Abstract painting is abstract. It confronts you.
There is no abstract art. You must always start with something. Afterward you can remove all traces of reality.
The soaring, imaginative minds of men, constructing lofty, shimmering piles of abstract thought, and taking as their postulate a revelation from God, gaveus relgions which coule not possible maintained without belief and obedience: ... we find them most permanent and changeless among people who make the least effort to swquare their beliefs with the laws of life.
The longer you look at an object, the more abstract it becomes, and, ironically, the more real.
I'm not a natural leader. I'm too intellectual; I'm too abstract; I think too much.
The abstract way we think is really grounded in the concrete, bodily world much more than we thought.
Change means movement. Movement means friction. Only in the frictionless vacuum of a nonexistent abstract world can movement or change occur without that abrasive friction of conflict.
Language is not an abstract construction of the learned, or of dictionary makers, but is something arising out of the work, needs, ties, joys, affections, tastes, of long generations of humanity, and has its bases broad and low, close to the ground
Even abstract shapes must have a likeness
I understand abstract art as an attempt to feed imagination with a world built through the basic sensations of the eyes.
...That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things.
I am dominated by one thing, an irresistible, burning attraction towards the abstract.
Money is human happiness in the abstract; he, then, who is no longer capable of enjoying human happiness in the concrete devotes himself utterly to money.
The more horrifying this world becomes, the more art becomes abstract.
Our ideas must agree with realities, be such realities concrete or abstract, be they facts or be they principles, under penalty of endless inconsistency and frustration.
Abstract pictures are fictive models, because they make visible a reality that we can neither see nor describe, but whose existence we can postulate.
The gift of fantasy has meant more to me than my talent for absorbing positive knowledge.
What is important, then, is not that the critic should possess a correct abstract definition of beauty for the intellect, but a certain kind of temperament, the power of being deeply moved by the presence of beautiful objects.
Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it.
I have not failed. I've just found 10,000 ways that won't work.
The minute I start to talk about acting, I realize that I can't. You know, it's an abstract thing, a little bit mysterious even if you do it for a living.
Color is for me the purest form of expression, the purest abstract reality.
As I say, I as an abstract artist was active politically.
I have always tried to write in a simple way, using down-to-earth and not abstract words.
It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws
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