Self-will seems to be the only virtue that takes no account of man-made laws.
Well, the nice thing about animation, you don't even really have to account for yourself. All of the physical stuff that you work on as an actor, you just throw away.
The Place of Religion in Chicago is a clearly written account of a little-studied aspect of American landscape. Based on unique field surveys and supported by photographs, tables, and beautifully crafted maps, the book will form a lasting contribution to our understanding of an overlooked element of the American urban scene: the religious landscape of a major metropolis.
If a sheep dies on the shore of the Euphrates I fear lest Allah ask me to account for it on the Day of Resurrection.
Atemi accounts for 99% of Aikido.
A man in Georgia was arrested for burglary after he left his Facebook account open on the victim's computer. But this is nice: He's only been in jail a few hours, and his status already says "In a Relationship!
Imitation is for the most part so unconscious that its effects are almost unheeded, but its influence is not the less permanent on that account. It is only when an impressive nature is placed in contact with an impressionable one that the alteration in the character becomes recognizable. Yet even the weakest natures exercise some influence upon those about them. The approximation of feeling, thought, and habit is constant, and the action of example unceasing.
After sketching his program for the scientific revolution that he foresaw, Bacon ends his account with a prayer: "Humbly we pray that this mind may be steadfast in us, and that through these our hands, and the hands of others to whom thou shalt give the same spirit, thou wilt vouchsafe to endow the human family with new mercies". That is still a good prayer for all of us as we begin the twenty-first century.
How do we define, how do we describe, how do we explain and/or understand ourselves? What sort of creatures do we take ourselves to be? What are we? Who are we? Why are we? How do we come to be what or who we are or take ourselves to be? How do we give an account of ourselves? How do we account for ourselves, our actions, interactions, transactions (praxis), our biologic processes? Our specific human existence?
Yet if anyone cares to read over the now crumbling minutes giving an account of the meetings at which the Italian Fasci di Combattimento were founded, he will find not a doctrine but a series of pointers... It may be objected that this program implies a return to the guilds (corporazioni). No matter!... I therefore hope this assembly will accept the economic claims advanced by national syndicalism.
Ireland still remains the Holy Isle whose aspirations must on no account be mixed with the profane class-struggles of the rest of the sinful world ... the Irish peasant must not on any account know that the Socialist workers are his sole allies in Europe.
We cannot embrace His cross, and yet refuse our own. We cannot raise the cup of His remembrance to our lips, without a secret pledge to Him, to one another, to the great company of the faithful in every age that we, too, hold ourselves at God's disposal, that we will ask nothing on our own account, that we will pass simply into the Divine hand to take us whither it will.
I think the humanities always have to take science, our great knowledge that we get from science, into account, but then try to answer the human questions and try to make sense out of our lives, taking into account all of the scientific knowledge.
Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self-image. How we look at art should account for those imperfections and work around them.
Trusting others puts us at risk. Yet failure to trust entails risk as well. The ability to navigate through this minefield successfully is one of life’s most valuable assets. DeSteno provides by far the best account of what science has learned about how we do this. The Truth About Trust is also a terrific read.
The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus.... By all accounts there is no single and intercultural universal concept defining what music might be
Since my moral system rests on my accepted version of the facts, he who denies my moral judgments or my version of the facts, is to me perverse, alien, dangerous. How shall I account for him? The opponent has always to be explained, and the last explanation that we ever look for is that he sees a different set of facts. Such an explanation we avoid, because it saps the very foundation of our own assurance that we have seen life steadily and seen it whole.
It's a strange thing to think of a man as can lift a chair with his teeth, and walk fifty mile on end, trembling and turning hot and cold at only a look from one woman out of all the rest i' the world. It's a mystery we can give no account of.
Anger and the like are attributed to God on account of a similitude of effect. Thus, because to punish is properly the act of an angry man, God's punishment is metaphorically spoken of as His anger.
It is due to neither impotence nor ignorance on God’s part that evils occur in the world, but it is owing to the order of his wisdom and to the greatness of his goodness, whence come the many and divers grades of goodness in things, many of which would be lacking were he to allow no evil to exist. Thus there would be no good of patience without the evil of persecution, nor the good of the preservation of its life in a lion, without the evil of the destruction of the animals on which it lives.
The revolt against individualism naturally calls artists severely to account, because the artist is of all men the most individual; those who were not have been long forgotten.
The act the act must not be a revenge. It must be a calm, weary renunciation, a closing of accounts, a private, rhythmic deed. The last remark.
I should be very sorry to see the United States holding anyone in confinement on account of any opinion that that person might hold. It is a fundamental tenet of our institutions that people have a right to believe what they want to believe and hold such opinions as they want to hold without having to answer to anyone for their private opinion.
Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.
It is wise to turn circumstances to good account.
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