Kellan [Lutz] and I were really the closest, and he and I have been really good friends before "Twilight" even happened - we have the same agent.
I would tell the Democrats in Washington who are trying to be civil with the "bipartisanship" to please stop and let the joker die once and for all, let the agents of chaos hit the pavement, stop picking them up.
As agent asked if I wanted to be represented, and I said, "Yeah, sure, I'll give it a shot!" It was never something I had really put that much thought into. But then, Lee Kirk reached out and asked if I was interested, and I read the script of the [Ordinary World] and said, "Absolutely!"
Philosophers (and probably most intellectuals) are more interested in pursuing what they see as the logical implications of their theories than they are in paying attention to the shlumpy diversity of defensible values that people actually have, and then trying to figure out how these might be negotiated in the life of an agent or community.
I think people in America have had enough, and Donald Trump's the change agent.
I think more people now have relationships with agents than with editors. And I don't have an agent.
I came across the script [42], and I read it, and I said, "I really want to do this." And when I had my agent call, they said, ah, you know, it's not what they're looking for. So, OK. And then I let it go for a while, and then it just kept gnawing at me, so I kept pushing.
When I finished the book [The Dissemblers], I sent it to one billion agents, and got one billion rejections.
Finally, I found a wonderful agent who wanted to work with me, and she sent it to one billion publishers and received one billion rejections, until I was fortunate enough to be matched up with the Permanent Press.
When Cara [Delevingne] and Dane [DeHaan] arrived, I told their agent, "They need to know all this." I gave them the 600 pages. I said, "You have to learn everything. You're a cop. You need to know the names." I don't want him, when he meets an alien to go, "Whoa" like this. I want him to know if this guy is peaceful.
I like the fact that they still run substantive pieces. I'm not sure I like the pieces, but it's nice that they do that. Anyway, it was always sort of ridiculous, me having anything to do with the youth culture, but now that I'm in my 50s, it's extra-double-ridiculous. They were losing interest in me, and I was losing interest in them. When I went to renegotiate my contract at Rolling Stone, I kind of halfheartedly asked if I could do half the work for half the money, and they asked if I could do two-thirds of the work for half the money. I ran that by my agent, since he can do math.
I was the first person that had been so kind to Iman Abdulmajid. As time went on, and she became successful, signed with an agency, when she had to make big decisions, she wouldn't always talk to an agent, she'd ask me. I'd give her good advice and she'd be on her way. When I had ideas to do things like the Black Girls Coalition, I would always talk to her, she always loved my ideas. She trusts me.
We don't have a watchdog in fashion, we don't have HR to go to, so it is important to get that word out to someone whether it's an agent or someone like me and we should all come together and figure out what we can do.
If [Donald] Trump succeeds, then Trump will be the change agent.
I was simply writing out our family stories in my online journal, scratching out what I want to remember, what I was wrestling out with God. Unbeknownst to me, two readers of the posts, both published authors, contacted their agent, Bill Jensen, within 24 hours of each other, encouraging him to drop me a line. Which he did.
For me, each one of those experiences stands on its own. The first one was with Steven Spielberg, who helped me to get an agent and vouch for me, and that gave me the confidence to continue.
Now younger actresses will have a confidence in those discussions with their agents and be able to say, "Can we make sure that I'm being paid the right amount for the work that I'm doing?"
[Hillary Clinton] had put her favoured agent, Sidney Blumenthal, on to that; there's more than 1700 emails out of the thirty three thousand Hillary Clinton emails that we've published, just about Libya.
[Alex] Haley had a tendency to write even more frequently and voluminously to his agents and his editors than he did putting pen to paper in his own books.
A player has no use for an agent. None.
An agent won't help you get drafted higher, won't make you win more games, and won't make you faster or stronger. They all say they can, but the people who do the drafting don't talk to agents. They talk to coaches, they watch film, they talk to the people who've worked with players. They don't talk to agents.
All I've seen agents do is talk players into having bad senior seasons because they're trying to keep themselves from getting injured.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
I know it's - this is this insane analysis. Hillary Clinton lost the election because her ideas were bad. She didn't fit the electorate. She ignored states that she shouldn't have, and Donald Trump was the change agent, OK?
The author with the greatest influence on me is my friend Stephen Harrigan, who critiques everything I write before I even bother to show it to my agent or editor. He's a truly great writer - author of Gates of the Alamo and other books you might know of, and his instincts about what's working in a story, and what's not, are just about perfect. My books would be very different without his influence.
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