I believe the road to hell is paved with adverbs, and I will shout it from the rooftops.
The road to hell is paved with adverbs.
Adjectives are the sugar of literature and adverbs the salt.
If you are using an adverb, you have got the verb wrong.
I adore adverbs; they are the only qualifications I really much respect.
Frankly, I wonder who Frank was, and why he has an adverb all to himself.
The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank.
Cross out as many adjectives and adverbs as you can. ... It is comprehensible when I write: "The man sat on the grass," because it is clear and does not detain one's attention. On the other hand, it is difficult to figure out and hard on the brain if I write: "The tall, narrow-chested man of medium height and with a red beard sat down on the green grass that had already been trampled down by the pedestrians, sat down silently, looking around timidly and fearfully." The brain can't grasp all that at once, and art must be grasped at once, instantaneously.
Adverbs are a sign that you've used the wrong verb.
The miracle is the adverbs, the way things are done.
Empty your knapsack of all adjectives, adverbs and clauses that slo your stride and weaken your pace. Travel light. Remember the most memorable sentences in the English language are also the shortest: "The King is dead" and "Jesus wept."
I am dead to adverbs; they cannot excite me. To misplace an adverb is a thing which I am able to do with frozen indifference; it can never give me a pang. There are subtleties which I cannot master at all - they confuse me, they mean absolutely nothing to me - and this adverb plague is one of them.
Never use an adverb to modify the verb 'said' . . . he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange.
Surely: the adverb of a man without an argument.
All I ask is that you do as well as you can, and remember that, while to write adverbs is human, to write he said or she said is divine.
All people in the world - who are not hermits or mutes - speak words. They speak different languages, but they speak words. They say, "How are you" or "I'm not feeling well" all over the world. These common words - these common elements that we have between us - the writer has to take some verbs and nouns and pronouns and adjectives and adverbs and arrange them in a way that sound fresh.
Every adjective and adverb is worth five cents. Every verb is worth fifty cents.
There's enough adverbs in the world for you to start creating new ones.
Using adverbs is a mortal sin.
The words I overuse are all adverbs.
I’m convinced that fear is at the root of most bad writing. Dumbo got airborne with the help of a magic feather; you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. Just remember before you do that Dumbo didn’t need the feather; the magic was in him.
The Hebrews have a saying that God is more delighted in adverbs than in nouns; it is not so much the matter that is done, but the matter how it is done, that God minds. Not how much, but how well! It is the well-doing that meets with a well-done. Let us therefore serve God, not nominally or verbally, but adverbially.
Probably the best way to describe my writing style is to refer you to "purple prose", which was a tag given to the early mass market magazine writers earning a half cent a word for their fiction. They had to use every adjective, verb and adverb in the English language to add word count to stories in order to feed and support families.
A relativist is an individual who doesn't know the difference between an adjective and an adverb.
Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.
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