American Movie Quotes - Page 3

• I was sick and tired of being an English actor who did a lot of American movies because I was cheap and good.

  Daniel Craig

  Tired, Sick, Actors

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• If I would want to have a huge audience, I would make American movies, not French movies, because there is a limit of course with French language. If I prefer to shoot in my own language, it is to play with my language, to play in my Paris, and I have complete freedom in France. It's so amazing. If American directors could imagine how free I am, they would have asked for political asylum immediately.

  Jean-Pierre Jeunet

  Play, Paris, Political

  Source: collider.com

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• Before I moved into the mainstream of American movies, I wrote a script as an experiment. I wanted to get very far away from the clichés about the three-act play - structure, development.

  Jack Nicholson

  Play, Three, Development

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• I think that if you do an American movie it's important to earn some money, but in a stupid way, to be respected.

  Audrey Tautou

  Stupid, Thinking, Important

  "Profile and Interview: Audrey Tautou". Interview with Carlo Cavagna, www.aboutfilm.com. 2003.

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• When we came to America, the movies here needed a "new wave." European films looked totally different than American movies, which were these lush, glossy pictures with this elaborate production design.

  Vilmos Zsigmond

  America, Design, Different

  Source: www.pbs.org

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• I grew up watching American movies. My favorite movies have always been American, since as long as I can remember. I always had this huge respect for American filmmakers and American actors.

  Noomi Rapace

  Long, Actors, Remember

  Source: collider.com

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• Big hooks have always been a part of American movie-making. So, to make a movie where you're just driving story through the characters without a high-concept is a challenge.

  Steve Pink

  Character, Challenges, Hook

  Source: collider.com

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• Romanian movies are not made the same as American movies are, only because it's newer there. For instance, cigarettes, over there, are much more prominent, and Americans aren't used to that.

  Kristen Bell

  Cigarette, Used, Made

  "Kristen Bell and Christina Milian Talk Pulse". Interview, movieweb.com. August 6, 2006.

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• I chose the American ones, more or less the last five years of the silent era, because those are the ones that aged the best in the way they tell the story. One, it's about human beings with context. It's a very classical story with feelings, with laughter, melodrama and it really works, the good ones - Murnau's American movies, John Ford's Four Sons, King Vidor's The Crowd, or the (Josef) von Sternberg movies. You can watch it now and it still works. I mean they are really, really good pieces so this is where I tried to work.

  Michel Hazanavicius

  Kings, Laughter, Mean

  "Director Michel Hazanavicius 'The Artist' Interview". Interview with Sheila Roberts, collider.com. November 26, 2011.

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• In the late 1930s, both the British and American movie industries made a succession of films celebrating the decency of the British Empire in order to challenge the threatening tide of Nazism and fascism and also to provide employment for actors from Los Angeles's British colony. The best two were Hollywood's Gunga Din and Britain's The Four Feathers...

  Philip French

  Order, Two, Challenges

  "The Four Feathers" by Philip French, www.theguardian.com. February 17, 2007.

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• It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.

  Louis Leterrier

  Real, Fake, Shooting

  "Director Louis Leterrier Talks Shooting On Location, Practical Effects vs. CG, and More on the Set of NOW YOU SEE ME". Interview with Steve 'Frosty' Weintraub, collider.com. April 15, 2013.

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• One thing I don't understand is that average American movie-goers cannot watch a movie for three hours, yet they'll watch a stupid, boring, horrific football game for four hours. Now, that is boredom at its most colossal.

  Quentin Tarantino

  Football, Stupid, Average

  "Playboy Interview 1994". Interview with Margy Rochlin, wiki.tarantino.info. 1994.

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• Hollywood is a symbol of global movies, it's not just American movies. It's become a platform and a melting pot; it's for all the talents and capital from all over the globe.

  Bruno Zheng Wu

  Hollywood, Melting, Talent

  Source: deadline.com

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• America always seemed to me this foreign land that I imagined I could escape to if I needed to get away - and I think that came both from the fact that I was born there and from watching so many American movies when I was a kid. I was brought up on American films.

  Andrew Garfield

  Kids, Thinking, Land

  Interview with Terry Gilliam, www.interviewmagazine.com. September 17, 2010.

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• I didn't go to Paris until I was a grown-up in 1965. And when I went to Paris, it was the Paris I knew only from American movies.

  Woody Allen

  Paris

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• American movies show you how to fight and break armsand necks. I want to make the action in my movies like dancing.

  Jackie Chan

  Fighting, Dancing, Want

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• In France, it's always about life, normal life. We always stick with these realistic things. So when French people are dreaming about American movies, they go and see the thrillers, and Westerns, and science fiction, huge entertaining movies.

  Berenice Bejo

  Dream, People, Fiction

  Source: www.interviewmagazine.com

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• American movie audiences now just don’t seem to be very interested in any kind of ambiguity or any kind of real complexity of character or narrative - I’m talking in large numbers, there are always some, but enough to make hits out of movies that have those qualities. I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

  Steven Soderbergh

  Real, Character, Thinking

  "Steven Soderbergh Hints at Switch to Television". www.hollywoodreporter.com. June 29, 2012.

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• I like looking back at people's faces in the dark. I like noticing details that no one else sees. But I hate it in the old American movies when drivers don't watch the road.

  Jean-Pierre Jeunet

  Hate, Dark, People

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• All of my favourite actors are American and I grew up watching American movies. It's weird, but I used to do a New Jersey accent in every audition in the States just because I liked to do it, really. It's completely bizarre. Everybody would ask: 'Where are you from?' And I would say, 'Oh, I'm from London.'

  Robert Pattinson

  Life, America, Actors

  "Robert Pattinson: 'Girls scream at me all round the world. Once, I was so nervous, I started crying...'". Daily Mirror Interview, www.mirror.co.uk. November 22, 2009.

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• My grandmother, when she looked at American movies, she said, 'They're all the same. In the first scene somebody shoots somebody and then everybody makes phone calls.'

  Marina Abramovic

  Grandmother, Phones, Firsts

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• Like most people raised on American movies, I have poor access to my emotions, but can banter like a motherfucker.

  Josh Bazell

  People, Emotion, Poor

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• I've never understood the cult of Hitchcock. Particularly the late American movies... Egotism and laziness. And they're all lit like television shows.

  Orson Welles

  Television, Laziness, Late

  "Orson Welles' criticisms of fellow actors and directors found on lost tapes" by Dalya Alberge, www.theguardian.com. June 29, 2013.

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• Life is a banquet, and most poor suckers are starving to death.

  Rosalind Russell

  Funny, Life, Movie

  "Fictional character: Mame Dennis". "Auntie Mame", www.imdb.com. 1958.

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• In Malaysia, where Western culture was extremely influential, I'd grown up listening to Elvis and the Beatles and watching American movies. People wanted to be like Americans. In contrast, when I got here, I saw prosperous middle-class American college students wanting to somehow join the Third World.

  Feisal Abdul Rauf

  College, Class, People

  Imam Feisal Abdul Rauf (2013). “Moving the Mountain: A New Vision of Islam in America”, p.6, Simon and Schuster

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