A poem is good if it contains a new analogy and startles the reader out of the habit of treating words as counters.
The influence exercised over the human mind by apt analogies is and has always been immense. Whether they translate an established truth into simple language or whether they adventurously aspire to reveal the unknown, they are among the most formidable weapons of the rhetorician.
Art is harmony. Harmony is the analogy of contrary and of similar elements of tone, of color and of line, conditioned by the dominate key, and under the influence of a particular light, in gay, calm, or sad combinations.
The mathematical facts worthy of being studied are those which, by their analogy with other facts, are capable of leading us to the knowledge of a physical law. They reveal the kinship between other facts, long known, but wrongly believed to be strangers to one another.
For the correct analogy for the mind is not a vessel that needs filling, but wood that needs igniting.
Analogies and metaphors have often proved pivotal in expanding our thoughts both within and without science, and so one should not discourage the attempt to synthesize apparent opposites. However, citizens of the New Age often forget that, when they involve science, analogies should be tempered by experiment and calculation.
How else could it have occurred to man to divide the cosmos, on the analogy of day and night, summer and winter, into a bright day-world and a dark night-world peopled with fabulous monsters, unless he had the prototype of such a division in himself, in the polarity between the conscious and the invisible and unknowable unconscious?
I would like to try to understand what is. We know very little, and I am trying to do it by creating analogies. Almost every work of art is an analogy.
Poetry is a dissociating and anarchic force which through analogy, associations and imagery, thrives on the destruction of known relationships.
For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That's a metaphor for the acquisition of knowledge. When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water. We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
Joy Rains has a gift. A gift for explaining abstract concepts like meditation through clever analogies and metaphors. FOR THE FIRST TIME in my hectic, harried life I actually UNDERSTAND how meditation is supposed to work and WHY I should give it a TRY!
It's impossible to contemplate the life of soil very long without seeing its analogy to the life of the spirit.
On the analogy of 'Dictionary Johnson,' we call Fred R. Shapiro, editor of the just-published Yale Book of Quotations (well worth the $50 price), 'Quotationeer Shapiro.' Shapiro does original research, earning his 1,067-page volume a place on the quotation shelf next to Bartlett's and Oxford's.
A useful analogy is to see traditional societies as relying on instantaneous (or minimally delayed) and constantly replenished solar income, while modern civilization is withdrawing accumulated solar capital at rates that will exhaust it in a tiny fraction of the time that was needed to create it.
We can learn from history how past generations thought and acted, how they responded to the demands of their time and how they solved their problems. We can learn by analogy, not by example, for our circumstances will always be different than theirs were. The main thing history can teach us is that human actions have consequences and that certain choices, once made, cannot be undone. They foreclose the possibility of making other choices and thus they determine future events.
Thoughts come and go. It's impossible to stop your thoughts, but the idea is that the thoughts are kind of like waves on the ocean. That's Jon Kabat-Zinn's big analogy and that this is actually kind of diving under the waves. And you know it's kind of interesting.
When Van Truex defined the difference between designing and decorating, he used the analogy of preparing a roast of beef. Design, he said, is the preparation and cooking; decorating is the final seasoning, the savoring.
The separation of Science from Knowledge was effected step by step as the Subjective Method was replaced by the Objective Method: i.e., when in each inquiry the phenomena of external nature ceased to be interpreted on premisses suggested by the analogies of human nature.
It is natural to men to judge of things less known, by some similitude they observe, or think they observe, between them and things more familiar or better known. In many cases, we have no better way of judging. And, where the things compared have really a great similitude in their nature, when there is reason to think that they are subject to the same laws, there may be a considerable degree of probability in conclusions drawn from analogy.
His lessons were chock-full of analogies for a variety of musical situations. Those little things were my favorites. 'No . . . that's too much vibrato. It's like putting bright red lipstick on a beautiful woman.' I always thought it was funny that when you broke a musical rule-like accenting a weak beat-he would turn his head away from you sharply, almost as though he were in pain. It's like you just slapped him in the face by being unmusical.
Catastrophe Theory is-quite likely-the first coherent attempt (since Aristotelian logic) to give a theory on analogy. When narrow-minded scientists object to Catastrophe Theory that it gives no more than analogies, or metaphors, they do not realise that they are stating the proper aim of Catastrophe Theory, which is to classify all possible types of analogous situations.
You cannot be anything if you want to be everything. But if you are content to be something, you may by analogy be many things.
Singaporeans, if I can chose an analogy, we are the hard disk of a computer, the foreign talent are the megabytes you add to your storage capacity. So your computer never hangs because you got enormous storage capacity.
He who studies it [Nature] has continually the exquisite pleasure of discerning or half discerning and divining laws; regularities glimmer through an appearance of confusion; analogies between phenomena of a different order suggest themselves and set the imagination in motion; the mind is haunted with the sense of a vast unity not yet discoverable or nameable.
Our Cosmic Habitat is certain to be widely quoted and widely read. It is beautifully written, using inspiring and stimulating analogies. While the book is intended for the nonscientist, it provides an accurate guide to the best current thinking about the nature and constitution of our universe. If I wanted to give a gift to a person I would like to become a close friend, this is the book I would choose.
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