I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom.
The major adventure is to claim your authentic, true being, which is not culturally given to you. The culture will not explain to you how to be a real human being. It will tell you how to be banker, politician, Indian chief, masseuses, actress, whatever, but it will not give you true being.
We tend to disempower ourselves. We tend to believe that we don’t matter. And in the act of taking that idea to ourselves we give everything away to somebody else, to something else.
To contact the cosmic giggle, to have the flow of casuistry begin to give off synchronistic ripples, whitecaps in the billows of the coincidental ether, if you will. To achieve that, a precondition is a kind of unconsciousness, a kind of drifting, a certain taking-your-eye-off-the-ball, a certain assumptions that things are simpler than they are, almost always precedes what Mircea Eliade called ‘the rupture of plane’ that indicates that there is an archetypal world, an archetypal power behind profane appearances.
To my mind this makes psychedelics central to any political reconstruction, because these are the only force in nature that actually dissolve linguistics structures; lets the mechanics of syntax to be visible, allows the possibility for rapid introduction and spread of new concepts; gives permission for new ways of seeing; and this is what we have to do, we have to change our minds.
The terror of drugs is a terror of giving up control. This is what people are most alarmed about by psychedelics, is the giving up control.
The shaman is the figure at the beginning of human history that unites the doctor, the scientist and the artist into a single notion of care-giving and creativity.
Because I believe psychedelics are a kind of higher dimensional sectioning of reality, I think they give the kind of stereoscopic vision necessary to hold the entire hologram of what's happening in your mind. The old paradigm is gone.
What I've observed, and I think it's fair to give credit to the psychedelic experience for this, what I've observed is that nature builds on previously established levels of complexity.
My hope is that I may bear witness to the fact that there is a great mystery calling to us all, beckoning across the landscape of our history, promising to realize itself and to give real meaning to what is otherwise only the confusion of our lives and our collective past.
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