There is no better designer than nature
Fashion should be a form of escapism, and not a form of imprisonment.
For me, what I do is an artistic expression which is channeled through me. Fashion is just the medium.
Fashion is self confident and fearless.
Clothes and jewellery should be startling, individual. When you see a woman in my clothes, you want to know more about them. To me, that is what distinguishes good designers from bad designers.
Women should look like women. A piece of cardboard has no sexuality.
British fashion is self confident and fearless. It refuses to bow to commerce, thus generating a constant flow of new ideas whilst drawing in British heritage.
I want people to be afraid of the women I dress.
I always wanted to be a designer. I read books on fashion from the age of 12.
I think there is beauty in everything. What 'normal' people would perceive as ugly, I can usually see something of beauty in it.
It's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together.
I think the idea of mixing luxury and mass-market fashion is very modern, very now - no one wears head-to-toe designer anymore.
There has to be a balance between your mental satisfaction and the financial needs of your company. (But) I always remember that it's the fantasy, the artistic side, that makes customers want to buy the straightforward black pants.
I was literally 3 years old when I started drawing. I did it all my life, through primary school, secondary school, all my life. I always, always wanted to be a designer. I read books on fashion from the age of twelve. I followed designer's careers. I knew Giorgio Armani was a window-dresser, Emanuel Ungaro was a tailor.
For people who know McQueen, there is always an underlying message. It's usually only the intellectual ones who understand what's going on in what I do.
I'm 40 now, but I want this to be a company that lives way beyond me, and I believe that customers are more important to making that happen than press. When I'm dead, hopefully this house will still be going. On a spaceship. Hopping up and down above earth.
I was this young boy and I saw this man with his hands round my sister's neck, I was just standing there with her two children beside me... Everything I've done since then was for the purpose of making women look stronger, not naïve. And so, when everyone started saying I was a misogynist, that really freaked me out. They didn't know me. They didn't know what I had seen in my life. That was the first part of fashion that I hated - people labeling me without knowing me.
The turnover of fashion is just so quick and so throwaway, and I think that is a big part of the problem. There is no longevity.
The explosion of museum exhibitions is only a mirror image of what has happened to fashion itself this millennium. With the force of technology, instant images and global participation, fashion has developed from being a passion for a few to a fascination - and an entertainment - for everybody.
Fashions fade, style is eternal. - Yves Saint-LaurentThe most important thing to remember is that you can wear all the greatest clothes and all the greatest shoes, but you've got to have a good spirit on the inside. That's what's really going to make you look like you're ready to rock the world. - Alicia KeysIt's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together.
Some designers are so airy-fairy people can't connect with them. I hope people can relate to me, to a normal person who just happens to be a fashion designer, that people can take me as they find me. It's not the designer's job to care about what people think. Whatever else I've done, I've never tried to be something that I'm not.
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them. . . . The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [O’Conner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really.
You can get insular with fashion.
I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes. . . . That’s mundane and it’s old hat. Let’s break down some barriers.
I was never a big networker, but I was a spin doctor, all those shock shows, that's how I got my first backers. But fashion's a scary industry to be in, especially if you've not grown up with it.
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