'll be a lost soul.
I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie [O'Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.
I can't not have something attached to like what actually happens in real life. Like I can't do a romantic comedy without there being something where like, in the case of Annie Hathaway's character, her character ends up having Parkinson's, you know? To me, I feel like that's love, you know? Like to me. So every movie has to have that kind of sense of that.
I distinctly remember watching Annie when I was very little and thinking 'I don't like this kid.' In fact I think I remember thinking 'I don't like any of these kids.' That's all I remember.
Fans always write asking why I didn't smile more in films. I smiled in `Annie Laurie`, but I can't recall that it helped much.
Once upon a Lammas Night When corn rigs are bonny, Beneath the Moon's unclouded light, I held awhile to Annie... The time went by with careless heed Between the late and early, With small persuasion she agreed To see me through the barley... Corn rigs and barley rigs, Corn rigs are bonny! I'll not forget that happy night Among the rigs with Annie!
There seems to be this tendency toward denigrating romantic comedies as of late because it becomes something sort of cheesy or whatever. Whereas this embraced what it was. As a fan of When Harry Met Sally or Annie Hall, as a demonstration of what romantic comedy could be and should be, I immediately phoned Nira back and said, "Yeah, I'd like to do this. It'll be fun."
She is running around talking about how this is an insult to sportsmen, how she values the Second Amendment. She's talking like she's Annie Oakley.
If anything, I learned most from being a huge fan of his and watching movies like Annie Hall and Manhattan over and over again - that influenced the kind of movies that I wanted to make more than anything else.
Now,I'm no scientist,but I know what endorphins are. They're tiny little magical elves that swim through your blood stream and tell funny jokes to each other. When they reach your brain,you hear what they're saying and that boosts your health and happiness. "Knock Knock... Who's There?.. Little endorphin... Little endorphin who?... Little Endorphin Annie." And then the endorphins laugh and then you laugh. See? Its Science.
I always liked how people like Grace Jones and Annie Lennox pushed it with the videos. I'm not the most stylish person at all, but there's something about playing dress-up for the day and playing the role of a singer.
My tastes range all over the place, from vocal standards to Motown to 70s funk & soul to 80s pop to film scores to artists like R.E.M., Ben Folds, Prince, Annie Lennox, the Police, Elvis Costello, Cat Stevens, the Ditty Bops, local bands that friends of mine are in, and the list goes on... I have no single favorite genre or artist.
Yes, I co-wrote a song on the album called "Good Friend To Me" with Annie Roboff and Bekka Bramlett.
I don't know if you have ever seen the Woody Allen film 'Annie Hall,' but it is, in a way, to Los Angeles and 'Hollywood' what 'This Is Spinal Tap' is to many musicians.
I'm not sure about this Live 8 thing. Correct me if I am wrong, but are they hoping that one of these guys from the G8 is on a quick 15-minute break at Gleneagles and sees Annie Lennox singing "Sweet Dreams" and thinks: "F... me, she might have a point there, you know." It's not going to f... happen, is it? Keane doing "Somewhere Only We Know" and some Japanese businessman going: "Aw, look at him...we should really f... drop that debt, you know." It's not going to happen, is it?
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